Oral History Interview with Irini Neofistos
Item
CUNY
DIGITALHISTORYARCHIVE
A project of the Professional Staff Congress Archives Committee
Interview with Irini Neofotistos
Interviewed by Amaka Okechukwu
August 20, 2019
New York, NY
[Start of recorded material at 00:00]
Irini: —_-- project I was actually very excited to meet. And so, I want to tell you a little bit about why it excites me
and kind of a point of entry that I’d like to offer you since you’re still developing your dissertation.
Amaka: Yeah, absolutely.
Irini: So I also am a sociology student. That’s what I studied at Hunter. I was sociology, women’s studies and
BLPR. I did this kind of like crazy hybrid program. And then I was part of -- at NYU I was part of the Draper
Program, so I was able to create my own master’s program. And what I focused on was looking at education and
public -- I was looking at public policy and funding as it related to education, public education, and the juvenile
justice system, between 1990 and 2001. So kind of the questions that you’re having are questions that I had, you
know, moving forward in my own kind of master’s program. But I want to tell you a little bit about what I do now.
And then maybe it’ll be a way to go back. So I work here at the Union Square Awards. I’m a program officer here.
And one of the things that we’re committed to is identifying organizations that are grassroots organizations where
their doing social justice work or arts work and using -- in particular for the arts program, it’s using arts as a tool to
talk about social justice, to engage low-income communities and families, and specifically focused on low-income
families. And then for the social justice program we have a multi-tiered kind of issue area, issue areas. And I can
probably give you more materials. I have this packet of brochures for you. But one of -- and one of our
commitments here is, aside from the recognition and from identifying these groups who typically are not on the
radar because of what they do and who they talk about and who they engage, is to, one, develop a peer network, two,
provide technical assistance toward sustainability -- so these are not one-time actions but sustained. And then, also,
the peer network actually is very important. And of course there’s a grant associated to that. And I was actually -- I
think it’s significant for two reasons. One is, if you look at the list of award recipients, there are -- I mean, SLAM!
members, whether they were long-term members or one-time kind of folks, are completely embedded within these
organizations. And so, there’s something to what you’re saying in terms of that activism that was sparked as a
student, but more importantly to how you manifest that agency throughout your lifetime. So at this point we’re, you
know, 15 years out. And you have leaders in community organizations. You have executive directors. You have
community organizers. You have activists. You have artists. You have educators committed to training this next
generation. And so, I don’t think that’s accidental. And | also don’t think that it was accidental that those folks
found SLAM!. But what I do think is significant is that I believe strongly in building infrastructure, in archiving, in
telling our own stories and in having a place. So one of the other things I’ve been thinking about in terms of SLAM!
-- and what was the other point I wanted to make? I think that the space -- | think that SLAM! having a space at
Hunter really became a hub for folks to come to. And | think one of the things -- in all of the conversations that we
have about the history of SLAM!, sometimes what we focus on is the activism, the mobilizing, the being out on the
streets, which is all valid, the political education, internal structures in terms of how we operated with one another.
But | think what’s most important is to talk about the structures that were set up, especially in this moment of
history. What was it about SLAM! and its structure that was such a powerful model? Can it be replicated? And is it
a good system for -- or a good model as a case study for how to develop this and replicate it? So | think that’s
what’s most excited for me. And I put [00:05:00] a -- I put some thought into why I think it worked so well. But
before I do that I want to talk to you a little bit about my role in SLAM!. So I started Hunter College the summer of
1996. I wasn’t actually quite graduated yet from high school. So I graduated in May, but I had already begun in the
summer of ’96. I began officially classes that September, right? And I happened to go to -- it was actually -- let me
give you big picture, and then I’ll go back to small picture. So I started with SLAM! very quickly and shortly
thereafter became their volunteer coordinator. And then I became their senate chair. And I’ll talk a little about why
that was significant, because one of the things that we were able to do was, we had some discretionary funding from
student activity fees. So when students -- and I wasn’t involved in that initial takeover of student spaces and how
the student government office was created. But I was a part of developing what that looked like once we were in the
spaces. So what was really important was that we were able to -- that’s the AC. We were able to disseminate
resources to students through a club structure. And the clubs were everything from, like, the Haitian Drumming
Club -- and you might hear about them because they’re a particularly funny case scenario. It was like an all-white
group. We were like, what is that? The Palestinian Club, which was a very, like, active group on campus and who
members led. Anyway, so yeah, so just creating mechanisms for resources to be out there, but really to activate
organizations in little pockets, right, that had the central hub. I served as cultural affairs commissioner, eventually as
president of SLAM! and then later on became the editor-in-chief of The Envoy. And The Envoy was a really
important part of it because it was the media and information wing of SLAM!. Even though they were separate,
they were connected. And the membership was linked. So I think that’s one important piece of it. And throughout
the history when I served as a liaison with, for example, the college association, to ensure that the spaces we claimed
we were able to keep. So for example, there was a student resource center. There was the Thomas Hunter -- and I
forget what we called it. It was Thomas Hunter 105, which was basically like a little -- I want to call it a black box
theater, but it wasn’t black. It wasn’t a black box. It was a theater space and a space for us to do parties and rent.
So we had additional income from that. So because of the way that it was structured, you can at any point --
anybody at any point could plug into something. It was place that not only were we going to develop politically to
find who our peers were, to think strategically about what it means to be a student, what it means to be a part of this
network and how we want, you know, the -- what our impact is going to be in the world. So | think one of the
important things about SLAM! is that it created a wide, a broad enough frame by being multi-issue, focused on
access, and being about self-determination. And then having a thread throughout in terms of political education, not
just in terms of learning but in terms of how do we infiltrate this learning into our own practices and developing kind
of structures that we thought were fair internally, so that it’s not just an outside face. So that there was -- and
[00:10:00] because -- I think there were certain people that were really good about the visioning, what was
happening outside, training, and community organizing within communities but also in terms of the student
population. And then there were people that were really focused on the how we do that but then also sustaining
those spaces. And so, everybody was able to bring their skills and develop their skill set without replicating what
somebody else brings and having a wide enough net that anybody can plug in. And I think that’s what’s been
significant in terms of this long impact, which is that if you’re an artist there’s a space for you. But you have this
network you’re plugging into. And you have peers for life. Any space that SLAM! members walk into, the intent
behind their work is not questioned. And I think that’s important. You know, that’s always a network that you
cultivate. So for me what’s significant is, yes, what happened then. There are best practices that can be learned
from. It was a significant historical moment, but we’re in another historical moment. So what was it about that
model that was critical? And then, what does it mean in terms of the impact of the folks involved today? And what
can be created using that model? So that’s what’s exciting to me.
Amaka: Yeah, no, that’s excellent because, you know, like I said, one of the main questions is, for me, what is the
long-term impact of SLAM! on the lives of the people that were involved in SLAM! and you know, the
organizations that they came to found or, you know, be involved in, have leadership in, etc. So that’s definitely one
of the questions that I’m most concerned with in doing this. So yes, that was really helpful.
Trini: Yeah. I mean, I was -- all night last night I was like I wish could have, like, something recording the stream
of consciousness, you know, because it’s something we’re thinking about here in terms of -- you know, the Union
Square Awards network is over 230 organizations wide. It started in 1998. I mean, I wasn’t a part of it in 98. I was
brought in in 2006 to launch their arts program. But in the process, I mean, all of these organizations, there’s a
dialectical relationship, right? 1 think SLAM! members have a role, have had a role, in developing those
organizations and vice versa. And for us the question as Union Square Awards is, you know, what is the long -- the
bigger impact? Do we look at policy? Do we look at new -- and some of the stuff is not tangible. We’re talking
about creating frames and involving -- bringing communities into a dialogue that are not there or sparking a
conversation where it becomes a policy issue where it never would have been. What are the organizing strategies
and tactics, | think? So and then, you know, within that, my role within all of that was one -- my own concern was
about the sustainability of the structures that we did have. And then, when we did have actions that kind of were out
in the community, my role was more of on the tactical or logistical level. So I’ve always been, like, the
behind-the-scenes person. I was never out in the forefront. But it was important for me that we talk about
resources. We talk about tools. We develop leadership and skills, and then how all of that fits in to the whole. So I
mean, there’s a lot. There’s a lot there. I’m happy to -- I don’t know. I was even thinking, when you get to the point
where, you know, you want to start talking to folks I’ll definitely be -- I can definitely link you to which
organizations and people are kind of linked at the top of my list, if you want folks. At the top of my list for you to
speak to would be Kazembe at the Brecht Forum, Valery Jean at FUREE. And actually, if -- they recently put out an
open letter. So FUREE is an organization in downtown Brooklyn. Are you familiar with them?
Amaka: Yeah, yeah.
Trini: Do you know Valery?
Amaka: I don’t know Valery. But I know people that have worked for them before.
Irini: So they put out an open letter to the community, to different stakeholders in the community. And I think it
would definitely be good for you to look at that letter because I do think -- [00:15:00] I don’t know. When I read
that letter, 1 can see kind of the history behind and the work that’s happened since. So I think that might be a nice
tool.
Amaka: So was Valery in SLAM!?
Irini: Valery was the first person I recruited. Valery was in SLAM!. So yes, she was.
Amaka: So is the letter online somewhere?
Irini: It is online if you go to FUREE’s website. I would definitely speak to Sabrine Hammad. She was in the
Palestinian Club, the president of the -- Sabrine Hammad. There were the three Hammad sisters. I’m sure you’ll
hear a lot about them. Rachel LaForest, who is now a union organizer. At least she -- as far as I know, for the last
few months anyway, since the last few months. Lenina Nadal, who’s an artist, kind of a media maker, critical
thinker. Sandra Barros -- and I’m talking about, like, these are folks at Hunter who kind of helped shape what
SLAM! looked like. There were always folks in the periphery. And I don’t know if you want that. But let me just
think about who else I would just go down the list with.
Amaka: So the last one was, sorry, Sandra Barros?
Trini: Yes. Sandra -- oh, Sandra. Jed Brandt, now Jed was also -- he was one of those SLAM! Envoy -- he was
the one that developed most of our outreach materials, our posters, kind of the framing to the outside. Chris
Gunderson, Chris Day. He went by Chris Day then.
Amaka: Yeah, he sent me a whole bunch of documents that have been very helpful.
Irini: Good, yes. I mean, and | think Chris was our -- he was the one that helped develop a lot of the materials
that we used. I have a lot of materials also but that are internal to SLAM! student government and also to the
materials that we would give out on campus and to, like, meeting notes. And I was part of the executive committee
for many years if you ever think that that’s helpful.
Amaka: Oh, I’m sure it will be.
Trini: You may have found -- I don’t know what’s at the (overlapping dialogue; inaudible).
Amaka: There’s a whole bunch of stuff. There’s 32 boxes. And I’ve only been through, like, one or two, you
know? I haven’t even begun to scratch the surface with that. But there’s everything from minutes to posters, flyers
-- yeah, there’s a whole bunch of stuff up there.
Irini: —_ Later, there was like a -- there were lots of waves to SLAM! activity. So I think in the later, in the latter
wave, you may want to talk to Alejandro Cantagallo. He served as student government president but then went on
to work for the Prison Moratorium Project which MXGM shared a space with. Nilu -- she went by Nellie then --
Choudhury, who went on to work around -- to do work around domestic violence work and is now married to
Subhash Kateel, who is cofounder of Families for Freedom. And he currently runs, I would say, one of the most
important dynamic radio programs today. And he’s out of Miami. Do you know Subhash?
Amaka: I feel like I recently read an article that he might have written about Occupy Wall Street.
Irini: Organizing Upgrade? Oh, maybe, okay. Yes, so he -- okay, so that’s interesting because Subhash -- my
relationship to Subhash is through Prison Moratorium Project. And I became a member of Prison Moratorium
Project after being a member of SLAM!, right? So even -- like, even in looking at the networks and how that
happened, I think because it was a multi-issue organization and because people came in looking at different -- you
know, with a different lens. Some people were looking at housing. Some people were looking at homelessness,
HIV activism, the prison system. I mean, critical resistance was like a key component to how that work then spread
and Kai, Kai, of course. [00:20:00] See, that’s the hard part about saying names, because then you feel like you
have to have all of the extensive lists. And I'll probably -- tonight I'll be like, oh no, I forgot to mention. But we
can continue this conversation, of course.
Amaka: I mean, this is a long -- you know, this is -- hopefully I’ll be able to do my dissertation on this, so I’ll have
time to talk to all these people and contact people. So as many people that you would suggest is helpful.
Trini: Yeah. I think that’s a -- I mean, for me that’s a -- I know you’re already in conversation with Suzy. That’s
why I didn’t mention her. But she would probably connect you to, like, Brad Sigal and Caroline. So yeah, I mean,
each of us -- again, each of us had our own niche and developed differently. But I think what was important is that,
you know, we’re still in communication. We may not be mobilizing on the same issues or working on the same
path. Like, I don’t know. Maybe the fact that we were giving out those small $2,000 grants to clubs, we were able
to go from, like, 60 clubs to 80 clubs to 120 clubs and create this really rich, like, activity on campus is what brought
me to grant making. I don’t know.
Amaka: Could be.
Irini: But and to think about support and tools and resources in a different way. But yeah, there’s definitely lots
there. And just to reiterate, | think the most impactful for me is teasing out what is that model, because | think
there’s a lot of rich learning.
Amaka: I’m sure.
Trini: Do you have any questions for me? I know I’m rambling.
Amaka: When you came to -- so, you came in, you said, summer of 1996. Can you talk a little bit about your
background before you came into SLAM!?
Trini: Mm-hmm. Yeah, so I was thinking a little bit about this, too. So I come up from a very politically-engaged
family. My father -- I’m the daughter of Greek immigrants. My parents came to this country, of course, to get their
-- to become educated. They wanted to do their own thing. My father in particular, you know, was fleeing
dictatorship in Greece. He was in the military working directly with the king, pled insanity, sought asylum here. He
was in prison there for a little bit. When he came here he became a community organizer with PASOK, which was
the socialist party in Greece, which was the party that overthrew the dictatorship and them became like the people’s
leader. But he organized from New York the diaspora community and the response from here because he wasn’t
able to be there. And so, I was very -- I mean, I grew up going to meetings and you know, stuffing envelopes and
doing all of that stuff. But and I kind of had a sense -- I had never been part of an organizing community or a
community that had these questions. And it was by being part of this movement and reading and learning about,
you know, Fanon and Marx and Mao and Lenin. You know, it just became a very rich learning environment. But it
didn’t end in the -- it wasn’t about the learning. It was about how are we going to use this as fuel, right? So and of
course, I was just having a conversation with Sabrine about kind of the -- 1 was the youngest in the group. I
graduated when I was 16. I started SLAM! when I was 16. So you can imagine the 18 and the 20-somethings felt
like they were like a whole generation older than me. And | had a lot of respect for them. But of course, you know,
now in my 30s I look back and I was like, we were all babies. You know, we held each other -- the accountability
structures that we set up were really important to us. But they were also kickass, you know, kickass in terms of like
you really internalized when somebody said, you know, you need to step up or you need to do this or we need to
create this. Like, a lot of it was heavy. And so, you know, there was a lot of burnout. People were staying in the
office until 2:00 AM [00:25:00] trying to figure out should we get a permit for this rally, or should we just show up?
Like, who’s going to be there? I mean, there was a lot going on. And you know, we’re trying to balance learning
how to be adults at the same time and what our place in the world is. But I think there -- I think you’re right. There
is something significant about that time in somebody’s life and the flexibility that you have. And of course, the
student population looked different than any other university. We had returning students. We had older students.
We had students that were, you know, participating at night. And that meant, like, you know, when do we have
events? Do we have it during club hours? Do we have evening hours? How do we accommodate the student body?
When do class RAPs happen, you know, whatever? So it was a lot of tough love sometimes but all love.
Amaka: Can you say something about, I guess, the political moment at which SLAM! kind of emerges? It’s
interesting talking to people, you know, about SLAM! because when | first was kind of hearing about and talking
about it with people it was in relationship to all this other stuff that was happening in New York at the time, like
(inaudible) Black August stuff. And Jericho, there was all this political prisoner work being done. And so, I mean,
could you say something about the -- you know, that political moment, and I guess SLAM!’s relationship to, you
know, the other organizations and grassroots kind of movements that are happening in New York at that time?
Irini: Everybody that came to SLAM! had a perspective and were looking for something. And we were teasing
apart everything. It’s like why is security on campus, you know? It was a time where you’re having this, like,
militarization. It was the -- you know, the Gulf War is happening. Why are these, like, security guards bothering
us? Why is a security guard making more than, you know, the professors on campus? How is that related to, like,
you know, the experiences of black and brown people on the daily? Kind of the corporatization -- you know, it was
like -- I mean, there was, like, a lot going on. But in terms of, like, the CUNY card and chips in the card and it’s
related to your bank statement, I mean, we created links. Because of what everybody was able to bring, we were
able to create links to all of those things. Why are people dropping out? Why are we expected to graduate in four
years? Is that realistic? We’re all working, you know? So it was hard not to make those connections. And then it
was hard -- | think because SLAM! was, like, young and vibrant and posters and you know, art and megaphones and
articulate and all of that, those community organizations also gravitated to us. We also gravitated to them. | think
we had an intent to educate and build leadership within. And so, it just became -- it was a rich time. Like I said, the
Union Square awards began in 1998. So similar timeframe -- there was just bubbling of activity. Of course, you
know, Giuliani and his policies kind of -- it was -- there was a lot happening. So I don’t know if I’m answering the
question, but yeah. And I think that does have to do with -- and because we are each -- you know, we were each still
living in our communities that were bringing all of that back. Then all of a sudden you’re having a conversation
with your mother and your aunt and your best friend from high school. And so, it just -- it was just a moment. I
think we’re in that moment again. And it’s interesting because most recently I’ve been running into folks that I
haven’t in a long time. It’s like, you know, I haven’t seen you in ten years. What are you up to? Great. And all ofa
sudden there’s a synergy again. So I think we’re in that cycle again. It’s a hard -- this particular moment is a hard
moment because | think folks are in real crisis. Like, we’re even -- even in terms of my work here, part of -- in
terms of identifying organizations doing this work, it’s really difficult to figure out what are people doing? Are they
consolidating resources? Are they talking to each other? What are the networks? But I think in the next two to
three [00:30:00] years, you’re going to see this emerging. Like, people will come out of this, like, crisis fog into
this, like, no, we need to do it. And I think Occupy Wall Street is that. And again | was thinking about the SLAM!
model because there’s a great power in having a wide enough net that you can catch people whether they want to do
this in a sustained way or as a one-time activity, because there was a frame. There was a political frame to the work.
Amaka: What was I going to ask? Why do you think -- I mean, from what I’ve read and talked to people, SLAM!
clearly seemed the strongest at Hunter. Why do you think it was the strongest at Hunter and not other CUNY
campuses?
Irini: | think it’s exactly because we had community spaces, because | think even -- you know, even the city or
the Brooklyn chapter of hunter, we had a space that we occupied. And it wasn’t just a space. We had various
spaces. And we had full control of those spaces. We could be there until 2:00 a.m. And it was midtown. I mean,
not midtown, but it was Manhattan. It was easily accessible. I think the sustainability of that space was important.
And I don’t know that the reason -- you know, clearly folks aged out. There was huge turnover. So you know, the
development had to happen over and over again. And it was tiring because you always had new formations. And I
don’t know if the conditions changed or, you know, people got tired. I mean, I don’t know what it was that ended it,
right? But I think the space not being there was a critical component. And the reason that it was strong, again, is
because of the sustainability of the spaces that we were able to create.
Amaka: So you mean in the sense that because SLAM! had control over so many -- in terms of the student
government and student resources and things like that, you guys had space in the way that didn’t exist at other
places?
Irini: Yeah. Having a community center was important. Having access to be able to print the newspaper and put
a flyer out to the -- I mean, The Envoy was being circulated at all the campuses and beyond. It’s just what we took
with us when we left the office. So yeah, having those resources were key, also because we could barely make our
tuition. So where were we going to find extra money for flyers or for whatever, for paint, for, you know, canvas,
whatever it was that we needed? And we also had a lot of support on campus. And we had some -- we didn’t
always have allies. Not everyone was an ally. But we had support.
Amaka: So would that be -- you mean in terms of the student body? Or do you mean in terms of -- I mean, were
there sympathetic faculty?
Irini: Yes, there were sympathetic faculty. I mean, I remember being in a class. And I mean, it was expected that
it began with a class rep, where we’re talking about what’s happening this week? What’s the activity? That wasn’t
true for everybody. But I think we were also very selective about what we -- I mean, you had the prerequisite you
had to take and whatever, whatever. But we were also very -- there were key faculty members that played a very
pivotal role, that were very sympathetic, that stood with us, and that allowed us -- gave us a sounding platform in
their classrooms. We used to flyer before classrooms. We used to do presentations before or after class. And we
used to have -- we found mentorship in a lot of them. And we would go, and they would be available after class.
Amaka: Can you remember the names of any of those faculty?
Trini: Yes. So Professor Kirkland he was in the philosophy department. And he was the professor that taught
Marxism. And he was also very clear about students having representation in various structures, so the college
senate, the academic senate, which he was also a part of. And we would have, like, strategy meetings beforehand in
terms of [00:35:00] blocking votes, right? And just to be clear, not everybody in SLAM! -- you know, we had a lot
of conversations about electoral politics. So sitting on a body like that wasn’t always a popular thing. And it wasn’t
the role for everybody. So just as a layer to that -- we had -- I said Professor Carter in the sociology department.
And he was, I mean, he was key in terms of even giving us, like, food for thought and like, here, read this article.
Take this book. But he put his body on the line. He put his title on the line. I mean, I remember going to him when
I was applying for NYU, for example. And I said, you know, Professor Carter, | would really be honored if you
gave me a recommendation letter. And he says Irini, | would give you -- I went by Irene then. I would give you a
glowing recommendation letter, but it would probably harm you. He’s like I’ll do it, but they’re not very fond of me
over there. Professor Abdulhadi -- Rabab, she went by Rabab...
Amaka: How do you -- sorry.
Irini: —_ | will write it because | -- do you want me to just write it on your sheet there?
Amaka: Sorry, it’s very messy.
Trini: —That’s okay. Abdulhadi -- she was a Palestinian professor.
Amaka: Thank you.
Irini: You're welcome. Oh God, Espy, Esperanza Martell. There is one name -- oh, Mama Marimba in BLPR.
She wasn’t known as -- I would have to remember what her -- we all called her Mama Marimba. I mean, she was --
it was one of these classes where she would vet the list of students. And if she didn’t want you in her class you were
out. So yeah, we had a lot of support. Oh, Professor Ku, now Professor Ku was the...
Amaka: How do you spell that?
Trini: Oh God, I want to say K-U, but I can confirm that. He was not even -- he was not yet chair of the
Asian-American studies department. Now, this is significant. We had a BLPR department. We had a women’s
studies department. We had an Asian American studies department.
Amaka: What is BLPR?
Irini: Black and Puerto Rican studies and kind of integrated Caribbean studies, right? So there was the ability.
Well, no, there’s actually a political -- there’s a political layer here which is that they weren’t departments. They
were programs.
Amaka: Right, right, yeah, often it’s that way.
Trini: And so, I think if you found this trend nationally. But then, it was -- again, it was a relationship because
those programs needed the students’ support and supported the students. And so, what happened consequently is a
whole nother thing, both locally and nationally, in terms of what access to programs like that. But I think it’s
significant. And we were all a part of that conversation, right?
Amaka: Okay. Ill probably just ask, like, one or two more questions. But I’m wondering how -- it seems as if
SLAM! did a really great job of developing leadership, which is why it was able to, at least at some campuses, you
know, stay around as long as it did. You know, student activism is notoriously, you know, in waves. People are
graduating. They’re coming in and out, things like that. In which ways did you see -- like, how did you see SLAM!
developing the leadership of the organization?
Irini: I don’t know that we said it like this then. But it’s what I know to be true now. You learn by doing, you
know? Everybody learned. It was trial by fire. There was no guidebook. It’s like we need volunteers. Well, how
do we do that? Go. Develop a volunteer core. It’s yours. Or, whatever the case is, like, there’s a rally tomorrow.
We need to have a security training. Who has had a security training in the past? Okay, you’re the trainer. We need
a permit. Who has time? Who’s able to go between classes to get a permit? [00:40:00] So I mean, some of it was
more thoughtful but not entirely. I mean, sometimes we’re like, oh shit, you know, we should have thought to do
that. Let’s do that next time. It just didn’t happen. So I think we -- one, there was an expectation that everybody
bring what they can. What are your skills? Good. Do it. Boom, out. But then also, and I’m going to say it again
because I think it was important. The fact that we had a space that we also needed to sustain was important because
it didn’t only mean -- it meant caring for your home, for the people in that home, you know, thinking about, like, HR
policies. We need this person. But you know, they need to take a vacation day. Or, you know, they’ ve been in the
office from 9:00 AM this morning. What does that mean in terms of, like, your political development in terms of
what it -- we had mothers in the collective, you know? What are the expectations? And you know, you’re not a
mother, so you should step up. There were lots of layers there. You know, we have a meeting we need to prep with,
you know? We need to present financials, or whatever it was. But it was happening alongside other things, right?
So there was always something happening. And the expectation was that you’re learning as you’re going but that
you’re contributing, right? It’s not a place you just come and take and bounce.
Amaka: Okay. And I’ve also heard that it was -- women of color kind of led.
Trini: }=Mm-hmm.
Amaka: So that is -- because I’ve heard different -- I mean, I’ve heard different stories in terms of it’s always been
like that or it came to be that or...
Trini: | don’t think it came to be that. And I don’t think it always was that. I think it was very -- look, so this is a
little layered because, yes, it was women of color-led. And there were lots of conversations about power and
internalized oppression and calling people out at meetings. And meetings weren’t always fun. But at the end of the
day we had a lot of dedicated people. Like I said, Chris Day, clearly not a woman of color, was the person really
responsible for documentation. What does his lens do to the story of SLAM!? So you know, in terms of who does
the work -- and then, you know, the other thing is, I think women of color, women, women of color, are always the
workers.
Amaka: Right. But I don’t think it’s always acknowledged or it’s always seen as these are the leaders. They tend to
be the membership really getting everything done, you know? But it’s like in terms of the leadership, so rarely, you
know, is it women in charge.
Irini: Yes. So yes, that was the other thing, which is that the women were in leadership, were also the workers,
and it worked both ways. I mean, nobody could just walk in and claim it because they weren’t doing the work.
They didn’t know the whole. And so, I think, you know, folks kept that very close. And there was a -- like I said,
there was a role for everyone. But that doesn’t -- that didn’t mean you could do everything or anything, right?
Amaka: Okay, yeah. I mean, | think -- is there anything else that you think is important to emphasize, I guess, for
me in this stage of research? Again, I’ll be coming back to have more in-depth.
Trini: —_ I mean, like I said, I’m sure you’!l want to develop it further and be more focused. But I think as a general
lens -- and I’m happy also to be part of this at the shaping moment because these are questions that I’m grappling
with and thinking about, you know, from the perspective of, like, models in sustainability and community organizing
and collectivity.
Amaka: I’ve been thinking a lot about sustainability lately, yeah.
Irini: Because, part of the other thing is that we were -- you know, because there -- and I guess this is very
important. Because [00:45:00] there were people that were coming with a political background, lens and kind of
versed in these conversations, because they were, you know, second-generation folks having these conversations, red
diaper babies, children of organizers, right, I think if you look at who was in the leadership, you’ll find that those
were the people in the leadership. And those folks had a really big responsibility in terms of, like, okay, now how do
we educate others, and so there always being a commitment to teaching and learning and continuing to grow. But
you know, but it was hard sometimes to be part of the conversation if you’re not radical, if you don’t know who
Marx is, if, you know, you’re not red enough or whatever. So there were hard moments. And there were moments
where people felt very excluded and isolated and didn’t want to be part of it and left burnt and angry. But that’s the
truth of it, too.
Amaka: Yeah. So how did -- political education seems central to everything, or a lot of what you guys did. How
did that, I guess, work on the day to day? Did you -- was it a part of kind of organizational meetings? Did you have
kind of, you know, things that were more open for everybody else to come into, you know? How did you guys see
political education, you know, relating to your work? And how did -- I mean, I’m assuming that it probably brought
some people into the organization, too. | mean, just talk about that process.
Trini: Yeah. I mean, it went through different variations throughout the history. And it was something as simple
as calling out somebody’s behavior that was inappropriate to looking at kind of policies on campus and around our
neighborhoods. So you know, being able to talk about an experience -- you know, I was on the train today, and
somebody said this to me, you know, talking about race and class and gender in that way, from a very, you know,
personal-is-political way. Then, I think there were moments where we developed guides, you know? I remember,
you know, I don’t know, Patricia Collins’, you know, Black Feminist Thought, you know? That was being
circulated. And you may not have been reading it, but somebody else was, and quoting it. So some of it was
informal. Some of it was formal. Like, I ran into a binded political education on women’s rights, for example.
What is cultural work? We'd have these conversations, you know? And there were some official study groups.
And there were, you know, actual articles being circulated. So I think it happened in a formal way but also in an
informal way. But it was expected that you were -- you kind of -- everybody had a magnifying glass on everything.
And maybe it was because we were in a learning environment and it was expected. And of course you’re in class
and you’re reading about something and it relates to something else. So I think everybody was able to bring
resources, yeah.
Amaka: All right. Well, thank you.
Trini: — Sure.
Amaka: That was very helpful.
END OF AUDIO FILE
DIGITALHISTORYARCHIVE
A project of the Professional Staff Congress Archives Committee
Interview with Irini Neofotistos
Interviewed by Amaka Okechukwu
August 20, 2019
New York, NY
[Start of recorded material at 00:00]
Irini: —_-- project I was actually very excited to meet. And so, I want to tell you a little bit about why it excites me
and kind of a point of entry that I’d like to offer you since you’re still developing your dissertation.
Amaka: Yeah, absolutely.
Irini: So I also am a sociology student. That’s what I studied at Hunter. I was sociology, women’s studies and
BLPR. I did this kind of like crazy hybrid program. And then I was part of -- at NYU I was part of the Draper
Program, so I was able to create my own master’s program. And what I focused on was looking at education and
public -- I was looking at public policy and funding as it related to education, public education, and the juvenile
justice system, between 1990 and 2001. So kind of the questions that you’re having are questions that I had, you
know, moving forward in my own kind of master’s program. But I want to tell you a little bit about what I do now.
And then maybe it’ll be a way to go back. So I work here at the Union Square Awards. I’m a program officer here.
And one of the things that we’re committed to is identifying organizations that are grassroots organizations where
their doing social justice work or arts work and using -- in particular for the arts program, it’s using arts as a tool to
talk about social justice, to engage low-income communities and families, and specifically focused on low-income
families. And then for the social justice program we have a multi-tiered kind of issue area, issue areas. And I can
probably give you more materials. I have this packet of brochures for you. But one of -- and one of our
commitments here is, aside from the recognition and from identifying these groups who typically are not on the
radar because of what they do and who they talk about and who they engage, is to, one, develop a peer network, two,
provide technical assistance toward sustainability -- so these are not one-time actions but sustained. And then, also,
the peer network actually is very important. And of course there’s a grant associated to that. And I was actually -- I
think it’s significant for two reasons. One is, if you look at the list of award recipients, there are -- I mean, SLAM!
members, whether they were long-term members or one-time kind of folks, are completely embedded within these
organizations. And so, there’s something to what you’re saying in terms of that activism that was sparked as a
student, but more importantly to how you manifest that agency throughout your lifetime. So at this point we’re, you
know, 15 years out. And you have leaders in community organizations. You have executive directors. You have
community organizers. You have activists. You have artists. You have educators committed to training this next
generation. And so, I don’t think that’s accidental. And | also don’t think that it was accidental that those folks
found SLAM!. But what I do think is significant is that I believe strongly in building infrastructure, in archiving, in
telling our own stories and in having a place. So one of the other things I’ve been thinking about in terms of SLAM!
-- and what was the other point I wanted to make? I think that the space -- | think that SLAM! having a space at
Hunter really became a hub for folks to come to. And | think one of the things -- in all of the conversations that we
have about the history of SLAM!, sometimes what we focus on is the activism, the mobilizing, the being out on the
streets, which is all valid, the political education, internal structures in terms of how we operated with one another.
But | think what’s most important is to talk about the structures that were set up, especially in this moment of
history. What was it about SLAM! and its structure that was such a powerful model? Can it be replicated? And is it
a good system for -- or a good model as a case study for how to develop this and replicate it? So | think that’s
what’s most excited for me. And I put [00:05:00] a -- I put some thought into why I think it worked so well. But
before I do that I want to talk to you a little bit about my role in SLAM!. So I started Hunter College the summer of
1996. I wasn’t actually quite graduated yet from high school. So I graduated in May, but I had already begun in the
summer of ’96. I began officially classes that September, right? And I happened to go to -- it was actually -- let me
give you big picture, and then I’ll go back to small picture. So I started with SLAM! very quickly and shortly
thereafter became their volunteer coordinator. And then I became their senate chair. And I’ll talk a little about why
that was significant, because one of the things that we were able to do was, we had some discretionary funding from
student activity fees. So when students -- and I wasn’t involved in that initial takeover of student spaces and how
the student government office was created. But I was a part of developing what that looked like once we were in the
spaces. So what was really important was that we were able to -- that’s the AC. We were able to disseminate
resources to students through a club structure. And the clubs were everything from, like, the Haitian Drumming
Club -- and you might hear about them because they’re a particularly funny case scenario. It was like an all-white
group. We were like, what is that? The Palestinian Club, which was a very, like, active group on campus and who
members led. Anyway, so yeah, so just creating mechanisms for resources to be out there, but really to activate
organizations in little pockets, right, that had the central hub. I served as cultural affairs commissioner, eventually as
president of SLAM! and then later on became the editor-in-chief of The Envoy. And The Envoy was a really
important part of it because it was the media and information wing of SLAM!. Even though they were separate,
they were connected. And the membership was linked. So I think that’s one important piece of it. And throughout
the history when I served as a liaison with, for example, the college association, to ensure that the spaces we claimed
we were able to keep. So for example, there was a student resource center. There was the Thomas Hunter -- and I
forget what we called it. It was Thomas Hunter 105, which was basically like a little -- I want to call it a black box
theater, but it wasn’t black. It wasn’t a black box. It was a theater space and a space for us to do parties and rent.
So we had additional income from that. So because of the way that it was structured, you can at any point --
anybody at any point could plug into something. It was place that not only were we going to develop politically to
find who our peers were, to think strategically about what it means to be a student, what it means to be a part of this
network and how we want, you know, the -- what our impact is going to be in the world. So | think one of the
important things about SLAM! is that it created a wide, a broad enough frame by being multi-issue, focused on
access, and being about self-determination. And then having a thread throughout in terms of political education, not
just in terms of learning but in terms of how do we infiltrate this learning into our own practices and developing kind
of structures that we thought were fair internally, so that it’s not just an outside face. So that there was -- and
[00:10:00] because -- I think there were certain people that were really good about the visioning, what was
happening outside, training, and community organizing within communities but also in terms of the student
population. And then there were people that were really focused on the how we do that but then also sustaining
those spaces. And so, everybody was able to bring their skills and develop their skill set without replicating what
somebody else brings and having a wide enough net that anybody can plug in. And I think that’s what’s been
significant in terms of this long impact, which is that if you’re an artist there’s a space for you. But you have this
network you’re plugging into. And you have peers for life. Any space that SLAM! members walk into, the intent
behind their work is not questioned. And I think that’s important. You know, that’s always a network that you
cultivate. So for me what’s significant is, yes, what happened then. There are best practices that can be learned
from. It was a significant historical moment, but we’re in another historical moment. So what was it about that
model that was critical? And then, what does it mean in terms of the impact of the folks involved today? And what
can be created using that model? So that’s what’s exciting to me.
Amaka: Yeah, no, that’s excellent because, you know, like I said, one of the main questions is, for me, what is the
long-term impact of SLAM! on the lives of the people that were involved in SLAM! and you know, the
organizations that they came to found or, you know, be involved in, have leadership in, etc. So that’s definitely one
of the questions that I’m most concerned with in doing this. So yes, that was really helpful.
Trini: Yeah. I mean, I was -- all night last night I was like I wish could have, like, something recording the stream
of consciousness, you know, because it’s something we’re thinking about here in terms of -- you know, the Union
Square Awards network is over 230 organizations wide. It started in 1998. I mean, I wasn’t a part of it in 98. I was
brought in in 2006 to launch their arts program. But in the process, I mean, all of these organizations, there’s a
dialectical relationship, right? 1 think SLAM! members have a role, have had a role, in developing those
organizations and vice versa. And for us the question as Union Square Awards is, you know, what is the long -- the
bigger impact? Do we look at policy? Do we look at new -- and some of the stuff is not tangible. We’re talking
about creating frames and involving -- bringing communities into a dialogue that are not there or sparking a
conversation where it becomes a policy issue where it never would have been. What are the organizing strategies
and tactics, | think? So and then, you know, within that, my role within all of that was one -- my own concern was
about the sustainability of the structures that we did have. And then, when we did have actions that kind of were out
in the community, my role was more of on the tactical or logistical level. So I’ve always been, like, the
behind-the-scenes person. I was never out in the forefront. But it was important for me that we talk about
resources. We talk about tools. We develop leadership and skills, and then how all of that fits in to the whole. So I
mean, there’s a lot. There’s a lot there. I’m happy to -- I don’t know. I was even thinking, when you get to the point
where, you know, you want to start talking to folks I’ll definitely be -- I can definitely link you to which
organizations and people are kind of linked at the top of my list, if you want folks. At the top of my list for you to
speak to would be Kazembe at the Brecht Forum, Valery Jean at FUREE. And actually, if -- they recently put out an
open letter. So FUREE is an organization in downtown Brooklyn. Are you familiar with them?
Amaka: Yeah, yeah.
Trini: Do you know Valery?
Amaka: I don’t know Valery. But I know people that have worked for them before.
Irini: So they put out an open letter to the community, to different stakeholders in the community. And I think it
would definitely be good for you to look at that letter because I do think -- [00:15:00] I don’t know. When I read
that letter, 1 can see kind of the history behind and the work that’s happened since. So I think that might be a nice
tool.
Amaka: So was Valery in SLAM!?
Irini: Valery was the first person I recruited. Valery was in SLAM!. So yes, she was.
Amaka: So is the letter online somewhere?
Irini: It is online if you go to FUREE’s website. I would definitely speak to Sabrine Hammad. She was in the
Palestinian Club, the president of the -- Sabrine Hammad. There were the three Hammad sisters. I’m sure you’ll
hear a lot about them. Rachel LaForest, who is now a union organizer. At least she -- as far as I know, for the last
few months anyway, since the last few months. Lenina Nadal, who’s an artist, kind of a media maker, critical
thinker. Sandra Barros -- and I’m talking about, like, these are folks at Hunter who kind of helped shape what
SLAM! looked like. There were always folks in the periphery. And I don’t know if you want that. But let me just
think about who else I would just go down the list with.
Amaka: So the last one was, sorry, Sandra Barros?
Trini: Yes. Sandra -- oh, Sandra. Jed Brandt, now Jed was also -- he was one of those SLAM! Envoy -- he was
the one that developed most of our outreach materials, our posters, kind of the framing to the outside. Chris
Gunderson, Chris Day. He went by Chris Day then.
Amaka: Yeah, he sent me a whole bunch of documents that have been very helpful.
Irini: Good, yes. I mean, and | think Chris was our -- he was the one that helped develop a lot of the materials
that we used. I have a lot of materials also but that are internal to SLAM! student government and also to the
materials that we would give out on campus and to, like, meeting notes. And I was part of the executive committee
for many years if you ever think that that’s helpful.
Amaka: Oh, I’m sure it will be.
Trini: You may have found -- I don’t know what’s at the (overlapping dialogue; inaudible).
Amaka: There’s a whole bunch of stuff. There’s 32 boxes. And I’ve only been through, like, one or two, you
know? I haven’t even begun to scratch the surface with that. But there’s everything from minutes to posters, flyers
-- yeah, there’s a whole bunch of stuff up there.
Irini: —_ Later, there was like a -- there were lots of waves to SLAM! activity. So I think in the later, in the latter
wave, you may want to talk to Alejandro Cantagallo. He served as student government president but then went on
to work for the Prison Moratorium Project which MXGM shared a space with. Nilu -- she went by Nellie then --
Choudhury, who went on to work around -- to do work around domestic violence work and is now married to
Subhash Kateel, who is cofounder of Families for Freedom. And he currently runs, I would say, one of the most
important dynamic radio programs today. And he’s out of Miami. Do you know Subhash?
Amaka: I feel like I recently read an article that he might have written about Occupy Wall Street.
Irini: Organizing Upgrade? Oh, maybe, okay. Yes, so he -- okay, so that’s interesting because Subhash -- my
relationship to Subhash is through Prison Moratorium Project. And I became a member of Prison Moratorium
Project after being a member of SLAM!, right? So even -- like, even in looking at the networks and how that
happened, I think because it was a multi-issue organization and because people came in looking at different -- you
know, with a different lens. Some people were looking at housing. Some people were looking at homelessness,
HIV activism, the prison system. I mean, critical resistance was like a key component to how that work then spread
and Kai, Kai, of course. [00:20:00] See, that’s the hard part about saying names, because then you feel like you
have to have all of the extensive lists. And I'll probably -- tonight I'll be like, oh no, I forgot to mention. But we
can continue this conversation, of course.
Amaka: I mean, this is a long -- you know, this is -- hopefully I’ll be able to do my dissertation on this, so I’ll have
time to talk to all these people and contact people. So as many people that you would suggest is helpful.
Trini: Yeah. I think that’s a -- I mean, for me that’s a -- I know you’re already in conversation with Suzy. That’s
why I didn’t mention her. But she would probably connect you to, like, Brad Sigal and Caroline. So yeah, I mean,
each of us -- again, each of us had our own niche and developed differently. But I think what was important is that,
you know, we’re still in communication. We may not be mobilizing on the same issues or working on the same
path. Like, I don’t know. Maybe the fact that we were giving out those small $2,000 grants to clubs, we were able
to go from, like, 60 clubs to 80 clubs to 120 clubs and create this really rich, like, activity on campus is what brought
me to grant making. I don’t know.
Amaka: Could be.
Irini: But and to think about support and tools and resources in a different way. But yeah, there’s definitely lots
there. And just to reiterate, | think the most impactful for me is teasing out what is that model, because | think
there’s a lot of rich learning.
Amaka: I’m sure.
Trini: Do you have any questions for me? I know I’m rambling.
Amaka: When you came to -- so, you came in, you said, summer of 1996. Can you talk a little bit about your
background before you came into SLAM!?
Trini: Mm-hmm. Yeah, so I was thinking a little bit about this, too. So I come up from a very politically-engaged
family. My father -- I’m the daughter of Greek immigrants. My parents came to this country, of course, to get their
-- to become educated. They wanted to do their own thing. My father in particular, you know, was fleeing
dictatorship in Greece. He was in the military working directly with the king, pled insanity, sought asylum here. He
was in prison there for a little bit. When he came here he became a community organizer with PASOK, which was
the socialist party in Greece, which was the party that overthrew the dictatorship and them became like the people’s
leader. But he organized from New York the diaspora community and the response from here because he wasn’t
able to be there. And so, I was very -- I mean, I grew up going to meetings and you know, stuffing envelopes and
doing all of that stuff. But and I kind of had a sense -- I had never been part of an organizing community or a
community that had these questions. And it was by being part of this movement and reading and learning about,
you know, Fanon and Marx and Mao and Lenin. You know, it just became a very rich learning environment. But it
didn’t end in the -- it wasn’t about the learning. It was about how are we going to use this as fuel, right? So and of
course, I was just having a conversation with Sabrine about kind of the -- 1 was the youngest in the group. I
graduated when I was 16. I started SLAM! when I was 16. So you can imagine the 18 and the 20-somethings felt
like they were like a whole generation older than me. And | had a lot of respect for them. But of course, you know,
now in my 30s I look back and I was like, we were all babies. You know, we held each other -- the accountability
structures that we set up were really important to us. But they were also kickass, you know, kickass in terms of like
you really internalized when somebody said, you know, you need to step up or you need to do this or we need to
create this. Like, a lot of it was heavy. And so, you know, there was a lot of burnout. People were staying in the
office until 2:00 AM [00:25:00] trying to figure out should we get a permit for this rally, or should we just show up?
Like, who’s going to be there? I mean, there was a lot going on. And you know, we’re trying to balance learning
how to be adults at the same time and what our place in the world is. But I think there -- I think you’re right. There
is something significant about that time in somebody’s life and the flexibility that you have. And of course, the
student population looked different than any other university. We had returning students. We had older students.
We had students that were, you know, participating at night. And that meant, like, you know, when do we have
events? Do we have it during club hours? Do we have evening hours? How do we accommodate the student body?
When do class RAPs happen, you know, whatever? So it was a lot of tough love sometimes but all love.
Amaka: Can you say something about, I guess, the political moment at which SLAM! kind of emerges? It’s
interesting talking to people, you know, about SLAM! because when | first was kind of hearing about and talking
about it with people it was in relationship to all this other stuff that was happening in New York at the time, like
(inaudible) Black August stuff. And Jericho, there was all this political prisoner work being done. And so, I mean,
could you say something about the -- you know, that political moment, and I guess SLAM!’s relationship to, you
know, the other organizations and grassroots kind of movements that are happening in New York at that time?
Irini: Everybody that came to SLAM! had a perspective and were looking for something. And we were teasing
apart everything. It’s like why is security on campus, you know? It was a time where you’re having this, like,
militarization. It was the -- you know, the Gulf War is happening. Why are these, like, security guards bothering
us? Why is a security guard making more than, you know, the professors on campus? How is that related to, like,
you know, the experiences of black and brown people on the daily? Kind of the corporatization -- you know, it was
like -- I mean, there was, like, a lot going on. But in terms of, like, the CUNY card and chips in the card and it’s
related to your bank statement, I mean, we created links. Because of what everybody was able to bring, we were
able to create links to all of those things. Why are people dropping out? Why are we expected to graduate in four
years? Is that realistic? We’re all working, you know? So it was hard not to make those connections. And then it
was hard -- | think because SLAM! was, like, young and vibrant and posters and you know, art and megaphones and
articulate and all of that, those community organizations also gravitated to us. We also gravitated to them. | think
we had an intent to educate and build leadership within. And so, it just became -- it was a rich time. Like I said, the
Union Square awards began in 1998. So similar timeframe -- there was just bubbling of activity. Of course, you
know, Giuliani and his policies kind of -- it was -- there was a lot happening. So I don’t know if I’m answering the
question, but yeah. And I think that does have to do with -- and because we are each -- you know, we were each still
living in our communities that were bringing all of that back. Then all of a sudden you’re having a conversation
with your mother and your aunt and your best friend from high school. And so, it just -- it was just a moment. I
think we’re in that moment again. And it’s interesting because most recently I’ve been running into folks that I
haven’t in a long time. It’s like, you know, I haven’t seen you in ten years. What are you up to? Great. And all ofa
sudden there’s a synergy again. So I think we’re in that cycle again. It’s a hard -- this particular moment is a hard
moment because | think folks are in real crisis. Like, we’re even -- even in terms of my work here, part of -- in
terms of identifying organizations doing this work, it’s really difficult to figure out what are people doing? Are they
consolidating resources? Are they talking to each other? What are the networks? But I think in the next two to
three [00:30:00] years, you’re going to see this emerging. Like, people will come out of this, like, crisis fog into
this, like, no, we need to do it. And I think Occupy Wall Street is that. And again | was thinking about the SLAM!
model because there’s a great power in having a wide enough net that you can catch people whether they want to do
this in a sustained way or as a one-time activity, because there was a frame. There was a political frame to the work.
Amaka: What was I going to ask? Why do you think -- I mean, from what I’ve read and talked to people, SLAM!
clearly seemed the strongest at Hunter. Why do you think it was the strongest at Hunter and not other CUNY
campuses?
Irini: | think it’s exactly because we had community spaces, because | think even -- you know, even the city or
the Brooklyn chapter of hunter, we had a space that we occupied. And it wasn’t just a space. We had various
spaces. And we had full control of those spaces. We could be there until 2:00 a.m. And it was midtown. I mean,
not midtown, but it was Manhattan. It was easily accessible. I think the sustainability of that space was important.
And I don’t know that the reason -- you know, clearly folks aged out. There was huge turnover. So you know, the
development had to happen over and over again. And it was tiring because you always had new formations. And I
don’t know if the conditions changed or, you know, people got tired. I mean, I don’t know what it was that ended it,
right? But I think the space not being there was a critical component. And the reason that it was strong, again, is
because of the sustainability of the spaces that we were able to create.
Amaka: So you mean in the sense that because SLAM! had control over so many -- in terms of the student
government and student resources and things like that, you guys had space in the way that didn’t exist at other
places?
Irini: Yeah. Having a community center was important. Having access to be able to print the newspaper and put
a flyer out to the -- I mean, The Envoy was being circulated at all the campuses and beyond. It’s just what we took
with us when we left the office. So yeah, having those resources were key, also because we could barely make our
tuition. So where were we going to find extra money for flyers or for whatever, for paint, for, you know, canvas,
whatever it was that we needed? And we also had a lot of support on campus. And we had some -- we didn’t
always have allies. Not everyone was an ally. But we had support.
Amaka: So would that be -- you mean in terms of the student body? Or do you mean in terms of -- I mean, were
there sympathetic faculty?
Irini: Yes, there were sympathetic faculty. I mean, I remember being in a class. And I mean, it was expected that
it began with a class rep, where we’re talking about what’s happening this week? What’s the activity? That wasn’t
true for everybody. But I think we were also very selective about what we -- I mean, you had the prerequisite you
had to take and whatever, whatever. But we were also very -- there were key faculty members that played a very
pivotal role, that were very sympathetic, that stood with us, and that allowed us -- gave us a sounding platform in
their classrooms. We used to flyer before classrooms. We used to do presentations before or after class. And we
used to have -- we found mentorship in a lot of them. And we would go, and they would be available after class.
Amaka: Can you remember the names of any of those faculty?
Trini: Yes. So Professor Kirkland he was in the philosophy department. And he was the professor that taught
Marxism. And he was also very clear about students having representation in various structures, so the college
senate, the academic senate, which he was also a part of. And we would have, like, strategy meetings beforehand in
terms of [00:35:00] blocking votes, right? And just to be clear, not everybody in SLAM! -- you know, we had a lot
of conversations about electoral politics. So sitting on a body like that wasn’t always a popular thing. And it wasn’t
the role for everybody. So just as a layer to that -- we had -- I said Professor Carter in the sociology department.
And he was, I mean, he was key in terms of even giving us, like, food for thought and like, here, read this article.
Take this book. But he put his body on the line. He put his title on the line. I mean, I remember going to him when
I was applying for NYU, for example. And I said, you know, Professor Carter, | would really be honored if you
gave me a recommendation letter. And he says Irini, | would give you -- I went by Irene then. I would give you a
glowing recommendation letter, but it would probably harm you. He’s like I’ll do it, but they’re not very fond of me
over there. Professor Abdulhadi -- Rabab, she went by Rabab...
Amaka: How do you -- sorry.
Irini: —_ | will write it because | -- do you want me to just write it on your sheet there?
Amaka: Sorry, it’s very messy.
Trini: —That’s okay. Abdulhadi -- she was a Palestinian professor.
Amaka: Thank you.
Irini: You're welcome. Oh God, Espy, Esperanza Martell. There is one name -- oh, Mama Marimba in BLPR.
She wasn’t known as -- I would have to remember what her -- we all called her Mama Marimba. I mean, she was --
it was one of these classes where she would vet the list of students. And if she didn’t want you in her class you were
out. So yeah, we had a lot of support. Oh, Professor Ku, now Professor Ku was the...
Amaka: How do you spell that?
Trini: Oh God, I want to say K-U, but I can confirm that. He was not even -- he was not yet chair of the
Asian-American studies department. Now, this is significant. We had a BLPR department. We had a women’s
studies department. We had an Asian American studies department.
Amaka: What is BLPR?
Irini: Black and Puerto Rican studies and kind of integrated Caribbean studies, right? So there was the ability.
Well, no, there’s actually a political -- there’s a political layer here which is that they weren’t departments. They
were programs.
Amaka: Right, right, yeah, often it’s that way.
Trini: And so, I think if you found this trend nationally. But then, it was -- again, it was a relationship because
those programs needed the students’ support and supported the students. And so, what happened consequently is a
whole nother thing, both locally and nationally, in terms of what access to programs like that. But I think it’s
significant. And we were all a part of that conversation, right?
Amaka: Okay. Ill probably just ask, like, one or two more questions. But I’m wondering how -- it seems as if
SLAM! did a really great job of developing leadership, which is why it was able to, at least at some campuses, you
know, stay around as long as it did. You know, student activism is notoriously, you know, in waves. People are
graduating. They’re coming in and out, things like that. In which ways did you see -- like, how did you see SLAM!
developing the leadership of the organization?
Irini: I don’t know that we said it like this then. But it’s what I know to be true now. You learn by doing, you
know? Everybody learned. It was trial by fire. There was no guidebook. It’s like we need volunteers. Well, how
do we do that? Go. Develop a volunteer core. It’s yours. Or, whatever the case is, like, there’s a rally tomorrow.
We need to have a security training. Who has had a security training in the past? Okay, you’re the trainer. We need
a permit. Who has time? Who’s able to go between classes to get a permit? [00:40:00] So I mean, some of it was
more thoughtful but not entirely. I mean, sometimes we’re like, oh shit, you know, we should have thought to do
that. Let’s do that next time. It just didn’t happen. So I think we -- one, there was an expectation that everybody
bring what they can. What are your skills? Good. Do it. Boom, out. But then also, and I’m going to say it again
because I think it was important. The fact that we had a space that we also needed to sustain was important because
it didn’t only mean -- it meant caring for your home, for the people in that home, you know, thinking about, like, HR
policies. We need this person. But you know, they need to take a vacation day. Or, you know, they’ ve been in the
office from 9:00 AM this morning. What does that mean in terms of, like, your political development in terms of
what it -- we had mothers in the collective, you know? What are the expectations? And you know, you’re not a
mother, so you should step up. There were lots of layers there. You know, we have a meeting we need to prep with,
you know? We need to present financials, or whatever it was. But it was happening alongside other things, right?
So there was always something happening. And the expectation was that you’re learning as you’re going but that
you’re contributing, right? It’s not a place you just come and take and bounce.
Amaka: Okay. And I’ve also heard that it was -- women of color kind of led.
Trini: }=Mm-hmm.
Amaka: So that is -- because I’ve heard different -- I mean, I’ve heard different stories in terms of it’s always been
like that or it came to be that or...
Trini: | don’t think it came to be that. And I don’t think it always was that. I think it was very -- look, so this is a
little layered because, yes, it was women of color-led. And there were lots of conversations about power and
internalized oppression and calling people out at meetings. And meetings weren’t always fun. But at the end of the
day we had a lot of dedicated people. Like I said, Chris Day, clearly not a woman of color, was the person really
responsible for documentation. What does his lens do to the story of SLAM!? So you know, in terms of who does
the work -- and then, you know, the other thing is, I think women of color, women, women of color, are always the
workers.
Amaka: Right. But I don’t think it’s always acknowledged or it’s always seen as these are the leaders. They tend to
be the membership really getting everything done, you know? But it’s like in terms of the leadership, so rarely, you
know, is it women in charge.
Irini: Yes. So yes, that was the other thing, which is that the women were in leadership, were also the workers,
and it worked both ways. I mean, nobody could just walk in and claim it because they weren’t doing the work.
They didn’t know the whole. And so, I think, you know, folks kept that very close. And there was a -- like I said,
there was a role for everyone. But that doesn’t -- that didn’t mean you could do everything or anything, right?
Amaka: Okay, yeah. I mean, | think -- is there anything else that you think is important to emphasize, I guess, for
me in this stage of research? Again, I’ll be coming back to have more in-depth.
Trini: —_ I mean, like I said, I’m sure you’!l want to develop it further and be more focused. But I think as a general
lens -- and I’m happy also to be part of this at the shaping moment because these are questions that I’m grappling
with and thinking about, you know, from the perspective of, like, models in sustainability and community organizing
and collectivity.
Amaka: I’ve been thinking a lot about sustainability lately, yeah.
Irini: Because, part of the other thing is that we were -- you know, because there -- and I guess this is very
important. Because [00:45:00] there were people that were coming with a political background, lens and kind of
versed in these conversations, because they were, you know, second-generation folks having these conversations, red
diaper babies, children of organizers, right, I think if you look at who was in the leadership, you’ll find that those
were the people in the leadership. And those folks had a really big responsibility in terms of, like, okay, now how do
we educate others, and so there always being a commitment to teaching and learning and continuing to grow. But
you know, but it was hard sometimes to be part of the conversation if you’re not radical, if you don’t know who
Marx is, if, you know, you’re not red enough or whatever. So there were hard moments. And there were moments
where people felt very excluded and isolated and didn’t want to be part of it and left burnt and angry. But that’s the
truth of it, too.
Amaka: Yeah. So how did -- political education seems central to everything, or a lot of what you guys did. How
did that, I guess, work on the day to day? Did you -- was it a part of kind of organizational meetings? Did you have
kind of, you know, things that were more open for everybody else to come into, you know? How did you guys see
political education, you know, relating to your work? And how did -- I mean, I’m assuming that it probably brought
some people into the organization, too. | mean, just talk about that process.
Trini: Yeah. I mean, it went through different variations throughout the history. And it was something as simple
as calling out somebody’s behavior that was inappropriate to looking at kind of policies on campus and around our
neighborhoods. So you know, being able to talk about an experience -- you know, I was on the train today, and
somebody said this to me, you know, talking about race and class and gender in that way, from a very, you know,
personal-is-political way. Then, I think there were moments where we developed guides, you know? I remember,
you know, I don’t know, Patricia Collins’, you know, Black Feminist Thought, you know? That was being
circulated. And you may not have been reading it, but somebody else was, and quoting it. So some of it was
informal. Some of it was formal. Like, I ran into a binded political education on women’s rights, for example.
What is cultural work? We'd have these conversations, you know? And there were some official study groups.
And there were, you know, actual articles being circulated. So I think it happened in a formal way but also in an
informal way. But it was expected that you were -- you kind of -- everybody had a magnifying glass on everything.
And maybe it was because we were in a learning environment and it was expected. And of course you’re in class
and you’re reading about something and it relates to something else. So I think everybody was able to bring
resources, yeah.
Amaka: All right. Well, thank you.
Trini: — Sure.
Amaka: That was very helpful.
END OF AUDIO FILE
Title
Oral History Interview with Irini Neofistos
Description
In this interview, Irini Neofistos discussed the dynamics of the Student Liberation Action Movement's (SLAM!) role in Hunter College’s student government, which she took part in while a student at Hunter. Irini talked about her family’s radical history and the intergenerational leftist foundations of the organization. She discussed the anti-prison work that was central to her own experience in SLAM!, as well as the larger abolitionist movement that grew out of the 1990s movement and organizations such as SLAM!, Critical Resistance, and the Malcolm X Grassroots Movement. Looking to many of her comrades in the organization, she discussed the paths many SLAM! organizers have taken since leaving Hunter and the ways in which they have shaped different movement spaces in the city over the past two decades.
The Student Liberation Action Movement (SLAM!) was a CUNY student-led organization active in the 1990s and 2000s with branches at a number of campuses including Hunter College and City College. Emerging from the broad movement to resist state and city budget cuts to CUNY, and in particular out of the CUNY Coalition Against the Cuts, SLAM! was a dynamic organization engaged in radical work on and off campus. SLAM!'s political ideology was expansive, encompassing feminism, communism, anarchism, internationalism, queer liberation, Black power, and prison-industrial complex abolitionism.
Contributor
Okechukwu, Amaka
Creator
Okechukwu, Amaka
Date
August 20, 2019
Language
English
Rights
Copyrighted
Source
Okechukwu, Amaka
interviewer
Okechukwu, Amaka
interviewee
Neofistos, Irini
Transcription
Preliminary interview Irini Neofistos
IRINI NEOFOTISTOS: -- project I was actually very excited to meet. And so, I want to tell you a little bit about why it excites me and kind of a point of entry that I’d like to offer you since you’re still developing your dissertation.
AMAKA OKECHUKWU: Yeah, absolutely.
IRINI NEOFOTISTOS: So I also am a sociology student. That’s what I studied at Hunter. I was sociology, women’s studies and BLPR. I did this kind of like crazy hybrid program. And then I was part of -- at NYU I was part of the Draper Program, so I was able to create my own master’s program. And what I focused on was looking at education and public -- I was looking at public policy and funding as it related to education, public education, and the juvenile justice system, between 1990 and 2001. So kind of the questions that you’re having are questions that I had, you know, moving forward in my own kind of master’s program. But I want to tell you a little bit about what I do now. And then maybe it’ll be a way to go back. So I work here at the Union Square Awards. I’m a program officer here. And one of the things that we’re committed to is identifying organizations that are grassroots organizations where their doing social justice work or arts work and using -- in particular for the arts program, it’s using arts as a tool to talk about social justice, to engage low-income communities and families, and specifically focused on low-income families. And then for the social justice program we have a multi-tiered kind of issue area, issue areas. And I can probably give you more materials. I have this packet of brochures for you. But one of -- and one of our commitments here is, aside from the recognition and from identifying these groups who typically are not on the radar because of what they do and who they talk about and who they engage, is to, one, develop a peer network, two, provide technical assistance toward sustainability -- so these are not one-time actions but sustained. And then, also, the peer network actually is very important. And of course there’s a grant associated to that. And I was actually -- I think it’s significant for two reasons. One is, if you look at the list of award recipients, there are -- I mean, SLAM! members, whether they were long-term members or one-time kind of folks, are completely embedded within these organizations. And so, there’s something to what you’re saying in terms of that activism that was sparked as a student, but more importantly to how you manifest that agency throughout your lifetime. So at this point we’re, you know, 15 years out. And you have leaders in community organizations. You have executive directors. You have community organizers. You have activists. You have artists. You have educators committed to training this next generation. And so, I don’t think that’s accidental. And I also don’t think that it was accidental that those folks found SLAM!. But what I do think is significant is that I believe strongly in building infrastructure, in archiving, in telling our own stories and in having a place. So one of the other things I’ve been thinking about in terms of SLAM! -- and what was the other point I wanted to make? I think that the space -- I think that SLAM! having a space at Hunter really became a hub for folks to come to. And I think one of the things -- in all of the conversations that we have about the history of SLAM!, sometimes what we focus on is the activism, the mobilizing, the being out on the streets, which is all valid, the political education, internal structures in terms of how we operated with one another. But I think what’s most important is to talk about the structures that were set up, especially in this moment of history. What was it about SLAM! and its structure that was such a powerful model? Can it be replicated? And is it a good system for -- or a good model as a case study for how to develop this and replicate it? So I think that’s what’s most excited for me. And I put [00:05:00] a -- I put some thought into why I think it worked so well. But before I do that I want to talk to you a little bit about my role in SLAM!. So I started Hunter College the summer of 1996. I wasn’t actually quite graduated yet from high school. So I graduated in May, but I had already begun in the summer of ’96. I began officially classes that September, right? And I happened to go to -- it was actually -- let me give you big picture, and then I’ll go back to small picture. So I started with SLAM! very quickly and shortly thereafter became their volunteer coordinator. And then I became their senate chair. And I’ll talk a little about why that was significant, because one of the things that we were able to do was, we had some discretionary funding from student activity fees. So when students -- and I wasn’t involved in that initial takeover of student spaces and how the student government office was created. But I was a part of developing what that looked like once we were in the spaces. So what was really important was that we were able to -- that’s the AC. We were able to disseminate resources to students through a club structure. And the clubs were everything from, like, the Haitian Drumming Club -- and you might hear about them because they’re a particularly funny case scenario. It was like an all-white group. We were like, what is that? The Palestinian Club, which was a very, like, active group on campus and who members led. Anyway, so yeah, so just creating mechanisms for resources to be out there, but really to activate organizations in little pockets, right, that had the central hub. I served as cultural affairs commissioner, eventually as president of SLAM! and then later on became the editor-in-chief of The Envoy. And The Envoy was a really important part of it because it was the media and information wing of SLAM!. Even though they were separate, they were connected. And the membership was linked. So I think that’s one important piece of it. And throughout the history when I served as a liaison with, for example, the college association, to ensure that the spaces we claimed we were able to keep. So for example, there was a student resource center. There was the Thomas Hunter -- and I forget what we called it. It was Thomas Hunter 105, which was basically like a little -- I want to call it a black box theater, but it wasn’t black. It wasn’t a black box. It was a theater space and a space for us to do parties and rent. So we had additional income from that. So because of the way that it was structured, you can at any point -- anybody at any point could plug into something. It was place that not only were we going to develop politically to find who our peers were, to think strategically about what it means to be a student, what it means to be a part of this network and how we want, you know, the -- what our impact is going to be in the world. So I think one of the important things about SLAM! is that it created a wide, a broad enough frame by being multi-issue, focused on access, and being about self-determination. And then having a thread throughout in terms of political education, not just in terms of learning but in terms of how do we infiltrate this learning into our own practices and developing kind of structures that we thought were fair internally, so that it’s not just an outside face. So that there was -- and [00:10:00] because -- I think there were certain people that were really good about the visioning, what was happening outside, training, and community organizing within communities but also in terms of the student population. And then there were people that were really focused on the how we do that but then also sustaining those spaces. And so, everybody was able to bring their skills and develop their skill set without replicating what somebody else brings and having a wide enough net that anybody can plug in. And I think that’s what’s been significant in terms of this long impact, which is that if you’re an artist there’s a space for you. But you have this network you’re plugging into. And you have peers for life. Any space that SLAM! members walk into, the intent behind their work is not questioned. And I think that’s important. You know, that’s always a network that you cultivate. So for me what’s significant is, yes, what happened then. There are best practices that can be learned from. It was a significant historical moment, but we’re in another historical moment. So what was it about that model that was critical? And then, what does it mean in terms of the impact of the folks involved today? And what can be created using that model? So that’s what’s exciting to me.
AMAKA OKECHUKWU: Yeah, no, that’s excellent because, you know, like I said, one of the main questions is, for me, what is the long-term impact of SLAM! on the lives of the people that were involved in SLAM! and you know, the organizations that they came to found or, you know, be involved in, have leadership in, etc. So that’s definitely one of the questions that I’m most concerned with in doing this. So yes, that was really helpful.
IRINI NEOFOTISTOS: Yeah. I mean, I was -- all night last night I was like I wish could have, like, something recording the stream of consciousness, you know, because it’s something we’re thinking about here in terms of -- you know, the Union Square Awards network is over 230 organizations wide. It started in 1998. I mean, I wasn’t a part of it in ’98. I was brought in in 2006 to launch their arts program. But in the process, I mean, all of these organizations, there’s a dialectical relationship, right? I think SLAM! members have a role, have had a role, in developing those organizations and vice versa. And for us the question as Union Square Awards is, you know, what is the long -- the bigger impact? Do we look at policy? Do we look at new -- and some of the stuff is not tangible. We’re talking about creating frames and involving -- bringing communities into a dialogue that are not there or sparking a conversation where it becomes a policy issue where it never would have been. What are the organizing strategies and tactics, I think? So and then, you know, within that, my role within all of that was one -- my own concern was about the sustainability of the structures that we did have. And then, when we did have actions that kind of were out in the community, my role was more of on the tactical or logistical level. So I’ve always been, like, the behind-the-scenes person. I was never out in the forefront. But it was important for me that we talk about resources. We talk about tools. We develop leadership and skills, and then how all of that fits in to the whole. So I mean, there’s a lot. There’s a lot there. I’m happy to -- I don’t know. I was even thinking, when you get to the point where, you know, you want to start talking to folks I’ll definitely be -- I can definitely link you to which organizations and people are kind of linked at the top of my list, if you want folks. At the top of my list for you to speak to would be Kazembe at the Brecht Forum, Valery Jean at FUREE. And actually, if -- they recently put out an open letter. So FUREE is an organization in downtown Brooklyn. Are you familiar with them?
AMAKA OKECHUKWU: Yeah, yeah.
IRINI NEOFOTISTOS: Do you know Valery?
AMAKA OKECHUKWU: I don’t know Valery. But I know people that have worked for them before.
IRINI NEOFOTISTOS: So they put out an open letter to the community, to different stakeholders in the community. And I think it would definitely be good for you to look at that letter because I do think -- [00:15:00] I don’t know. When I read that letter, I can see kind of the history behind and the work that’s happened since. So I think that might be a nice tool.
AMAKA OKECHUKWU: So was Valery in SLAM!?
IRINI NEOFOTISTOS: Valery was the first person I recruited. Valery was in SLAM!. So yes, she was.
AMAKA OKECHUKWU: So is the letter online somewhere?
IRINI NEOFOTISTOS: It is online if you go to FUREE’s website. I would definitely speak to Sabrine Hammad. She was in the Palestinian Club, the president of the -- Sabrine Hammad. There were the three Hammad sisters. I’m sure you’ll hear a lot about them. Rachèl LaForest, who is now a union organizer. At least she -- as far as I know, for the last few months anyway, since the last few months. Lenina Nadal, who’s an artist, kind of a media maker, critical thinker. Sandra Barros -- and I’m talking about, like, these are folks at Hunter who kind of helped shape what SLAM! looked like. There were always folks in the periphery. And I don’t know if you want that. But let me just think about who else I would just go down the list with.
AMAKA OKECHUKWU: So the last one was, sorry, Sandra Barros?
IRINI NEOFOTISTOS: Yes. Sandra -- oh, Sandra. Jed Brandt, now Jed was also -- he was one of those SLAM! Envoy -- he was the one that developed most of our outreach materials, our posters, kind of the framing to the outside. Chris Gunderson, Chris Day. He went by Chris Day then.
AMAKA OKECHUKWU: Yeah, he sent me a whole bunch of documents that have been very helpful.
IRINI NEOFOTISTOS: Good, yes. I mean, and I think Chris was our -- he was the one that helped develop a lot of the materials that we used. I have a lot of materials also but that are internal to SLAM! student government and also to the materials that we would give out on campus and to, like, meeting notes. And I was part of the executive committee for many years if you ever think that that’s helpful.
AMAKA OKECHUKWU: Oh, I’m sure it will be.
IRINI NEOFOTISTOS: You may have found -- I don’t know what’s at the (overlapping dialogue; inaudible).
AMAKA OKECHUKWU: There’s a whole bunch of stuff. There’s 32 boxes. And I’ve only been through, like, one or two, you know? I haven’t even begun to scratch the surface with that. But there’s everything from minutes to posters, flyers -- yeah, there’s a whole bunch of stuff up there.
IRINI NEOFOTISTOS: Later, there was like a -- there were lots of waves to SLAM! activity. So I think in the later, in the latter wave, you may want to talk to Alejandro Cantagallo. He served as student government president but then went on to work for the Prison Moratorium Project which MXGM shared a space with. Nilu -- she went by Nellie then -- Choudhury, who went on to work around -- to do work around domestic violence work and is now married to Subhash Kateel, who is cofounder of Families for Freedom. And he currently runs, I would say, one of the most important dynamic radio programs today. And he’s out of Miami. Do you know Subhash?
AMAKA OKECHUKWU: I feel like I recently read an article that he might have written about Occupy Wall Street.
IRINI NEOFOTISTOS: Organizing Upgrade? Oh, maybe, okay. Yes, so he -- okay, so that’s interesting because Subhash -- my relationship to Subhash is through Prison Moratorium Project. And I became a member of Prison Moratorium Project after being a member of SLAM!, right? So even -- like, even in looking at the networks and how that happened, I think because it was a multi-issue organization and because people came in looking at different -- you know, with a different lens. Some people were looking at housing. Some people were looking at homelessness, HIV activism, the prison system. I mean, critical resistance was like a key component to how that work then spread and Kai, Kai, of course. [00:20:00] See, that’s the hard part about saying names, because then you feel like you have to have all of the extensive lists. And I’ll probably -- tonight I’ll be like, oh no, I forgot to mention. But we can continue this conversation, of course.
AMAKA OKECHUKWU: I mean, this is a long -- you know, this is -- hopefully I’ll be able to do my dissertation on this, so I’ll have time to talk to all these people and contact people. So as many people that you would suggest is helpful.
IRINI NEOFOTISTOS: Yeah. I think that’s a -- I mean, for me that’s a -- I know you’re already in conversation with Suzy. That’s why I didn’t mention her. But she would probably connect you to, like, Brad Sigal and Caroline. So yeah, I mean, each of us -- again, each of us had our own niche and developed differently. But I think what was important is that, you know, we’re still in communication. We may not be mobilizing on the same issues or working on the same path. Like, I don’t know. Maybe the fact that we were giving out those small $2,000 grants to clubs, we were able to go from, like, 60 clubs to 80 clubs to 120 clubs and create this really rich, like, activity on campus is what brought me to grant making. I don’t know.
AMAKA OKECHUKWU: Could be.
IRINI NEOFOTISTOS: But and to think about support and tools and resources in a different way. But yeah, there’s definitely lots there. And just to reiterate, I think the most impactful for me is teasing out what is that model, because I think there’s a lot of rich learning.
AMAKA OKECHUKWU: I’m sure.
IRINI NEOFOTISTOS: Do you have any questions for me? I know I’m rambling.
AMAKA OKECHUKWU: When you came to -- so, you came in, you said, summer of 1996. Can you talk a little bit about your background before you came into SLAM!?
IRINI NEOFOTISTOS: Mm-hmm. Yeah, so I was thinking a little bit about this, too. So I come up from a very politically-engaged family. My father -- I’m the daughter of Greek immigrants. My parents came to this country, of course, to get their -- to become educated. They wanted to do their own thing. My father in particular, you know, was fleeing dictatorship in Greece. He was in the military working directly with the king, pled insanity, sought asylum here. He was in prison there for a little bit. When he came here he became a community organizer with PASOK, which was the socialist party in Greece, which was the party that overthrew the dictatorship and them became like the people’s leader. But he organized from New York the diaspora community and the response from here because he wasn’t able to be there. And so, I was very -- I mean, I grew up going to meetings and you know, stuffing envelopes and doing all of that stuff. But and I kind of had a sense -- I had never been part of an organizing community or a community that had these questions. And it was by being part of this movement and reading and learning about, you know, Fanon and Marx and Mao and Lenin. You know, it just became a very rich learning environment. But it didn’t end in the -- it wasn’t about the learning. It was about how are we going to use this as fuel, right? So and of course, I was just having a conversation with Sabrine about kind of the -- I was the youngest in the group. I graduated when I was 16. I started SLAM! when I was 16. So you can imagine the 18 and the 20-somethings felt like they were like a whole generation older than me. And I had a lot of respect for them. But of course, you know, now in my 30s I look back and I was like, we were all babies. You know, we held each other -- the accountability structures that we set up were really important to us. But they were also kickass, you know, kickass in terms of like you really internalized when somebody said, you know, you need to step up or you need to do this or we need to create this. Like, a lot of it was heavy. And so, you know, there was a lot of burnout. People were staying in the office until 2:00 AM [00:25:00] trying to figure out should we get a permit for this rally, or should we just show up? Like, who’s going to be there? I mean, there was a lot going on. And you know, we’re trying to balance learning how to be adults at the same time and what our place in the world is. But I think there -- I think you’re right. There is something significant about that time in somebody’s life and the flexibility that you have. And of course, the student population looked different than any other university. We had returning students. We had older students. We had students that were, you know, participating at night. And that meant, like, you know, when do we have events? Do we have it during club hours? Do we have evening hours? How do we accommodate the student body? When do class RAPs happen, you know, whatever? So it was a lot of tough love sometimes but all love.
AMAKA OKECHUKWU: Can you say something about, I guess, the political moment at which SLAM! kind of emerges? It’s interesting talking to people, you know, about SLAM! because when I first was kind of hearing about and talking about it with people it was in relationship to all this other stuff that was happening in New York at the time, like (inaudible) Black August stuff. And Jericho, there was all this political prisoner work being done. And so, I mean, could you say something about the -- you know, that political moment, and I guess SLAM!’s relationship to, you know, the other organizations and grassroots kind of movements that are happening in New York at that time?
IRINI NEOFOTISTOS: Everybody that came to SLAM! had a perspective and were looking for something. And we were teasing apart everything. It’s like why is security on campus, you know? It was a time where you’re having this, like, militarization. It was the -- you know, the Gulf War is happening. Why are these, like, security guards bothering us? Why is a security guard making more than, you know, the professors on campus? How is that related to, like, you know, the experiences of black and brown people on the daily? Kind of the corporatization -- you know, it was like -- I mean, there was, like, a lot going on. But in terms of, like, the CUNY card and chips in the card and it’s related to your bank statement, I mean, we created links. Because of what everybody was able to bring, we were able to create links to all of those things. Why are people dropping out? Why are we expected to graduate in four years? Is that realistic? We’re all working, you know? So it was hard not to make those connections. And then it was hard -- I think because SLAM! was, like, young and vibrant and posters and you know, art and megaphones and articulate and all of that, those community organizations also gravitated to us. We also gravitated to them. I think we had an intent to educate and build leadership within. And so, it just became -- it was a rich time. Like I said, the Union Square awards began in 1998. So similar timeframe -- there was just bubbling of activity. Of course, you know, Giuliani and his policies kind of -- it was -- there was a lot happening. So I don’t know if I’m answering the question, but yeah. And I think that does have to do with -- and because we are each -- you know, we were each still living in our communities that were bringing all of that back. Then all of a sudden you’re having a conversation with your mother and your aunt and your best friend from high school. And so, it just -- it was just a moment. I think we’re in that moment again. And it’s interesting because most recently I’ve been running into folks that I haven’t in a long time. It’s like, you know, I haven’t seen you in ten years. What are you up to? Great. And all of a sudden there’s a synergy again. So I think we’re in that cycle again. It’s a hard -- this particular moment is a hard moment because I think folks are in real crisis. Like, we’re even -- even in terms of my work here, part of -- in terms of identifying organizations doing this work, it’s really difficult to figure out what are people doing? Are they consolidating resources? Are they talking to each other? What are the networks? But I think in the next two to three [00:30:00] years, you’re going to see this emerging. Like, people will come out of this, like, crisis fog into this, like, no, we need to do it. And I think Occupy Wall Street is that. And again I was thinking about the SLAM! model because there’s a great power in having a wide enough net that you can catch people whether they want to do this in a sustained way or as a one-time activity, because there was a frame. There was a political frame to the work.
AMAKA OKECHUKWU: What was I going to ask? Why do you think -- I mean, from what I’ve read and talked to people, SLAM! clearly seemed the strongest at Hunter. Why do you think it was the strongest at Hunter and not other CUNY campuses?
IRINI NEOFOTISTOS: I think it’s exactly because we had community spaces, because I think even -- you know, even the city or the Brooklyn chapter of hunter, we had a space that we occupied. And it wasn’t just a space. We had various spaces. And we had full control of those spaces. We could be there until 2:00 a.m. And it was midtown. I mean, not midtown, but it was Manhattan. It was easily accessible. I think the sustainability of that space was important. And I don’t know that the reason -- you know, clearly folks aged out. There was huge turnover. So you know, the development had to happen over and over again. And it was tiring because you always had new formations. And I don’t know if the conditions changed or, you know, people got tired. I mean, I don’t know what it was that ended it, right? But I think the space not being there was a critical component. And the reason that it was strong, again, is because of the sustainability of the spaces that we were able to create.
AMAKA OKECHUKWU: So you mean in the sense that because SLAM! had control over so many -- in terms of the student government and student resources and things like that, you guys had space in the way that didn’t exist at other places?
IRINI NEOFOTISTOS: Yeah. Having a community center was important. Having access to be able to print the newspaper and put a flyer out to the -- I mean, The Envoy was being circulated at all the campuses and beyond. It’s just what we took with us when we left the office. So yeah, having those resources were key, also because we could barely make our tuition. So where were we going to find extra money for flyers or for whatever, for paint, for, you know, canvas, whatever it was that we needed? And we also had a lot of support on campus. And we had some -- we didn’t always have allies. Not everyone was an ally. But we had support.
AMAKA OKECHUKWU: So would that be -- you mean in terms of the student body? Or do you mean in terms of -- I mean, were there sympathetic faculty?
IRINI NEOFOTISTOS: Yes, there were sympathetic faculty. I mean, I remember being in a class. And I mean, it was expected that it began with a class rep, where we’re talking about what’s happening this week? What’s the activity? That wasn’t true for everybody. But I think we were also very selective about what we -- I mean, you had the prerequisite you had to take and whatever, whatever. But we were also very -- there were key faculty members that played a very pivotal role, that were very sympathetic, that stood with us, and that allowed us -- gave us a sounding platform in their classrooms. We used to flyer before classrooms. We used to do presentations before or after class. And we used to have -- we found mentorship in a lot of them. And we would go, and they would be available after class.
AMAKA OKECHUKWU: Can you remember the names of any of those faculty?
IRINI NEOFOTISTOS: Yes. So Professor Kirkland he was in the philosophy department. And he was the professor that taught Marxism. And he was also very clear about students having representation in various structures, so the college senate, the academic senate, which he was also a part of. And we would have, like, strategy meetings beforehand in terms of [00:35:00] blocking votes, right? And just to be clear, not everybody in SLAM! -- you know, we had a lot of conversations about electoral politics. So sitting on a body like that wasn’t always a popular thing. And it wasn’t the role for everybody. So just as a layer to that -- we had -- I said Professor Carter in the sociology department. And he was, I mean, he was key in terms of even giving us, like, food for thought and like, here, read this article. Take this book. But he put his body on the line. He put his title on the line. I mean, I remember going to him when I was applying for NYU, for example. And I said, you know, Professor Carter, I would really be honored if you gave me a recommendation letter. And he says Irini, I would give you -- I went by Irene then. I would give you a glowing recommendation letter, but it would probably harm you. He’s like I’ll do it, but they’re not very fond of me over there. Professor Abdulhadi -- Rabab, she went by Rabab...
AMAKA OKECHUKWU: How do you -- sorry.
IRINI NEOFOTISTOS: I will write it because I -- do you want me to just write it on your sheet there?
AMAKA OKECHUKWU: Sorry, it’s very messy.
IRINI NEOFOTISTOS: That’s okay. Abdulhadi -- she was a Palestinian professor.
AMAKA OKECHUKWU: Thank you.
IRINI NEOFOTISTOS: You're welcome. Oh God, Espy, Esperanza Martell. There is one name -- oh, Mama Marimba in BLPR. She wasn’t known as -- I would have to remember what her -- we all called her Mama Marimba. I mean, she was -- it was one of these classes where she would vet the list of students. And if she didn’t want you in her class you were out. So yeah, we had a lot of support. Oh, Professor Ku, now Professor Ku was the...
AMAKA OKECHUKWU: How do you spell that?
IRINI NEOFOTISTOS: Oh God, I want to say K-U, but I can confirm that. He was not even -- he was not yet chair of the Asian-American studies department. Now, this is significant. We had a BLPR department. We had a women’s studies department. We had an Asian American studies department.
AMAKA OKECHUKWU: What is BLPR?
IRINI NEOFOTISTOS: Black and Puerto Rican studies and kind of integrated Caribbean studies, right? So there was the ability. Well, no, there’s actually a political -- there’s a political layer here which is that they weren’t departments. They were programs.
AMAKA OKECHUKWU: Right, right, yeah, often it’s that way.
IRINI NEOFOTISTOS: And so, I think if you found this trend nationally. But then, it was -- again, it was a relationship because those programs needed the students’ support and supported the students. And so, what happened consequently is a whole nother thing, both locally and nationally, in terms of what access to programs like that. But I think it’s significant. And we were all a part of that conversation, right?
AMAKA OKECHUKWU: Okay. I’ll probably just ask, like, one or two more questions. But I’m wondering how -- it seems as if SLAM! did a really great job of developing leadership, which is why it was able to, at least at some campuses, you know, stay around as long as it did. You know, student activism is notoriously, you know, in waves. People are graduating. They’re coming in and out, things like that. In which ways did you see -- like, how did you see SLAM! developing the leadership of the organization?
IRINI NEOFOTISTOS: I don’t know that we said it like this then. But it’s what I know to be true now. You learn by doing, you know? Everybody learned. It was trial by fire. There was no guidebook. It’s like we need volunteers. Well, how do we do that? Go. Develop a volunteer core. It’s yours. Or, whatever the case is, like, there’s a rally tomorrow. We need to have a security training. Who has had a security training in the past? Okay, you’re the trainer. We need a permit. Who has time? Who’s able to go between classes to get a permit? [00:40:00] So I mean, some of it was more thoughtful but not entirely. I mean, sometimes we’re like, oh shit, you know, we should have thought to do that. Let’s do that next time. It just didn’t happen. So I think we -- one, there was an expectation that everybody bring what they can. What are your skills? Good. Do it. Boom, out. But then also, and I’m going to say it again because I think it was important. The fact that we had a space that we also needed to sustain was important because it didn’t only mean -- it meant caring for your home, for the people in that home, you know, thinking about, like, HR policies. We need this person. But you know, they need to take a vacation day. Or, you know, they’ve been in the office from 9:00 AM this morning. What does that mean in terms of, like, your political development in terms of what it -- we had mothers in the collective, you know? What are the expectations? And you know, you’re not a mother, so you should step up. There were lots of layers there. You know, we have a meeting we need to prep with, you know? We need to present financials, or whatever it was. But it was happening alongside other things, right? So there was always something happening. And the expectation was that you’re learning as you’re going but that you’re contributing, right? It’s not a place you just come and take and bounce.
AMAKA OKECHUKWU: Okay. And I’ve also heard that it was -- women of color kind of led.
IRINI NEOFOTISTOS: Mm-hmm.
AMAKA OKECHUKWU: So that is -- because I’ve heard different -- I mean, I’ve heard different stories in terms of it’s always been like that or it came to be that or...
IRINI NEOFOTISTOS: I don’t think it came to be that. And I don’t think it always was that. I think it was very -- look, so this is a little layered because, yes, it was women of color-led. And there were lots of conversations about power and internalized oppression and calling people out at meetings. And meetings weren’t always fun. But at the end of the day we had a lot of dedicated people. Like I said, Chris Day, clearly not a woman of color, was the person really responsible for documentation. What does his lens do to the story of SLAM!? So you know, in terms of who does the work -- and then, you know, the other thing is, I think women of color, women, women of color, are always the workers.
AMAKA OKECHUKWU: Right. But I don’t think it’s always acknowledged or it’s always seen as these are the leaders. They tend to be the membership really getting everything done, you know? But it’s like in terms of the leadership, so rarely, you know, is it women in charge.
IRINI NEOFOTISTOS: Yes. So yes, that was the other thing, which is that the women were in leadership, were also the workers, and it worked both ways. I mean, nobody could just walk in and claim it because they weren’t doing the work. They didn’t know the whole. And so, I think, you know, folks kept that very close. And there was a -- like I said, there was a role for everyone. But that doesn’t -- that didn’t mean you could do everything or anything, right?
AMAKA OKECHUKWU: Okay, yeah. I mean, I think -- is there anything else that you think is important to emphasize, I guess, for me in this stage of research? Again, I’ll be coming back to have more in-depth.
IRINI NEOFOTISTOS: I mean, like I said, I’m sure you’ll want to develop it further and be more focused. But I think as a general lens -- and I’m happy also to be part of this at the shaping moment because these are questions that I’m grappling with and thinking about, you know, from the perspective of, like, models in sustainability and community organizing and collectivity.
AMAKA OKECHUKWU: I’ve been thinking a lot about sustainability lately, yeah.
IRINI NEOFOTISTOS: Because, part of the other thing is that we were -- you know, because there -- and I guess this is very important. Because [00:45:00] there were people that were coming with a political background, lens and kind of versed in these conversations, because they were, you know, second-generation folks having these conversations, red diaper babies, children of organizers, right, I think if you look at who was in the leadership, you’ll find that those were the people in the leadership. And those folks had a really big responsibility in terms of, like, okay, now how do we educate others, and so there always being a commitment to teaching and learning and continuing to grow. But you know, but it was hard sometimes to be part of the conversation if you’re not radical, if you don’t know who Marx is, if, you know, you’re not red enough or whatever. So there were hard moments. And there were moments where people felt very excluded and isolated and didn’t want to be part of it and left burnt and angry. But that’s the truth of it, too.
AMAKA OKECHUKWU: Yeah. So how did -- political education seems central to everything, or a lot of what you guys did. How did that, I guess, work on the day to day? Did you -- was it a part of kind of organizational meetings? Did you have kind of, you know, things that were more open for everybody else to come into, you know? How did you guys see political education, you know, relating to your work? And how did -- I mean, I’m assuming that it probably brought some people into the organization, too. I mean, just talk about that process.
IRINI NEOFOTISTOS: Yeah. I mean, it went through different variations throughout the history. And it was something as simple as calling out somebody’s behavior that was inappropriate to looking at kind of policies on campus and around our neighborhoods. So you know, being able to talk about an experience -- you know, I was on the train today, and somebody said this to me, you know, talking about race and class and gender in that way, from a very, you know, personal-is-political way. Then, I think there were moments where we developed guides, you know? I remember, you know, I don’t know, Patricia Collins’, you know, Black Feminist Thought, you know? That was being circulated. And you may not have been reading it, but somebody else was, and quoting it. So some of it was informal. Some of it was formal. Like, I ran into a binded political education on women’s rights, for example. What is cultural work? We’d have these conversations, you know? And there were some official study groups. And there were, you know, actual articles being circulated. So I think it happened in a formal way but also in an informal way. But it was expected that you were -- you kind of -- everybody had a magnifying glass on everything. And maybe it was because we were in a learning environment and it was expected. And of course you’re in class and you’re reading about something and it relates to something else. So I think everybody was able to bring resources, yeah.
AMAKA OKECHUKWU: All right. Well, thank you.
IRINI NEOFOTISTOS: Sure.
AMAKA OKECHUKWU: That was very helpful.
END OF AUDIO FILE
Interview
Irini Neofistos
AMAKA OKECHUKWU: Don’t think too hard about it, I guess. Okay, so can you state your name?
IRINI NEOFOTISTOS: Yes. I’m Irini Neofotistos.
AMAKA OKECHUKWU: And can you state your age?
IRINI NEOFOTISTOS: Thirty-four.
AMAKA OKECHUKWU: And how do you identify racially?
IRINI NEOFOTISTOS: That should not be hard to answer, but I’m Greek, so that’s how I answer it.
AMAKA OKECHUKWU: Okay. And how do you identify your gender?
IRINI NEOFOTISTOS: Female.
AMAKA OKECHUKWU: How do you identify your sexual orientation?
IRINI NEOFOTISTOS: Straight.
AMAKA OKECHUKWU: And your marital status?
IRINI NEOFOTISTOS: Married.
AMAKA OKECHUKWU: Do you have children?
IRINI NEOFOTISTOS: I have two children.
AMAKA OKECHUKWU: Okay. Okay, so in terms -- I guess I’ll just jump, because I usually go into more biographical information. But the last time I talked to you, you answered a lot of those questions. So I’m going to skip. So you attended Hunter. What years did you attend Hunter?
IRINI NEOFOTISTOS: I was at Hunter from ’96 to 2000, yeah.
AMAKA OKECHUKWU: Okay. And why did you choose Hunter to go to?
IRINI NEOFOTISTOS: Good question. So it was important for me to be at a city university. I visited a lot of different campuses. And I really wanted -- well, for financial reasons I needed to go to a city university. I was accepted into NYU, and that was not going to happen for me. But I also like the environment at CUNY. I was initially thinking about Adelphi University, so one of the SUNYs. And once I visited Hunter, it was locked. It was done.
AMAKA OKECHUKWU: So what was it about it?
IRINI NEOFOTISTOS: I think it was a combination of the vitality of the campus. It wasn’t -- you know, I envisioned going to a college and wanted a campus. I wanted the whole going away experience, starting new experience. So initially going to Manhattan was not what I had envisioned. But I visited those other campuses, and they didn’t speak to me the way that Hunter did. There was something about the hustle and bustle of it. It was very contained in several buildings, which I didn’t think I would like but eventually was a good thing because it was very accessible. But there was an energy on campus that was very electric. And I happened to be there at a time when there -- I actually visited right around May when I was graduating because I needed to make a determination about where I would go. And there were a lot of open houses happening at clubs. There were a lot of departments doing outreach to new students. And so, it was done. I went that day and didn’t leave for the next four or five years.
AMAKA OKECHUKWU: So when you entered Hunter, how do you remember the political atmosphere being at Hunter? And then you could also speak more generally, I guess, to the city, you know, what the political moment was during that time?
IRINI NEOFOTISTOS: Well, I was 16 when I first visited Hunter, so I was really young. And I was trying to -- that was actually the question that I wanted to answer for myself. There was a lot of -- there was a lot of stuff happening in the city. It was a time where there was a lot of repression. So there were a lot of discussions about like, quality of life, and what does that mean, and for whom? And then in terms of -- I remember, in terms of the campus, I was -- when I first visited I was trying to get a sense of, like, who was around? And were there people that I can connect with? And what was the moment that was being experienced? So I was organizing at the time in high school, and not around education. So it was important for me to find where I would -- if there was alignment politically for me with folks on campus. And I fell into a GROW training through USSA. And they were basically doing a -- their standard GROW training that weekend. And so I said, yes, I’m going to go to that.
AMAKA OKECHUKWU: What’s a GROW training?
IRINI NEOFOTISTOS: A GROW training, gosh, I should know this because my husband was a trainer and I went through the training. So I should know this. But it was many, many years ago. But it was basics on organizing. How do you assess [00:05:00] power? How do you build with a variety of people? It was very centered around students. And so, I met a lot of really dynamic people there that kind of brought me in to the SLAM! space that was very much in transition at that time. So I came to SLAM! almost immediately. And it was one of the reasons that Hunter was such a good experience for me. But I came in also academically, recognizing that I was probably at the top tier of how people come in. So I was part of a block program which, at the time, was the university’s you know, response to try to get freshmen into a cohort. So we would take -- it was very much like high school. So you would take, you know, your block classes, which were the ones that would fulfill your academic requirements with a group of people that follow you throughout the next few semesters. And that was great. But I also understood that the folks that got into the block program were very different than the folks that came in through remedial classes. So very, very early on I realized that there was -- that the school was very stratified in terms of academics. So I was appreciative to have that experience. But I also recognize that wasn’t everybody’s experience.
AMAKA OKECHUKWU: Right. How would you describe yourself politically when you came in? I mean, you’re young. You’re 16 years old. You’re younger than most people coming in. But like you mentioned, you had been organizing in high school and stuff like that. So I mean, how would you describe that? And you could also speak to the stuff that you were doing in high school as well.
IRINI NEOFOTISTOS: Yeah, so my family was very politically active. I don’t know if I’ve mentioned it to you, but I think that part of the reason that SLAM! was so successful is that we were the second generation of organizers coming in in most cases. We did a lot of political education. We shared a lot of information with each other. But I think the reason that we were so strong is that we had a lot of experience to pull from. So I was searching. I was looking for folks. I didn’t have the language for what my experiences were yet. I knew that building community and power was important. I came into organizing because there was work happening in the Greek community in two issue areas. One was the occupation of Cyprus. So occupation, power, self-determination was something that was always important to me. And then there were a lot of -- there was a lot of work happening in the Greek community around borders, and what does it mean to be Greek, and who can claim that? So at the time -- and people still use this tagline and it’s still very problematic to me, around Macedonia. So historically, there was no separation, the lines that we now understand as starting and ending points of countries that were not always the same historically. And so, it was always -- you know, so at the time there was this big movement to not allow the country, the former Yugoslav Republic, to claim the name Macedonia because then the theory was that it would be an opportunity to rewrite history, recreate maps and erase a history of a people that was there before them. And to me, the whole argument was weak. It in fact was an active erasure of the people that were living there presently. And I just didn’t have peers that I could have these conversations with. And so, politically I was trying to find language to put to what didn’t feel right but then also fight for what was [00:10:00] right. And so, I came into that space looking for that. And I think the way that I did, other folks found that space for similar reasons, not same context.
AMAKA OKECHUKWU: Right, right, right. Okay. How -- I guess before we get into the specifics of your experience in SLAM!, how do you understand the creation of SLAM!? Because you came in, what, fall ’96?
IRINI NEOFOTISTOS: I came in in the summer of ’96.
AMAKA OKECHUKWU: Summer of ’96, okay. So SLAM! had just really started to come together. So how -- can you explain the creation of SLAM! or, like, what your understanding of that creation was? Like, I’ve heard many people talk about it coming out of the CUNY coalition. I’ve heard people reference Student Power Movement. Like, I’m just, you know, trying to figure out where. And I think it’s because different people came from different things into SLAM!. But can you speak to that?
IRINI NEOFOTISTOS: Yeah, I can only speak to what I know. I came into SLAM! at a time where it did not -- it was just coming into holding resources at Hunter. There was a major and very antagonistic relationship between the former student government, who was corrupt and stealing money -- and this is not something that was made up. I mean, there’s documentation about how there was an inappropriate relationship to student funds and student organizations based on this group. And at the same time, students that were organizing citywide rallies to -- one, to educate other students about what was happening in terms of resources to next generations of students being taken away, but also being very vocal that this is not something that is acceptable, that is going to go down easy. You know, there was power being built. And I’ve been using “power” a lot. So I don’t know. I don’t think I came in to SLAM! with that language. So but there was a shift. There was a shift on campus in terms of who should represent us, who should hold resources and who has the students’ best interest in mind. And clearly the folks that were in there were not the folks. And then the folks that were developing this, I don’t think they ever said, oh, and we’re going to, you know, take over the student government. But it happened organically that those things happened at the same time. I was not part of those conversations, so I can’t speak to that. But I -- so I mentioned the GROW training earlier. That was something that was organized by the prior corrupt student government. And so, those are the folks that I initially met. But those are not the folks that I necessarily aligned myself with. And so, when I learned that the folks that I politically understood to be my people were doing this work I wanted to support them. And so, I came into SLAM! understanding that there was something happening on campus that was important. But it was linked to something that was much bigger than our experience at Hunter. And that’s when I started to learn a little bit about kind of the structures even within the university system. Like, why was LaGuardia -- that was in my borough, different from Queens College, different from Hunter College? And this is very -- still very premature because this -- you know, the discussions of having honor colleges was not even part of the conversation yet. But it was building those basic elements, those basic building blocks that were able then -- where we were able then to make connections to what was happening in a more global sense. And I think for me it was coming into a community that I recognized but that I wasn’t a part of previous to that. And so, I had a pretty isolated -- I was pretty isolated before coming to Hunter. And so, for me, being at Hunter and seeing who the students were kind of opened up a whole new world for me that I wasn’t exposed to but that I understood was -- you know, [00:15:00] they’re my contemporaries. They’re my peers.
AMAKA OKECHUKWU: Right, right. So this is a structure question, which I guess there’s many parts to this because we have -- you know, there’s Hunter SLAM! in relationship to other campus SLAM! chapters. There’s, you know, Hunter SLAM! and student government versus -- you know, student government meetings versus, you know, folks that aren’t in student government meeting. And so, I’m asking how would you describe the structure, the internal structure, of SLAM!? And let me actually read this thing first. It’s a question that I have. So this is -- I guess I have, like, a timeline of events, basically. And so, I guess this was during winter inter-session, so ’95/’96. It was decided by student activists to establish Student Liberation Action Movement, a new structure that would guarantee decisions were being made by student activists that had a real base on their campuses by requiring each campus to delegate four members to participate in CUNY-wide meetings and limiting off-campus participation to invited groups. They also require that each delegation be at least half women and half people of color. And so, I’m asking -- I read that piece because I wasn’t clear if that was actually a practice or if that shifted over times in terms of like that -- it’s a very clear kind of almost rigid structure. You have this many members to delegate to these larger meetings. Did that work in practice in your experience in SLAM!? Is that accurate? Or is it a little bit more nuanced or, you know, different than that?
IRINI NEOFOTISTOS: I’m actually surprised hearing this because I never experienced it that way. I actually didn’t know that that existed. And the first -- when you’re -- as you were reading this I actually went to a memory that I had. While I was leaving SLAM! there was an organization that basically claimed the name SLAM!. And they were not us, obviously. But then, how do we challenge that? And so, in that process, some of this stuff came up. But the folks -- so, that was one kind of experience. And then there was another experience where there were citywide meetings. And I remember going to citywide meetings. And a lot of them were held at the graduate center. And SLAM! was part of those meetings. But they were not SLAM! meetings of folks at different campuses. So it wasn’t like four students from Brooklyn College and four students from Baruch were attending, and it was a SLAM! citywide meeting. I never experienced that way. I did experience Hunter very much being a hub for students that were organizing at other campuses. So Orlando Green is a great example of this. He was the president of BSU at Baruch College. But I met him at Hunter. Suzy Subways is another one, Brad Sigal. These are folks that -- Slab was at Queens College. But they were very limited times that I remember going to other campuses to meet with other SLAM! folks. And so, I didn’t experience it functioning anywhere near that.
AMAKA OKECHUKWU: So then, what was SLAM!’s -- I mean, though Hunter was the strongest chapter, there were at times chapters in other spaces. So then, what was Hunter’s relationship to those other chapters, or yeah?
IRINI NEOFOTISTOS: I don’t think it’s as formal as -- I don’t think the relationship between SLAM! and student government are formal. I don’t think the relationship between SLAM! members of different chapters are formal. In fact, I don’t think that even within Hunter SLAM! there were formal relationships. In fact, that was one of the most puzzling and frustrating things about being part of Hunter SLAM!. And I say that because we were -- on the one hand [00:20:00] on the one hand we talked a lot about transparency. We talked a lot about and challenged leadership, and challenged each other in terms of how we interacted with one another. And then at other times things just arbitrarily -- what seemed arbitrarily happened. And so, there was informal understanding of who the leaders were. But those leaders never claimed that. And so, part of my frustration, and I’m mentioning it only because I know it wasn’t specific to me, was how do you wrangle something that you don’t quite understand but still move it forward?
AMAKA OKECHUKWU: Right. You know, that is -- it’s helpful in some ways that you say it that way because, you know, I’ve been trying to, via different interviews and just kind of reflecting, when I talk to some people it seems as if SLAM! was just a mass membership organization. Anyone could show up and be involved in whatever. I’ve talked to other people who said, well, no, I was invited. Like, I had to be invited, and SLAM! was kind of cliquey, even though I ended up becoming part of it. But it was kind of cliquey, and I had to be invited. And it was more cadre-style than like a mass membership thing. And you know, there’s -- you know, like you mentioned, that’s kind of like this core, even though it’s not a formal core. But there’s a core. And then there’s kind of other folk. And so, I guess I’m wondering, in terms of structure, you know, how would you -- I mean, is it more mass? I mean, is it somewhere in between? Are there -- you know, is there truth to anything that I’ve just mentioned in terms...
IRINI NEOFOTISTOS: There’s truth to all of that. So we’ll do it this way. Nobody was ever turned away from a rally. The more people, the better. The more folks we had sharing information about what was happening, what the policies were, what the meetings were, where we needed bodies, the better. From a worker perspective, anybody that wanted to work would be plugged in. It was sometimes their choice what they worked on. And sometimes things that folks wanted to work on they were not allowed to. And I don’t -- and sometimes it was just informal, like somebody’s got that. We don’t need you there. We need you here. So and you know, and that’s how it was stratified. But decisions in terms of how this body would move were made very tactfully, very strategically. And the problem was that internally there was a lot of unspokens about what the structure was. And so, you can only challenge to a certain degree before you were put in check. That happened to me lots of times where I felt like, oh yeah, this is -- I’m part of this inner circle, and was very skillfully shown that that was not the case. And so...
AMAKA OKECHUKWU: Okay, so then -- okay. So you started the student government positions for SLAM!, correct?
IRINI NEOFOTISTOS: I did.
AMAKA OKECHUKWU: Okay. So what was that -- I mean, how did it -- most organizations don’t have that kind of -- you know, particularly student organizations have some members that are in student government. And then you kind of have another body of folk that are connected to that. But they’re not serving in those office positions. And so how did that function, like on the day to day? I mean, the people that were in SLAM! that were on student government, they had their own student government meetings, and then they go to other kind of more general SLAM! meetings? How do student government officers function in, like, the more general meetings? What was that looking like on a day-to-day basis?
IRINI NEOFOTISTOS: So just to just put a little bit of what is it and what isn’t it, I don’t know that SLAM! meetings were ever formal. Student government meetings were formal. And business sometimes overlapped around actionable steps [00:20:00]. So imagine, you know -- and I’ll go back to this question. But you know, for student government we held meetings -- I’m sorry, we held minutes. There were particular meeting times. A lot of the decisions that SLAM! made in terms of strategy didn’t happen that way. They might have happened at somebody’s house. They might have happened at Hunter, at the Hunter College space. But there was a very tight relationship between the folks that were in leadership. And so -- and there was trust there. And so, they didn’t operate in that way. But now I’m going to backtrack a little bit. So when SLAM! decided to -- and I’m saying “when SLAM!” because for me there was no time before that. I didn’t experience a time before there was a SLAM!, right? So when SLAM! came in to student government -- and I was there at the time when that shift was happening -- it was very clear that the resources that were available would serve students at Hunter but also are resources that students in general should have. By virtue of the fact, however, that we had a student government space, those are very rigid structures. A student government is a student -- you know, whether you’re in -- you know, a student a government is a student government no matter where you are. We brought a particular political perspective to it. But a student government has certain responsibilities. And so, to earn our keep, so to speak, and to ensure that those resources were ones that we had access to -- and again, it wasn’t for self-serving reasons, but with this larger political ideology in mind it was important that it function as a student government and that it serve. So we were very mindful about how we used those resources, how we better used those resources to serve the students at Hunter. So from 9:00 to 5:00, or whatever those hours were -- I don’t think we ever opened at 9:00, but I could be wrong about that, although we did stay way into the night -- we were accessible for the student body. There were staff there. There was business being conducted. There were -- you know, there was money being signed off on. There were budgets being approved. And we were talking about the resources that students need to be effective at being students. At the same time, not anybody can just come in and being -- and even in the student government positions, not anybody can hold those positions because there was strategy involved. Like, if you came in saying I want to be the certain whatever your title is, and that’s how I’m serving, without having this larger ideological understanding of what the purpose of having these resources were, it was not an environment that you can stay in in the long haul. There were expectations that you have a more global understanding and worldview. And not everybody came in at the same level. So part of that was developed. But you had to be open to that understanding and challenge yourself in terms of that growth. Now, because of these strategic resources, however, those are the strategic resources that allowed Hunter to be -- one, we had a space. I mean, how easy is it to tell folks just come to the office. There’s a critical mass of folks that are always there. And so, some of the -- what I would consider, like, SLAM! leaders, some of those functioned also in student government offices. And some never did. And so, it isn’t like this clear line of like you’re going to be student government and SLAM!. Or, you can’t do SLAM! unless you do student government. That never existed, which is why that hierarchy is odd [00:30:00] to follow and to map, because it just didn’t function that way. There was also a very interesting dynamic between, and alliance and allegiance between the student paper, The Envoy, and the student government. Folks that were in The Envoy, similar to the student government, they had to run a paper. And so, they put out a publication. They had student writers. But the leadership there also understood that those resources were a vehicle for students’ voices to get out. And that included a political voice on campus. And so, there was a lot of allegiance not just in terms of titles and given authority, if you would, but the way that we functioned. So from a strategic question, in terms of how to move forward an agenda, that started off very, very focused on students and access to education but then very quickly snowballed into an understanding of resources and power that was much greater than that. So that starting point grew also as we as people grew. And so, it was very fluid. I don’t know if that answers your question.
AMAKA OKECHUKWU: Yeah, it does. You mentioned that, I guess, outside of the student government SLAM! meetings were informal. Do you mean in terms of kind of core of the leadership and that kind of strategizing being informal? Or do you just mean generally? Like, and I guess my question is, did SLAM! have, like, regular meetings? Like, outside of student government, did SLAM! have regular meetings? And if so, what happened at those meetings? If not, when would SLAM! meet?
IRINI NEOFOTISTOS: I feel like this shouldn’t be hard answer -- a hard question to answer. But I’m struggling to answer it. Have I ever been to an explicitly SLAM! -- an explicit SLAM! meeting? And the reason I’m having trouble answering it is because there was a lot of energy at certain times of the year, and particularly around decisions that were about to happen at the chancellor’s office or, you know, with the regents, or when the university itself was putting policies into place. There was -- or if they were -- you know, there were huge, you know, citywide events that were happening around police brutality, for example, or political prisons. There was energy. Did I say political prisons? So Mumia, for example, was a huge work that we -- you know, we did a lot of work around that. And so, when there was a moment, that campus was energized. And that was never about student government. That was creating a space for folks, whether they had been organizing in The Bronx and wanted to plug into that work, whether they had been a student at Hunter or a different campus. But there was always a space for folks to come together. And yeah, we did call meetings at 8:00 PM. That was an open call for folks. And sometimes it was a formal, like, open call. We’re going to be talking about this. But sometimes it just was -- eventually people just came. And so, yeah, it’s hard to -- it was never the same at any moment in SLAM!, I don’t think.
AMAKA OKECHUKWU: Right. So then, I mean, and you know, correct me if I’m not interpreting this correctly. It seems as if a lot of the meetings -- not all of them, but a lot of the meetings would be called around particular, like, mobilizations, kind of, you know, direct, whether it was a rally or something like that. At these SLAM! meetings, were there mostly, like, discussions? Were there decisions being made at these meetings? Or was that saved for another time?
IRINI NEOFOTISTOS: Yeah, [00:35:00] decisions were made. For example, if it was felt like -- you know, if we need to be out there to bring attention to a particular thing or to protest a particular thing, then there was a decision made. But then there were action steps that needed to follow. So in a case where you’re calling for a mass mobilization outside of the chancellor’s office, for lack of a better example, yeah, there are other campuses that need to get involved. There are permits that potentially have to be secured. There is a flyer that has to be made. There’s outreach that needs to be done. There’s class RAPs that we used to do to educate other students on campus. The bullhorn -- somebody has to bring the bullhorn, right? So where will that happen? So yeah, there’s a series of things. And then, so things happened organically. But then things were planned. So after doing this for a while you kind of -- people knew what was expected of them because they had done it prior. And so, it wasn’t like things magically happened. But there is escalation in terms of our skills, our leadership, our political education. I think there was a lot of effort put into political education and kind of understanding, even outside of those moments. So let me think about what your actual very direct question was and see if I answered it. So the direct question was, is there an initial meeting? And then, are there followup meetings? Sometimes there are followup meetings. But sometimes it’s just getting on a phone, calling somebody, talking to someone in the hallway. And we were about making it happen.
AMAKA OKECHUKWU: Okay.
IRINI NEOFOTISTOS: And let me not forget, there were also debriefs of what happened, because that was very much a part of, okay, so we said we were going to do this. Did it happen? What happened? Who stepped on whose toes, you know? We aired out a lot of that stuff, which is why the structure thing then becomes, who has formal authority and who doesn’t? I mean, we didn’t have the language to talk about it that way. But how do you call somebody out when they did something that you thought was inappropriate when that’s the structure? How is accountability held?
AMAKA OKECHUKWU: So are you saying that folks were not accountable because the structure wasn’t clear or that -- the opposite of that, or somewhere in between?
IRINI NEOFOTISTOS: Somewhere in between. I think people -- I think we -- look, we had a great group of people. So people were self-critical to a fault. Nobody could shred you down. You can do that for yourself. But you were also held, you know, to a group. And it was -- that’s the stuff that got murky and ugly and hurt folks. That’s why people got burnt out. I don’t think it was ever about the work. It was the interpersonal relationships that you were building. That’s what got messy. So yeah, people were -- there was a lot of accountability. And then there was a lot of political education, like why have women in power? Why have people of color in power? Those were important conversations. Why was it that, you know, even though we say that, they were very vocal, very visible white men that were not -- that didn’t have necessarily -- you know, that sometimes worked and sometimes didn’t, sometimes showed up and sometimes didn’t. That all happened at the same time.
AMAKA OKECHUKWU: Okay. So can you speak more specifically to how you saw the attack on open admissions kind of develop and escalate, and SLAM!’s relationship to that in terms of -- I mean, you can break that into two questions, but how you saw that, you know, attack escalate [00:40:00] as well as how SLAM! chose to respond/resist that.
IRINI NEOFOTISTOS: Okay. So I’m going to answer it in a different way, and then tell me if this makes sense. It’s kind of like when you ask somebody, like, what is love, and they tell you what is heartbreak. I’m going to have to kind of go there. But it’s very centered around education and why it’s important to the students that are involved. So for many of the students, myself included, this was the first opportunity to enter a college campus. This was the first time that they had -- I’ll talk personally. So I was the first in my family to graduate. I wasn’t the first to attend. That’s different for other folks. But there was always an importance about getting a degree and what access that then gives you later in life. And when we said “Access is a right,” we believed it. And so, to be on a campus where this is sometimes your only chance at getting a college education, and to then have challenges that students at other campuses sometimes didn’t, so paying your tuition is already a huge burden. The fact that you have to work and also go to school is a huge burden. The fact that you can’t always get, you know, enough money on that Metro card to get to school is a huge burden. Paying for your books is a huge burden. I mean, it was almost like a tease, like you have access to this, and make it happen. Show us what you’ve got. Prove yourself. And then to have policies that crack at that access, right, that’s how we come into the conversation. So to understand the kind of -- the historic understanding, the historical moment in New York, but also the personal ambition that follows legacies of people, is the context. So now, to have any discussion about increases in tuition, any conversations about chipping away at remedial education, when most of the majority of the people coming into this are coming out of public high schools that didn’t serve them, so why did they need remedial education in the first place? And then, so it’s bone after bone being taken away. You never get the full meal, right? You just get the scraps. So we’re coming into an understanding of education -- what that means for a family, what that means for a community, what that means for -- and you know, the list goes on and on. So there are personal struggles. But then there are political policies that are ripe, that are tangible and that are happening at that moment. And so, SLAM!, with these very politically minded people, and a mass of folks are coming at this from various perspectives. So yeah, we are going to go outside of the chancellor’s office and make sure that they understand that students are not agreeing with these policies. Within our own university, conversations around who we have access to even as faculty -- you know, do we have full-time professors? Or do we have adjuncts with no office hours when a lot of us are working and can’t get even to -- you know, to see them and to talk to our professors, and where they’re not being compensated for that time? So those are two -- you know, then there were fights around, you know, CUNY safety. And we were a very politically active campus. And so, a decision about whether to hire more security officers was understood as a political act, especially when those resources could be going to paying for full-time faculty, right? [00:45:00] So we have a very politically charged understanding. And folks that -- I don’t think any one SLAM! member always had the full picture. But there was something everybody could do and something everybody could focus on. So everything from, you know, what might seem like a great idea -- hey, why don’t we get a CUNY Card? You know, CUNYs are thinking about CUNY Cards. We’ll get people’s debit cards, their Metro cards, and their student ID all in one place. And we’re like, no. It was months of, you know, work, months of political education, months of building. You know, to anybody else hearing it, it sounds like a great idea. Why not have one card that kind of does this? But what does that do to your liberties as a student? Why am I being tracked for how much I spend at a particular location? And so, all of these conversations are happening at the same time. But we’re also taking proactive steps to educate the student body about why this is not in our best interest and why this is actually not about us, because our foot is already in the door. And we were very lucky to have elders that were part of these same conversations at City College, at Hostos College, generations, you know, decades prior, that are still part of guiding our conversations. You know, I’ve been thinking recently about what -- you know, to take Lenina’s story, for example. I’m pretty sure you’ve had a chance to talk to her.
AMAKA OKECHUKWU: Yeah, I’ve already interviewed her. And it’s funny because since we first talked, I ended up planning this huge conference with Right to the City. And so, I’ve spent a lot of time with Rachel and with Lenina.
IRINI NEOFOTISTOS: Yeah. So but I was thinking about her in particular. Like, her parents are both educated. They’re both professors. Her mom is a dean at one of the CUNY colleges. So she has access to education. But she chose to be at Hunter. That says a lot. So she wasn’t in my particular situation. She was in a different situation. But having access to those campuses was a political -- was an important political conversation and one that was worth putting -- building power around. So and then, you know, and then being able to question our administration and then CUNY administration on scrupulous practices, like why they were making decisions in the summer or during winter break and when they knew students could not be vocal on certain issues. And so, there was a savviness that was, you know, that was developed over time around those policies.
AMAKA OKECHUKWU: Mm-hmm. Do you remember -- I mean, because you’ve already mentioned the CUNY card. And you know, I have seen and written down dates of particular protests and rallies and things like that.
IRINI NEOFOTISTOS: Was the archive helpful with that?
AMAKA OKECHUKWU: The archive was helpful. Chris Gunderson, all his stuff was supremely helpful, and in terms of dates in particular, even though it’s funny because when you look at a -- when you go through flyers and things like that, we don’t really think about it while we’re doing it. But it’s like years are really helpful. You know, it’s like February 7th. What year? But so that was actually really helpful with dates. Do you remember any particular actions, meetings or anything like that in response to open admissions in particular? So you talked about you guys had to do a lot to, like, educate the student about, you know, some of these issues. How did you guys do that? So yeah, just can you speak to some of those things?
IRINI NEOFOTISTOS: Yeah, so I’m very bad with dates.
AMAKA OKECHUKWU: It’s okay.
IRINI NEOFOTISTOS: I don’t know if I’ll be able to get you dates.
AMAKA OKECHUKWU: Dates is -- you don’t have to. It’s fine.
IRINI NEOFOTISTOS: Yeah. So I do remember several protests outside of the chancellor’s office. I think I made it into the building once. And the reason for that was there was very -- well, one is we weren’t really there to -- we were there to disrupt [00:50:00] and bring visibility and kind of understanding of what was happening. There were times where SLAM! members testified at meetings. But there was an important -- in terms of the culture that we had developed, there were -- I don’t know that we ever wanted a seat at the table, necessarily. So it wasn’t about building one person’s individual kind of positionality as a strategy. There are groups that do that. That’s not where we were. We wanted to engage as many people as broadly as possible, one, because it was clear to us that even within the people that were -- that did believe that this was an important issue, the information that we have was not always accessible to us. So even when you’re looking for this, it’s hard to find. And so, if that was happening to us, it’s pretty clear that this issue is not on people’s radar as much as it should be. So political education was a big -- was one of the main strategies. And the way that we did that was by making sure that people at other campuses knew what was happening, but then also within our campus educating folks. And that happened through -- you know, we had club hours, for example, Wednesdays from 1:00 to 3:00, so going to the different clubs and making sure that those folks can then tell their members about what was happening. It was through organizing with different professors to go to people’s classrooms and you know, give a three-minute introduction at the beginning of class and make sure that they know that when mobilizations were happening, that they were present. And yeah, so looking back, there was a lot more that we could have done. I don’t know that we were good -- it was also a very different political moment. So I think years later I was like SLAM! had a website? What was that? Like, we were barely on email at the time. That had to do with the technological moment that we were in. So I don’t know that we were good about engaging media, for example.
AMAKA OKECHUKWU: Well, in some ways, I mean, you guys had the newspaper. So I’m sure that was used as...
IRINI NEOFOTISTOS: But it was local. It was very -- it was to mobilize. It worked for what we wanted. But I don’t know that we had kind of this grander scope of like how do we get, like, New York mobilized on this? It really wasn’t where we were at. We really wanted to talk to other students. What was the question again? I don’t even remember.
AMAKA OKECHUKWU: I mean, you’re answering it. I was just asking about kind of specific...
IRINI NEOFOTISTOS: Yeah, specific tactics that we use?
AMAKA OKECHUKWU: Yeah.
IRINI NEOFOTISTOS: Yeah, and just even outside of the Hunter building where people were coming in and out, having protests and information available, so sometimes students came to us. But sometimes we went to students.
AMAKA OKECHUKWU: Right, right. But having a visible presence on campus, yes, always -- it seems as if, you know, you guys were always available for both folks to come to you guys for stuff. But you were also in the classrooms and you know, coming out the buildings, and yeah. So I mean, I do get that sense. How would you describe the culture of SLAM!? You know, on one hand you definitely have a serious kind of intellectual engagement, right? You have an analysis, you know, so left, you know, organization. But there’s many different people coming with many different political ideologies, you know, whether Communist, Maoist, you know, whatever, into the space. But you also have this kind of, you know, artsy, kind of funky, kind of fly going on as well. So how would you describe -- and some people have specifically used that, like it was fly. Like, it was just, you know...
IRINI NEOFOTISTOS: That’s how we recruited. There was a lot of flyness happening. Are you going to come to this rally? You know, there was a whole lot of -- yeah.
AMAKA OKECHUKWU: Yeah, so how would you describe the culture of SLAM!?
IRINI NEOFOTISTOS: Well, one is, I mean, the reason why it was [00:55:00] effective is because it was as intense as it was fun. It was people’s home. Like, it is where you came to kick your shoes off and to just be with like-minded people. And so, that was very important to how you built anything. So yeah. But there was -- I mean, my first -- one of my first interactions was coming in to paint a banner. And so, there was a particular aesthetic to SLAM!, to SLAM! flyers, to our SLAM! office. I don’t know if you’ve ever seen pictures of the office, but...
AMAKA OKECHUKWU: Not -- I feel like I -- I haven’t seen a lot of photos of the office.
IRINI NEOFOTISTOS: It’s probably unlike any other student government office you can imagine. There’s Malcolm X, you know? There’s like animal -- no, I don’t know if there was ever animal print. But there was like, you know, red and gold touches everywhere. And it’s a very inviting, you know...
AMAKA OKECHUKWU: Kaz talked about Kai decorating.
IRINI NEOFOTISTOS: Yes, that was all Kai. That was all Kai. We had very -- we were really fortunate to have people that were experienced. Kai was one of them. Oh my God.
AMAKA OKECHUKWU: Well, I’m going to ask you about kind of the elders and you know, kind of mentors next.
IRINI NEOFOTISTOS: Yeah, yeah. So it was -- I mean, it was very rigorous. So the culture is very odd, right? And you mentioned this earlier. So you have this sort of government space that has very particular, like, business it conducts. At the same time you have this formal/informal cadre of folks that are coming in to change the world. And those are happening at the same time, at the same place. You have students in and out attending classes and being, you know, stimulated intellectually in their classes, information that they’re then bringing back. So the culture, yeah, there’s a lot -- you know, there’s a lot of breaking bread. There’s a lot of birthdays being celebrated. There’s Secret Santa that's happening. There are also budgets and number crunching and minutes being taken and paid staff and negotiating, you know, the space between -- the space of coming into adulthood all at the same time and feeling very responsible for the world and at the same time not always knowing how to nurture yourself and your peers in that process. And so, we were very hard on ourselves. And we expected -- you know, we did expect people to be there until 1:00 AM if something wanted to get done. And I don’t know that we ever -- we were ever good at saying, “You should go home.” And so, it’s a very rigorous emotional/mental/physical space to be in. On the one hand it’s home. And it’s the home that many people didn’t have outside of that space. And at the same time it’s -- and I don’t -- you know, I was going to say “abusive.” But I don’t think it was -- I don’t think we harmed anybody in the process. But there was a lot of selfless and selfish stuff happening in that space.
AMAKA OKECHUKWU: Right. You know what’s interesting is I find that, you know, with SLAM!, just with whatever organization, I mean, now where people are starting to get language around, like, self-care and all of that. But you know, so often that’s not very present, you know? It’s like we work until we collapse, you know? So it seems as if that was, you know, present there.
IRINI NEOFOTISTOS: And it wasn’t -- you know, I don’t think we were thinking about it like -- we were not interested in doing this ten years from now. We have to solve this now. There is no a month from now. There is no a year from now. This is not something we’re building strategy around so that we can build steps toward, you know, ten years from now having that seat in the chancellor’s office. That’s not how we were -- we need to solve this now.
AMAKA OKECHUKWU: There was immediacy.
IRINI NEOFOTISTOS: Yeah. And everything was immediate [01:00:00] because the way that open admissions -- I know you’re focusing on open admissions. But everything was that pertinent.
AMAKA OKECHUKWU: Yeah, you know, I’m focusing. I mean, you know, I’m supposed to be focusing on open admissions. But I think that, you know, I do want to think about SLAM! in its totality. And I know that so much of the work was not just open admissions. It was connected to everything, you know? So you know, don’t feel like you have to limit your scope to open admissions. What else? It was interesting. When I was talking to Kaz, he was -- and I think he’s reflected a lot on this. So I think this is why he did it in this way. But he was talking about the sensuality of SLAM!. So he was saying it was from, you know, Kai and the way she decorated the office to, like, you know, the fact that a lot of people were, you know, as young people do, coming into themselves, coming out, you know, a lot of folks were dating each other. And there was interesting interpersonal relationships. Can you speak to some of that?
IRINI NEOFOTISTOS: Mm-hmm. Am I blushing?
AMAKA OKECHUKWU: You don’t have to -- you know, you don’t have to name. Like, some people were out here, like, naming names. I was like, that’s a little too much information. You don’t have to do that. But you know, just generally you can speak to that.
IRINI NEOFOTISTOS: Yeah, yeah, and all of that was happening. We were young. It was the first time a lot of us are away from home. Yeah, so back to the aesthetic, yeah, there’s definitely, like, powerful women. Some people are turned on by that, and some people run. So the people that ran were not our people. I’m not trying to convert anybody. Yeah, I mean, there were a lot of -- the space was exactly that. The reason that it was rich is because of that. We are each coming into ourselves personally, sexually, in our relationships, how we’re treating each other. If you have an interpersonal relationship, if you have a romantic relationship with somebody, and you’re also expected to do XYZ, and you have -- you know, your political ideologies differ, well guess what? Everybody’s feeling all of that tension. And so all of that is present. And all of the -- you know, all of the stuff that comes with being sexually open, open relationships but so-and-so used to be with so-and-so, he’s cool being in an open relationship and she’s not, you know, you’re feeling all of that. And so, in many ways it’s an experiential, experimental space. We support each as much as possible. And sometimes we just need to go. And when you go, when you go it’s hard because you feel like you’re abandoning work at the same time. So yeah, a whole lot going on. But there was always music playing. There was a whole lot of, like, Love Jones CDs happening. Yeah, food, music, a lot of love, and a lot of struggle within that space.
AMAKA OKECHUKWU: Can you speak to the importance and the role of just kind of elders or, like, mentors in that space? So like, a lot of people have mentioned Kai. Pretty much everybody has mentioned her as, you know, being really significant, her partner, Ashanti Alston. Some people have mentioned Esperanza Martell. So can you...
IRINI NEOFOTISTOS: [Panama?], have -- Panama, has he come up?
AMAKA OKECHUKWU: Yeah, I haven’t heard that yet. So just, you know, mention whoever.
IRINI NEOFOTISTOS: I’m going to mention something, somebody, who is not at all an elder, but Kim Wade. Kim Wade was not an elder. But guess what? She had experiences she shared with us. And so I’m going to put her in that rank because she deserves kind of the -- being credited for having enough life experience to make that office work. So a few things. All of the people that you just mentioned had a political savvy. They understood. They saw us for the moment that they were in. But they were beyond that moment. And so, there was a lot that they can share with us in terms of life experience. So they were the ones that talked strategy, not for today, for tomorrow, [01:05:00] but for a more global. And it wasn’t just -- and they were the folks that said, you know, you don’t just share successes. You share -- I won’t call them failures, but you share your challenges, what you tried that wasn’t successful, you know. And then you get -- you’re not the first people doing this. You’re not that special. Guess what? And that was important. That was important for them to bring that in. So Kai was important because she brought in -- I mean, she was a Black Panther, right? So she brought in a particular political perspective, language. She was the one that wrote. I don’t know if you’ve come across anything that she’s written about our work. But everything from a project that we wanted to get them -- so, part of what is interesting about SLAM! and being in that office is that we have staff. And then we have folks that are giving everything and just living there because it’s part of their own psychosis like it was mine. So there’s a lot to navigate there. So there was project -- what did we call them? Project -- some staff that we brought on for a particular project. So Kim Wade came in as that. Kai was an office manager for student government. Really? That’s not at all the capacity that -- that’s not all that she functioned as. But that was her paid work. But she came there not to be an office assistant or director or whatever her title was. But she really nurtured all of us in doing this work and being mindful about how we negotiate those relationships, because if you’re not negotiating those relationships, you can’t move this work forward. So yeah, it was important to have the -- it sounds simple. But when you get a thumbs up from somebody that has that experience and that knows this, it’s invaluable. And not to say that we were dragging our feet, but to have full see and bring the perspective of, like, yes, go, do it, or red flag, you’ve done it this way. It didn’t work. Why are you doing this again? Or have you considered X, Y and Z? Those perspectives were really important. And they were mentoring relationships at a time where we really needed some support. That’s not part of the job description. That is something that they brought in. Yeah, and then, so what do you do when you’re questioning your own sexuality? Where does that fall into the conversation, the political conversation? Is that something that I’m experiencing? Is that something that I need to share? Am I accountable to folks for that when I don’t know how I’m negotiating this? So having elders in that space was important. I mention Panama because Panama and Espy were both essential in doing security trainings for us, so teaching us how to teach other students how to negotiate that space when we’re out there doing civil disobediences, anything from, like, you know, rallies and -- so, those two were really important for that. And then also for women, I mean, Espy, I think, was really -- and Kai both were really -- I think for the men, having Ashanti and Panama was important for role models. And then for the women, it’s just always good to have those male and female dynamics. But yeah, we had people that had done this, that we can see them, and that were still doing it. And it was important to their work, and that were committed to sharing their experiences with generations, with our generation. And I think that is something that we all took seriously. And I hope that -- I mean, I know that some of the youth development -- youth development. This is my foundation language coming through. Training other youth -- younger youth, high school youth -- came out of the investment that those folks made to us [01:10:00]. And I hope that we each carried that same commitment to sharing these lessons forward.
AMAKA OKECHUKWU: Right. Can you speak to any significant -- I mean, I guess other than what you’ve spoken to about open admissions, any significant events, issues, you know, that you remember working on in SLAM!? I don’t know if you were at the Republican National Convention or anything like that.
IRINI NEOFOTISTOS: Mm-mm.
AMAKA OKECHUKWU: Okay. So but any kind of significant, like, events, rallies, anything that sticks out to you?
IRINI NEOFOTISTOS: So there were -- I mean, there were two. The day-to-day matters. But then there were things that supersede this stuff. So doing work around Mumia’s campaign was that. So one of the things that I helped do was plan a conference for Critical Resistance East. And that came after going to Critical Resistance West and meeting folks at SOUL at that time and making those connections to Berkeley and to the work that STORM was doing. There was a huge action that we did at the Liberty Bell. And that was also connected to Mumia’s case. And the training that -- I mean, I couldn’t have done that without all of the training that had followed from SLAM!. And then, there was a time -- as a lot of us grew through SLAM! into different parts of ourselves, there were a lot of international travel that we then did. So I went -- there was an international delegation that Kai, Sabrine, and I participated in in Iraq around bringing attention to US post-sanctions -- UN post-sanctions, really. And then after that -- but still very much connected to that work because it was all the same people -- was the huge immigration rally that happed in New York City. And this was the date that I couldn’t remember when I was talking to Suzy. I’m not even going to -- it was February 14th, and I don’t remember the year.
AMAKA OKECHUKWU: It was in New York or in DC?
IRINI NEOFOTISTOS: It was in New York.
AMAKA OKECHUKWU: I don’t know that. Well, maybe I do. Anyway...
IRINI NEOFOTISTOS: Yeah. Yeah, so those -- I mean, those are moments that, you know, that stick out.
AMAKA OKECHUKWU: Okay. What was SLAM!’s relationship to organizations outside of Hunter, community organizations? You know, I ask that because, you know, we kind of spoke to this a little bit the last time that we met. But SLAM! to me seems like it’s really emerging at this time in which a lot of organizations that have kind of become, you know, these nonprofit like, well-known community organizations in New York or wherever else, a lot of those kind of seem to be coming into emergence at this time or, you know, maybe a little bit afterwards. And it seemed as if SLAM! was really connected to organizations outside of just, you know, student organizations. They were really connected to, like, work going on in communities outside of Hunter. You know, I’ve heard talking to a lot of people there saying that, you know, the student resource center, there was community members in there photocopying things for their own meetings, you know? So can you speak to that, and as well as -- I’m thinking more about kind of the local relationships. But you know, as you mentioned, SLAM! did have a relationship with STORM. You guys are going on international delegations, you know, Iraq. You went to Mexico. So can you speak to SLAM!’s relationship to other organizations?
IRINI NEOFOTISTOS: Yeah. And again, I think those are also very informal because each of us coming in are part of a community. And so, the reason that we’re finding SLAM! or that we’re finding some commonality with the folks there [01:15:00] are because we’re coming from a very particular perspective. And so, yeah, there’s a lot of alignment that is happening because of that. So on the one hand SLAM! has this, like, almost -- you know, this energy, this energy that folks are tapping into. But it’s also a particular moment in New York City. I mean, I mentioned quality of life earlier. To me, that is the -- that’s the -- what ties all of New York City together at that time. So the folks that feel like there is cleaning up that needs to get done so that I can live better, and then there are the recipients of what those policies -- the effects of what those policies look like in actual living communities. And so, yeah, there’s a lot of work happening in New York City around those issues, everything from, like, access to transportation and healthcare. Housing was a big, big one. The NYPD is always something of contention. And I can speak personally where I kind of gravitated towards was work around prison expansion. To me, there was a direct link between the resources coming out of the education system and going into the prison system. I saw that clear as day. And so, that’s where I focused my work. So with organizations like Critical Resistance, the Prison Moratorium Project, MXGM was sharing a space with PMP at the time, and then being part of citywide coalitions that those organizations then participated in. And so, but the way that I had a relationship with those particular groups, other folks did work around a myriad of other stuff. But yeah, I think it was energizing for us to be part of organizations that were based in communities. And it was energizing for them to have -- to them the resources were not important. It was the people. It was the fire that we brought to their events. So yeah, a really, really exciting moment to be living in, and a lot of, like, birthing of new things, right, just a lot.
AMAKA OKECHUKWU: Yeah. Why do you think SLAM!, like, ended when it did? This was after you had already left. But on one hand SLAM! lasted very long for a student organization. You know, student organizations are notoriously, you know, a cycle. You know, people are in and out. So in some ways it seems as if SLAM! lasted kind of, you know, a long time for a student organization. On the other hand you know, what do you think were the factors that led to it ending when it did?
IRINI NEOFOTISTOS: So a few things. I think the core members of SLAM! remained consistent for a long time. And that was important because in a student organization, with the amount of turnover that you have, having continuity in terms of people is important. The challenge that we spoke about earlier is that there is leadership development but that that leadership development, you know, has a line that it doesn’t cross. And so, I don’t know that the core leadership ever expanded to a place that would allow SLAM! to have the continuity that it spoke about. And so, the work, we were very committed to training folks and to doing political education. But I think that when those core leaders stepped down -- and it’s not realistic to think that anybody can be in a student organization for life. It’s not what -- it just doesn’t function that way. We each individually struggled with what’s next. I don’t know that we each individually struggled as much with -- I don’t know that that’s true. [01:20:00] We probably all lost sleep over it, but what SLAM!’s future would be, because the expectation is that this is student led and that those students coming up next would lead it. But it doesn’t work that way. And so, yeah, it’s not enough to just say, you know, I did an action with this person, I had a cup of coffee with that person, and I had a political conversation with that person, and expect it to become something that it’s not. So there were a lot of factors. There was a lot of repression on campus. The way that we became savvy, the administration became savvy. I mean, ultimately we could say that it was something as simple as losing the student election, losing the space because electronic voting. Essentially, that’s what happened. We lost -- to have access to those spaces, we would have to be voted into government. When you’re no longer voted into government, you no longer have access to those resources. I don’t think it was as simple as that. I think that would be a mechanical, technical answer to that question. I think we were burned out. I think that sustaining something that’s that dynamic takes a lot, a personal toll. Maintaining those interpersonal relationships takes a lot of work. And that is not something that the folks that were doing it could sustain. And doing all of that while also training new folks was also not something that we were equipped to do. And so, I think all of those factors contributed.
AMAKA OKECHUKWU: Who would you describe as the core for those? I guess it pretty much seemed to be the same core for most of it.
IRINI NEOFOTISTOS: The core? Yeah, there was a core. There was a core. Rachèl and Lenina were part of the core. Sandra Barros was part of the core. Jed and Chris were part of the core. John Kim came in and out of the core. I’m trying to think if there were other -- if there are others that are, you know, that I feel like are as strong. And again, I think if anybody was as consistent throughout the whole thing it would be Rachèl. Lenina came in and out. Sandra came in and out. John Kim came in and out. Jed came in and out. Chris came in and out. And I think Rachèl was probably the most consistent member. And at other times other folks came in and out. Kaz was definitely -- I don’t know. I don’t know. I want to say Kaz is part of it, part of that inner core, although -- yeah, he’s probably a little bit -- he’s in the circumference, perhaps. There are a lot of folks on the circumference, right on the cusp there, yeah.
AMAKA OKECHUKWU: So I’m not sure exactly, you know, which specific people donated all the stuff to Tamiment.. But it seems as if SLAM! was aware, to a certain extent, about the importance of documentation. Can you speak to that? You know, Chris has written a lot of stuff. You know, a lot of people have saved stuff in their personal possession as well as given it away to the NYU.
IRINI NEOFOTISTOS: It was important. I think it was important, and it was conscious. I think a lot of it -- Kai was definitely one of the people that was central to why we understood it organizationally as something that was important, even though we weren’t an organization in that way. I know I was very mindful about -- we were all very mindful about what we put on paper and what we don’t. But I always knew that it was important to leave documents. I have my own archive of all, in triplicate, probably. We all understood that we were living in a particular moment. It’s hard when you’re living in that moment to know that it’s an important moment. [01:25:00] Sometimes you know that in retrospect. But we knew it. We knew that this was not the experience of everyone and that it was a particular moment, and that it was one to be seized. We could have -- in retrospect we probably would have done a lot more. And there are always the people that are more into the doing than the note taking. Yeah, but there is a sophistication in the way that we operated. Sometimes it was trial by fire. Most of the times it was trial by fire. But there was a lot of grounding and anchoring in our practices also.
AMAKA OKECHUKWU: How do you think SLAM! influenced or shaped your politically, like after SLAM!?
IRINI NEOFOTISTOS: I mean, SLAM! is my political education. I came in with certain concepts. I was open to it. But SLAM! is where I became politicized. It’s where I understood that I’m a radical person with radical ideas. And you know what? And it was not scary. And it was okay. And it was, in fact, what we all strived to be. And perhaps we weren’t radical enough. And so, there aren’t many spaces that are that special and that exist, right, for us to be able to nurture that and grow it. But yeah, I mean, it taught me how to be human and myself and the person that I want to be, both in terms of my practices but then also the community that I want to form around me. And a lot of it was taught with what I don’t want to do again and what I don’t want my interpersonal relationships to look like. That all happened there. That’s where I met my husband, had my SLAM! babies. They’ll always be SLAM! babies. Yeah.
AMAKA OKECHUKWU: How has the political work that you’ve done after SLAM! -- do you see it in relationship to any of the stuff in SLAM!? Do you see it coming out of any of that? I mean, can you describe kind of the political work that you’ve done since?
IRINI NEOFOTISTOS: So when I left SLAM! I realized that if we’re going to be able to do this and do it in a long-term way -- so, a few things, a few realizations in my few short years at SLAM!. We’re not actually going to solve these problems tomorrow. No matter how much energy we put into this work, unless it’s sustained energy, it’s almost counterproductive. So I left with the understanding that building capacity for ourselves individually, for the people that we work with, and then having an understanding about why this is important to certain folks and how we align are all important conversations. The relationships that I built then I continue to nurture now. And it goes beyond the love that I have for them. But they’re strategic alignments and relationships that continue. So on the one hand that political grounding was important. And then as I continued to work, I think some of the militancy that we had continues to follow me. But then the compassion has also grown for the people that do this work because I understand how difficult it is and how important it is and how it’s not something that you just do for a day. You make a commitment to it. So I think and I hope that I continue to be a resource for people that continue to organize and be activists and rabble-rousers. And you know, don’t allow business that is counterproductive to the flourishing of communities to remain, right? I -- and I’ve also been very mindful about [01:30:00] what my contribution can be and then how I can have as full a life that is as balanced as possible in doing it because there was no balance then. And that’s something that I work for every day because my tendency is to burn out. I know that that’s my default. And I know that being critical is easy. But putting yourself in somebody else’s shoes, being a mentor to someone, just being present, is as important in the long term as possible. And so, yeah, I don’t build alliances for the day anymore. And I try to understand the way I navigate the world, one, to live my politics but then, two, to understand it in a progression. And the way that then we understood our work to be aligned with students, and that this is not about us, it’s about the future, that carries with me. So now it’s not about me. It’s about the future of my kids. But it is also about me and living in the communities that feel right to me, where I want to raise my family. So I don’t know if that was ever -- you know, there was never that political education. But that was the lived experience that came out of that.
AMAKA OKECHUKWU: Is there anything that you think hasn’t been said that should be further emphasized, anything that wasn’t covered in terms of, you know, your answers to these questions or any of my questions? I don’t have any more questions.
IRINI NEOFOTISTOS: There’s nothing burning. There’s nothing burning. I’ve just been really -- just to reflect back to you that I’ve been really happy that this is -- that we did enough. We did something that was worthy enough to be documented, and it is. And so I think your work is really important. The work that Suzy is doing is really important. And sharing out those lessons, I think, is a commitment that all of us had and continue to have. So yeah, I’m just excited to be able to see this and also to understand. I think the reason why your work is important is because of all of those elements, of how student organizing happens outside of this particular example. But yeah, I guess the one thing that I do want to leave with is that we did talk about SLAM!’s understanding of affirmative action and why that was important, of open admissions and why it was important. And all of us are now -- not all of us, but many of us are now coming into being parents and having to face these situations with our children. And so, the rallies that are happening in Chicago right now are felt very deeply. And so, there’s -- I think I’ve been very proud that I was part of that moment, but also understanding that this is, you know...
AMAKA OKECHUKWU: [Still fired?]
IRINI NEOFOTISTOS: Yeah, education that is based on the test, on testing, that has lost its soul, its sexiness, its artfulness, and its purpose, really. Our struggle -- I mean, that understanding is going to live within us. But we’re also responsible to educating a whole other generation for combating it. So it goes on.
AMAKA OKECHUKWU: Yes, it does. Thank you so much.
IRINI NEOFOTISTOS: Thank you.
END OF AUDIO FILE
IRINI NEOFOTISTOS: -- project I was actually very excited to meet. And so, I want to tell you a little bit about why it excites me and kind of a point of entry that I’d like to offer you since you’re still developing your dissertation.
AMAKA OKECHUKWU: Yeah, absolutely.
IRINI NEOFOTISTOS: So I also am a sociology student. That’s what I studied at Hunter. I was sociology, women’s studies and BLPR. I did this kind of like crazy hybrid program. And then I was part of -- at NYU I was part of the Draper Program, so I was able to create my own master’s program. And what I focused on was looking at education and public -- I was looking at public policy and funding as it related to education, public education, and the juvenile justice system, between 1990 and 2001. So kind of the questions that you’re having are questions that I had, you know, moving forward in my own kind of master’s program. But I want to tell you a little bit about what I do now. And then maybe it’ll be a way to go back. So I work here at the Union Square Awards. I’m a program officer here. And one of the things that we’re committed to is identifying organizations that are grassroots organizations where their doing social justice work or arts work and using -- in particular for the arts program, it’s using arts as a tool to talk about social justice, to engage low-income communities and families, and specifically focused on low-income families. And then for the social justice program we have a multi-tiered kind of issue area, issue areas. And I can probably give you more materials. I have this packet of brochures for you. But one of -- and one of our commitments here is, aside from the recognition and from identifying these groups who typically are not on the radar because of what they do and who they talk about and who they engage, is to, one, develop a peer network, two, provide technical assistance toward sustainability -- so these are not one-time actions but sustained. And then, also, the peer network actually is very important. And of course there’s a grant associated to that. And I was actually -- I think it’s significant for two reasons. One is, if you look at the list of award recipients, there are -- I mean, SLAM! members, whether they were long-term members or one-time kind of folks, are completely embedded within these organizations. And so, there’s something to what you’re saying in terms of that activism that was sparked as a student, but more importantly to how you manifest that agency throughout your lifetime. So at this point we’re, you know, 15 years out. And you have leaders in community organizations. You have executive directors. You have community organizers. You have activists. You have artists. You have educators committed to training this next generation. And so, I don’t think that’s accidental. And I also don’t think that it was accidental that those folks found SLAM!. But what I do think is significant is that I believe strongly in building infrastructure, in archiving, in telling our own stories and in having a place. So one of the other things I’ve been thinking about in terms of SLAM! -- and what was the other point I wanted to make? I think that the space -- I think that SLAM! having a space at Hunter really became a hub for folks to come to. And I think one of the things -- in all of the conversations that we have about the history of SLAM!, sometimes what we focus on is the activism, the mobilizing, the being out on the streets, which is all valid, the political education, internal structures in terms of how we operated with one another. But I think what’s most important is to talk about the structures that were set up, especially in this moment of history. What was it about SLAM! and its structure that was such a powerful model? Can it be replicated? And is it a good system for -- or a good model as a case study for how to develop this and replicate it? So I think that’s what’s most excited for me. And I put [00:05:00] a -- I put some thought into why I think it worked so well. But before I do that I want to talk to you a little bit about my role in SLAM!. So I started Hunter College the summer of 1996. I wasn’t actually quite graduated yet from high school. So I graduated in May, but I had already begun in the summer of ’96. I began officially classes that September, right? And I happened to go to -- it was actually -- let me give you big picture, and then I’ll go back to small picture. So I started with SLAM! very quickly and shortly thereafter became their volunteer coordinator. And then I became their senate chair. And I’ll talk a little about why that was significant, because one of the things that we were able to do was, we had some discretionary funding from student activity fees. So when students -- and I wasn’t involved in that initial takeover of student spaces and how the student government office was created. But I was a part of developing what that looked like once we were in the spaces. So what was really important was that we were able to -- that’s the AC. We were able to disseminate resources to students through a club structure. And the clubs were everything from, like, the Haitian Drumming Club -- and you might hear about them because they’re a particularly funny case scenario. It was like an all-white group. We were like, what is that? The Palestinian Club, which was a very, like, active group on campus and who members led. Anyway, so yeah, so just creating mechanisms for resources to be out there, but really to activate organizations in little pockets, right, that had the central hub. I served as cultural affairs commissioner, eventually as president of SLAM! and then later on became the editor-in-chief of The Envoy. And The Envoy was a really important part of it because it was the media and information wing of SLAM!. Even though they were separate, they were connected. And the membership was linked. So I think that’s one important piece of it. And throughout the history when I served as a liaison with, for example, the college association, to ensure that the spaces we claimed we were able to keep. So for example, there was a student resource center. There was the Thomas Hunter -- and I forget what we called it. It was Thomas Hunter 105, which was basically like a little -- I want to call it a black box theater, but it wasn’t black. It wasn’t a black box. It was a theater space and a space for us to do parties and rent. So we had additional income from that. So because of the way that it was structured, you can at any point -- anybody at any point could plug into something. It was place that not only were we going to develop politically to find who our peers were, to think strategically about what it means to be a student, what it means to be a part of this network and how we want, you know, the -- what our impact is going to be in the world. So I think one of the important things about SLAM! is that it created a wide, a broad enough frame by being multi-issue, focused on access, and being about self-determination. And then having a thread throughout in terms of political education, not just in terms of learning but in terms of how do we infiltrate this learning into our own practices and developing kind of structures that we thought were fair internally, so that it’s not just an outside face. So that there was -- and [00:10:00] because -- I think there were certain people that were really good about the visioning, what was happening outside, training, and community organizing within communities but also in terms of the student population. And then there were people that were really focused on the how we do that but then also sustaining those spaces. And so, everybody was able to bring their skills and develop their skill set without replicating what somebody else brings and having a wide enough net that anybody can plug in. And I think that’s what’s been significant in terms of this long impact, which is that if you’re an artist there’s a space for you. But you have this network you’re plugging into. And you have peers for life. Any space that SLAM! members walk into, the intent behind their work is not questioned. And I think that’s important. You know, that’s always a network that you cultivate. So for me what’s significant is, yes, what happened then. There are best practices that can be learned from. It was a significant historical moment, but we’re in another historical moment. So what was it about that model that was critical? And then, what does it mean in terms of the impact of the folks involved today? And what can be created using that model? So that’s what’s exciting to me.
AMAKA OKECHUKWU: Yeah, no, that’s excellent because, you know, like I said, one of the main questions is, for me, what is the long-term impact of SLAM! on the lives of the people that were involved in SLAM! and you know, the organizations that they came to found or, you know, be involved in, have leadership in, etc. So that’s definitely one of the questions that I’m most concerned with in doing this. So yes, that was really helpful.
IRINI NEOFOTISTOS: Yeah. I mean, I was -- all night last night I was like I wish could have, like, something recording the stream of consciousness, you know, because it’s something we’re thinking about here in terms of -- you know, the Union Square Awards network is over 230 organizations wide. It started in 1998. I mean, I wasn’t a part of it in ’98. I was brought in in 2006 to launch their arts program. But in the process, I mean, all of these organizations, there’s a dialectical relationship, right? I think SLAM! members have a role, have had a role, in developing those organizations and vice versa. And for us the question as Union Square Awards is, you know, what is the long -- the bigger impact? Do we look at policy? Do we look at new -- and some of the stuff is not tangible. We’re talking about creating frames and involving -- bringing communities into a dialogue that are not there or sparking a conversation where it becomes a policy issue where it never would have been. What are the organizing strategies and tactics, I think? So and then, you know, within that, my role within all of that was one -- my own concern was about the sustainability of the structures that we did have. And then, when we did have actions that kind of were out in the community, my role was more of on the tactical or logistical level. So I’ve always been, like, the behind-the-scenes person. I was never out in the forefront. But it was important for me that we talk about resources. We talk about tools. We develop leadership and skills, and then how all of that fits in to the whole. So I mean, there’s a lot. There’s a lot there. I’m happy to -- I don’t know. I was even thinking, when you get to the point where, you know, you want to start talking to folks I’ll definitely be -- I can definitely link you to which organizations and people are kind of linked at the top of my list, if you want folks. At the top of my list for you to speak to would be Kazembe at the Brecht Forum, Valery Jean at FUREE. And actually, if -- they recently put out an open letter. So FUREE is an organization in downtown Brooklyn. Are you familiar with them?
AMAKA OKECHUKWU: Yeah, yeah.
IRINI NEOFOTISTOS: Do you know Valery?
AMAKA OKECHUKWU: I don’t know Valery. But I know people that have worked for them before.
IRINI NEOFOTISTOS: So they put out an open letter to the community, to different stakeholders in the community. And I think it would definitely be good for you to look at that letter because I do think -- [00:15:00] I don’t know. When I read that letter, I can see kind of the history behind and the work that’s happened since. So I think that might be a nice tool.
AMAKA OKECHUKWU: So was Valery in SLAM!?
IRINI NEOFOTISTOS: Valery was the first person I recruited. Valery was in SLAM!. So yes, she was.
AMAKA OKECHUKWU: So is the letter online somewhere?
IRINI NEOFOTISTOS: It is online if you go to FUREE’s website. I would definitely speak to Sabrine Hammad. She was in the Palestinian Club, the president of the -- Sabrine Hammad. There were the three Hammad sisters. I’m sure you’ll hear a lot about them. Rachèl LaForest, who is now a union organizer. At least she -- as far as I know, for the last few months anyway, since the last few months. Lenina Nadal, who’s an artist, kind of a media maker, critical thinker. Sandra Barros -- and I’m talking about, like, these are folks at Hunter who kind of helped shape what SLAM! looked like. There were always folks in the periphery. And I don’t know if you want that. But let me just think about who else I would just go down the list with.
AMAKA OKECHUKWU: So the last one was, sorry, Sandra Barros?
IRINI NEOFOTISTOS: Yes. Sandra -- oh, Sandra. Jed Brandt, now Jed was also -- he was one of those SLAM! Envoy -- he was the one that developed most of our outreach materials, our posters, kind of the framing to the outside. Chris Gunderson, Chris Day. He went by Chris Day then.
AMAKA OKECHUKWU: Yeah, he sent me a whole bunch of documents that have been very helpful.
IRINI NEOFOTISTOS: Good, yes. I mean, and I think Chris was our -- he was the one that helped develop a lot of the materials that we used. I have a lot of materials also but that are internal to SLAM! student government and also to the materials that we would give out on campus and to, like, meeting notes. And I was part of the executive committee for many years if you ever think that that’s helpful.
AMAKA OKECHUKWU: Oh, I’m sure it will be.
IRINI NEOFOTISTOS: You may have found -- I don’t know what’s at the (overlapping dialogue; inaudible).
AMAKA OKECHUKWU: There’s a whole bunch of stuff. There’s 32 boxes. And I’ve only been through, like, one or two, you know? I haven’t even begun to scratch the surface with that. But there’s everything from minutes to posters, flyers -- yeah, there’s a whole bunch of stuff up there.
IRINI NEOFOTISTOS: Later, there was like a -- there were lots of waves to SLAM! activity. So I think in the later, in the latter wave, you may want to talk to Alejandro Cantagallo. He served as student government president but then went on to work for the Prison Moratorium Project which MXGM shared a space with. Nilu -- she went by Nellie then -- Choudhury, who went on to work around -- to do work around domestic violence work and is now married to Subhash Kateel, who is cofounder of Families for Freedom. And he currently runs, I would say, one of the most important dynamic radio programs today. And he’s out of Miami. Do you know Subhash?
AMAKA OKECHUKWU: I feel like I recently read an article that he might have written about Occupy Wall Street.
IRINI NEOFOTISTOS: Organizing Upgrade? Oh, maybe, okay. Yes, so he -- okay, so that’s interesting because Subhash -- my relationship to Subhash is through Prison Moratorium Project. And I became a member of Prison Moratorium Project after being a member of SLAM!, right? So even -- like, even in looking at the networks and how that happened, I think because it was a multi-issue organization and because people came in looking at different -- you know, with a different lens. Some people were looking at housing. Some people were looking at homelessness, HIV activism, the prison system. I mean, critical resistance was like a key component to how that work then spread and Kai, Kai, of course. [00:20:00] See, that’s the hard part about saying names, because then you feel like you have to have all of the extensive lists. And I’ll probably -- tonight I’ll be like, oh no, I forgot to mention. But we can continue this conversation, of course.
AMAKA OKECHUKWU: I mean, this is a long -- you know, this is -- hopefully I’ll be able to do my dissertation on this, so I’ll have time to talk to all these people and contact people. So as many people that you would suggest is helpful.
IRINI NEOFOTISTOS: Yeah. I think that’s a -- I mean, for me that’s a -- I know you’re already in conversation with Suzy. That’s why I didn’t mention her. But she would probably connect you to, like, Brad Sigal and Caroline. So yeah, I mean, each of us -- again, each of us had our own niche and developed differently. But I think what was important is that, you know, we’re still in communication. We may not be mobilizing on the same issues or working on the same path. Like, I don’t know. Maybe the fact that we were giving out those small $2,000 grants to clubs, we were able to go from, like, 60 clubs to 80 clubs to 120 clubs and create this really rich, like, activity on campus is what brought me to grant making. I don’t know.
AMAKA OKECHUKWU: Could be.
IRINI NEOFOTISTOS: But and to think about support and tools and resources in a different way. But yeah, there’s definitely lots there. And just to reiterate, I think the most impactful for me is teasing out what is that model, because I think there’s a lot of rich learning.
AMAKA OKECHUKWU: I’m sure.
IRINI NEOFOTISTOS: Do you have any questions for me? I know I’m rambling.
AMAKA OKECHUKWU: When you came to -- so, you came in, you said, summer of 1996. Can you talk a little bit about your background before you came into SLAM!?
IRINI NEOFOTISTOS: Mm-hmm. Yeah, so I was thinking a little bit about this, too. So I come up from a very politically-engaged family. My father -- I’m the daughter of Greek immigrants. My parents came to this country, of course, to get their -- to become educated. They wanted to do their own thing. My father in particular, you know, was fleeing dictatorship in Greece. He was in the military working directly with the king, pled insanity, sought asylum here. He was in prison there for a little bit. When he came here he became a community organizer with PASOK, which was the socialist party in Greece, which was the party that overthrew the dictatorship and them became like the people’s leader. But he organized from New York the diaspora community and the response from here because he wasn’t able to be there. And so, I was very -- I mean, I grew up going to meetings and you know, stuffing envelopes and doing all of that stuff. But and I kind of had a sense -- I had never been part of an organizing community or a community that had these questions. And it was by being part of this movement and reading and learning about, you know, Fanon and Marx and Mao and Lenin. You know, it just became a very rich learning environment. But it didn’t end in the -- it wasn’t about the learning. It was about how are we going to use this as fuel, right? So and of course, I was just having a conversation with Sabrine about kind of the -- I was the youngest in the group. I graduated when I was 16. I started SLAM! when I was 16. So you can imagine the 18 and the 20-somethings felt like they were like a whole generation older than me. And I had a lot of respect for them. But of course, you know, now in my 30s I look back and I was like, we were all babies. You know, we held each other -- the accountability structures that we set up were really important to us. But they were also kickass, you know, kickass in terms of like you really internalized when somebody said, you know, you need to step up or you need to do this or we need to create this. Like, a lot of it was heavy. And so, you know, there was a lot of burnout. People were staying in the office until 2:00 AM [00:25:00] trying to figure out should we get a permit for this rally, or should we just show up? Like, who’s going to be there? I mean, there was a lot going on. And you know, we’re trying to balance learning how to be adults at the same time and what our place in the world is. But I think there -- I think you’re right. There is something significant about that time in somebody’s life and the flexibility that you have. And of course, the student population looked different than any other university. We had returning students. We had older students. We had students that were, you know, participating at night. And that meant, like, you know, when do we have events? Do we have it during club hours? Do we have evening hours? How do we accommodate the student body? When do class RAPs happen, you know, whatever? So it was a lot of tough love sometimes but all love.
AMAKA OKECHUKWU: Can you say something about, I guess, the political moment at which SLAM! kind of emerges? It’s interesting talking to people, you know, about SLAM! because when I first was kind of hearing about and talking about it with people it was in relationship to all this other stuff that was happening in New York at the time, like (inaudible) Black August stuff. And Jericho, there was all this political prisoner work being done. And so, I mean, could you say something about the -- you know, that political moment, and I guess SLAM!’s relationship to, you know, the other organizations and grassroots kind of movements that are happening in New York at that time?
IRINI NEOFOTISTOS: Everybody that came to SLAM! had a perspective and were looking for something. And we were teasing apart everything. It’s like why is security on campus, you know? It was a time where you’re having this, like, militarization. It was the -- you know, the Gulf War is happening. Why are these, like, security guards bothering us? Why is a security guard making more than, you know, the professors on campus? How is that related to, like, you know, the experiences of black and brown people on the daily? Kind of the corporatization -- you know, it was like -- I mean, there was, like, a lot going on. But in terms of, like, the CUNY card and chips in the card and it’s related to your bank statement, I mean, we created links. Because of what everybody was able to bring, we were able to create links to all of those things. Why are people dropping out? Why are we expected to graduate in four years? Is that realistic? We’re all working, you know? So it was hard not to make those connections. And then it was hard -- I think because SLAM! was, like, young and vibrant and posters and you know, art and megaphones and articulate and all of that, those community organizations also gravitated to us. We also gravitated to them. I think we had an intent to educate and build leadership within. And so, it just became -- it was a rich time. Like I said, the Union Square awards began in 1998. So similar timeframe -- there was just bubbling of activity. Of course, you know, Giuliani and his policies kind of -- it was -- there was a lot happening. So I don’t know if I’m answering the question, but yeah. And I think that does have to do with -- and because we are each -- you know, we were each still living in our communities that were bringing all of that back. Then all of a sudden you’re having a conversation with your mother and your aunt and your best friend from high school. And so, it just -- it was just a moment. I think we’re in that moment again. And it’s interesting because most recently I’ve been running into folks that I haven’t in a long time. It’s like, you know, I haven’t seen you in ten years. What are you up to? Great. And all of a sudden there’s a synergy again. So I think we’re in that cycle again. It’s a hard -- this particular moment is a hard moment because I think folks are in real crisis. Like, we’re even -- even in terms of my work here, part of -- in terms of identifying organizations doing this work, it’s really difficult to figure out what are people doing? Are they consolidating resources? Are they talking to each other? What are the networks? But I think in the next two to three [00:30:00] years, you’re going to see this emerging. Like, people will come out of this, like, crisis fog into this, like, no, we need to do it. And I think Occupy Wall Street is that. And again I was thinking about the SLAM! model because there’s a great power in having a wide enough net that you can catch people whether they want to do this in a sustained way or as a one-time activity, because there was a frame. There was a political frame to the work.
AMAKA OKECHUKWU: What was I going to ask? Why do you think -- I mean, from what I’ve read and talked to people, SLAM! clearly seemed the strongest at Hunter. Why do you think it was the strongest at Hunter and not other CUNY campuses?
IRINI NEOFOTISTOS: I think it’s exactly because we had community spaces, because I think even -- you know, even the city or the Brooklyn chapter of hunter, we had a space that we occupied. And it wasn’t just a space. We had various spaces. And we had full control of those spaces. We could be there until 2:00 a.m. And it was midtown. I mean, not midtown, but it was Manhattan. It was easily accessible. I think the sustainability of that space was important. And I don’t know that the reason -- you know, clearly folks aged out. There was huge turnover. So you know, the development had to happen over and over again. And it was tiring because you always had new formations. And I don’t know if the conditions changed or, you know, people got tired. I mean, I don’t know what it was that ended it, right? But I think the space not being there was a critical component. And the reason that it was strong, again, is because of the sustainability of the spaces that we were able to create.
AMAKA OKECHUKWU: So you mean in the sense that because SLAM! had control over so many -- in terms of the student government and student resources and things like that, you guys had space in the way that didn’t exist at other places?
IRINI NEOFOTISTOS: Yeah. Having a community center was important. Having access to be able to print the newspaper and put a flyer out to the -- I mean, The Envoy was being circulated at all the campuses and beyond. It’s just what we took with us when we left the office. So yeah, having those resources were key, also because we could barely make our tuition. So where were we going to find extra money for flyers or for whatever, for paint, for, you know, canvas, whatever it was that we needed? And we also had a lot of support on campus. And we had some -- we didn’t always have allies. Not everyone was an ally. But we had support.
AMAKA OKECHUKWU: So would that be -- you mean in terms of the student body? Or do you mean in terms of -- I mean, were there sympathetic faculty?
IRINI NEOFOTISTOS: Yes, there were sympathetic faculty. I mean, I remember being in a class. And I mean, it was expected that it began with a class rep, where we’re talking about what’s happening this week? What’s the activity? That wasn’t true for everybody. But I think we were also very selective about what we -- I mean, you had the prerequisite you had to take and whatever, whatever. But we were also very -- there were key faculty members that played a very pivotal role, that were very sympathetic, that stood with us, and that allowed us -- gave us a sounding platform in their classrooms. We used to flyer before classrooms. We used to do presentations before or after class. And we used to have -- we found mentorship in a lot of them. And we would go, and they would be available after class.
AMAKA OKECHUKWU: Can you remember the names of any of those faculty?
IRINI NEOFOTISTOS: Yes. So Professor Kirkland he was in the philosophy department. And he was the professor that taught Marxism. And he was also very clear about students having representation in various structures, so the college senate, the academic senate, which he was also a part of. And we would have, like, strategy meetings beforehand in terms of [00:35:00] blocking votes, right? And just to be clear, not everybody in SLAM! -- you know, we had a lot of conversations about electoral politics. So sitting on a body like that wasn’t always a popular thing. And it wasn’t the role for everybody. So just as a layer to that -- we had -- I said Professor Carter in the sociology department. And he was, I mean, he was key in terms of even giving us, like, food for thought and like, here, read this article. Take this book. But he put his body on the line. He put his title on the line. I mean, I remember going to him when I was applying for NYU, for example. And I said, you know, Professor Carter, I would really be honored if you gave me a recommendation letter. And he says Irini, I would give you -- I went by Irene then. I would give you a glowing recommendation letter, but it would probably harm you. He’s like I’ll do it, but they’re not very fond of me over there. Professor Abdulhadi -- Rabab, she went by Rabab...
AMAKA OKECHUKWU: How do you -- sorry.
IRINI NEOFOTISTOS: I will write it because I -- do you want me to just write it on your sheet there?
AMAKA OKECHUKWU: Sorry, it’s very messy.
IRINI NEOFOTISTOS: That’s okay. Abdulhadi -- she was a Palestinian professor.
AMAKA OKECHUKWU: Thank you.
IRINI NEOFOTISTOS: You're welcome. Oh God, Espy, Esperanza Martell. There is one name -- oh, Mama Marimba in BLPR. She wasn’t known as -- I would have to remember what her -- we all called her Mama Marimba. I mean, she was -- it was one of these classes where she would vet the list of students. And if she didn’t want you in her class you were out. So yeah, we had a lot of support. Oh, Professor Ku, now Professor Ku was the...
AMAKA OKECHUKWU: How do you spell that?
IRINI NEOFOTISTOS: Oh God, I want to say K-U, but I can confirm that. He was not even -- he was not yet chair of the Asian-American studies department. Now, this is significant. We had a BLPR department. We had a women’s studies department. We had an Asian American studies department.
AMAKA OKECHUKWU: What is BLPR?
IRINI NEOFOTISTOS: Black and Puerto Rican studies and kind of integrated Caribbean studies, right? So there was the ability. Well, no, there’s actually a political -- there’s a political layer here which is that they weren’t departments. They were programs.
AMAKA OKECHUKWU: Right, right, yeah, often it’s that way.
IRINI NEOFOTISTOS: And so, I think if you found this trend nationally. But then, it was -- again, it was a relationship because those programs needed the students’ support and supported the students. And so, what happened consequently is a whole nother thing, both locally and nationally, in terms of what access to programs like that. But I think it’s significant. And we were all a part of that conversation, right?
AMAKA OKECHUKWU: Okay. I’ll probably just ask, like, one or two more questions. But I’m wondering how -- it seems as if SLAM! did a really great job of developing leadership, which is why it was able to, at least at some campuses, you know, stay around as long as it did. You know, student activism is notoriously, you know, in waves. People are graduating. They’re coming in and out, things like that. In which ways did you see -- like, how did you see SLAM! developing the leadership of the organization?
IRINI NEOFOTISTOS: I don’t know that we said it like this then. But it’s what I know to be true now. You learn by doing, you know? Everybody learned. It was trial by fire. There was no guidebook. It’s like we need volunteers. Well, how do we do that? Go. Develop a volunteer core. It’s yours. Or, whatever the case is, like, there’s a rally tomorrow. We need to have a security training. Who has had a security training in the past? Okay, you’re the trainer. We need a permit. Who has time? Who’s able to go between classes to get a permit? [00:40:00] So I mean, some of it was more thoughtful but not entirely. I mean, sometimes we’re like, oh shit, you know, we should have thought to do that. Let’s do that next time. It just didn’t happen. So I think we -- one, there was an expectation that everybody bring what they can. What are your skills? Good. Do it. Boom, out. But then also, and I’m going to say it again because I think it was important. The fact that we had a space that we also needed to sustain was important because it didn’t only mean -- it meant caring for your home, for the people in that home, you know, thinking about, like, HR policies. We need this person. But you know, they need to take a vacation day. Or, you know, they’ve been in the office from 9:00 AM this morning. What does that mean in terms of, like, your political development in terms of what it -- we had mothers in the collective, you know? What are the expectations? And you know, you’re not a mother, so you should step up. There were lots of layers there. You know, we have a meeting we need to prep with, you know? We need to present financials, or whatever it was. But it was happening alongside other things, right? So there was always something happening. And the expectation was that you’re learning as you’re going but that you’re contributing, right? It’s not a place you just come and take and bounce.
AMAKA OKECHUKWU: Okay. And I’ve also heard that it was -- women of color kind of led.
IRINI NEOFOTISTOS: Mm-hmm.
AMAKA OKECHUKWU: So that is -- because I’ve heard different -- I mean, I’ve heard different stories in terms of it’s always been like that or it came to be that or...
IRINI NEOFOTISTOS: I don’t think it came to be that. And I don’t think it always was that. I think it was very -- look, so this is a little layered because, yes, it was women of color-led. And there were lots of conversations about power and internalized oppression and calling people out at meetings. And meetings weren’t always fun. But at the end of the day we had a lot of dedicated people. Like I said, Chris Day, clearly not a woman of color, was the person really responsible for documentation. What does his lens do to the story of SLAM!? So you know, in terms of who does the work -- and then, you know, the other thing is, I think women of color, women, women of color, are always the workers.
AMAKA OKECHUKWU: Right. But I don’t think it’s always acknowledged or it’s always seen as these are the leaders. They tend to be the membership really getting everything done, you know? But it’s like in terms of the leadership, so rarely, you know, is it women in charge.
IRINI NEOFOTISTOS: Yes. So yes, that was the other thing, which is that the women were in leadership, were also the workers, and it worked both ways. I mean, nobody could just walk in and claim it because they weren’t doing the work. They didn’t know the whole. And so, I think, you know, folks kept that very close. And there was a -- like I said, there was a role for everyone. But that doesn’t -- that didn’t mean you could do everything or anything, right?
AMAKA OKECHUKWU: Okay, yeah. I mean, I think -- is there anything else that you think is important to emphasize, I guess, for me in this stage of research? Again, I’ll be coming back to have more in-depth.
IRINI NEOFOTISTOS: I mean, like I said, I’m sure you’ll want to develop it further and be more focused. But I think as a general lens -- and I’m happy also to be part of this at the shaping moment because these are questions that I’m grappling with and thinking about, you know, from the perspective of, like, models in sustainability and community organizing and collectivity.
AMAKA OKECHUKWU: I’ve been thinking a lot about sustainability lately, yeah.
IRINI NEOFOTISTOS: Because, part of the other thing is that we were -- you know, because there -- and I guess this is very important. Because [00:45:00] there were people that were coming with a political background, lens and kind of versed in these conversations, because they were, you know, second-generation folks having these conversations, red diaper babies, children of organizers, right, I think if you look at who was in the leadership, you’ll find that those were the people in the leadership. And those folks had a really big responsibility in terms of, like, okay, now how do we educate others, and so there always being a commitment to teaching and learning and continuing to grow. But you know, but it was hard sometimes to be part of the conversation if you’re not radical, if you don’t know who Marx is, if, you know, you’re not red enough or whatever. So there were hard moments. And there were moments where people felt very excluded and isolated and didn’t want to be part of it and left burnt and angry. But that’s the truth of it, too.
AMAKA OKECHUKWU: Yeah. So how did -- political education seems central to everything, or a lot of what you guys did. How did that, I guess, work on the day to day? Did you -- was it a part of kind of organizational meetings? Did you have kind of, you know, things that were more open for everybody else to come into, you know? How did you guys see political education, you know, relating to your work? And how did -- I mean, I’m assuming that it probably brought some people into the organization, too. I mean, just talk about that process.
IRINI NEOFOTISTOS: Yeah. I mean, it went through different variations throughout the history. And it was something as simple as calling out somebody’s behavior that was inappropriate to looking at kind of policies on campus and around our neighborhoods. So you know, being able to talk about an experience -- you know, I was on the train today, and somebody said this to me, you know, talking about race and class and gender in that way, from a very, you know, personal-is-political way. Then, I think there were moments where we developed guides, you know? I remember, you know, I don’t know, Patricia Collins’, you know, Black Feminist Thought, you know? That was being circulated. And you may not have been reading it, but somebody else was, and quoting it. So some of it was informal. Some of it was formal. Like, I ran into a binded political education on women’s rights, for example. What is cultural work? We’d have these conversations, you know? And there were some official study groups. And there were, you know, actual articles being circulated. So I think it happened in a formal way but also in an informal way. But it was expected that you were -- you kind of -- everybody had a magnifying glass on everything. And maybe it was because we were in a learning environment and it was expected. And of course you’re in class and you’re reading about something and it relates to something else. So I think everybody was able to bring resources, yeah.
AMAKA OKECHUKWU: All right. Well, thank you.
IRINI NEOFOTISTOS: Sure.
AMAKA OKECHUKWU: That was very helpful.
END OF AUDIO FILE
Interview
Irini Neofistos
AMAKA OKECHUKWU: Don’t think too hard about it, I guess. Okay, so can you state your name?
IRINI NEOFOTISTOS: Yes. I’m Irini Neofotistos.
AMAKA OKECHUKWU: And can you state your age?
IRINI NEOFOTISTOS: Thirty-four.
AMAKA OKECHUKWU: And how do you identify racially?
IRINI NEOFOTISTOS: That should not be hard to answer, but I’m Greek, so that’s how I answer it.
AMAKA OKECHUKWU: Okay. And how do you identify your gender?
IRINI NEOFOTISTOS: Female.
AMAKA OKECHUKWU: How do you identify your sexual orientation?
IRINI NEOFOTISTOS: Straight.
AMAKA OKECHUKWU: And your marital status?
IRINI NEOFOTISTOS: Married.
AMAKA OKECHUKWU: Do you have children?
IRINI NEOFOTISTOS: I have two children.
AMAKA OKECHUKWU: Okay. Okay, so in terms -- I guess I’ll just jump, because I usually go into more biographical information. But the last time I talked to you, you answered a lot of those questions. So I’m going to skip. So you attended Hunter. What years did you attend Hunter?
IRINI NEOFOTISTOS: I was at Hunter from ’96 to 2000, yeah.
AMAKA OKECHUKWU: Okay. And why did you choose Hunter to go to?
IRINI NEOFOTISTOS: Good question. So it was important for me to be at a city university. I visited a lot of different campuses. And I really wanted -- well, for financial reasons I needed to go to a city university. I was accepted into NYU, and that was not going to happen for me. But I also like the environment at CUNY. I was initially thinking about Adelphi University, so one of the SUNYs. And once I visited Hunter, it was locked. It was done.
AMAKA OKECHUKWU: So what was it about it?
IRINI NEOFOTISTOS: I think it was a combination of the vitality of the campus. It wasn’t -- you know, I envisioned going to a college and wanted a campus. I wanted the whole going away experience, starting new experience. So initially going to Manhattan was not what I had envisioned. But I visited those other campuses, and they didn’t speak to me the way that Hunter did. There was something about the hustle and bustle of it. It was very contained in several buildings, which I didn’t think I would like but eventually was a good thing because it was very accessible. But there was an energy on campus that was very electric. And I happened to be there at a time when there -- I actually visited right around May when I was graduating because I needed to make a determination about where I would go. And there were a lot of open houses happening at clubs. There were a lot of departments doing outreach to new students. And so, it was done. I went that day and didn’t leave for the next four or five years.
AMAKA OKECHUKWU: So when you entered Hunter, how do you remember the political atmosphere being at Hunter? And then you could also speak more generally, I guess, to the city, you know, what the political moment was during that time?
IRINI NEOFOTISTOS: Well, I was 16 when I first visited Hunter, so I was really young. And I was trying to -- that was actually the question that I wanted to answer for myself. There was a lot of -- there was a lot of stuff happening in the city. It was a time where there was a lot of repression. So there were a lot of discussions about like, quality of life, and what does that mean, and for whom? And then in terms of -- I remember, in terms of the campus, I was -- when I first visited I was trying to get a sense of, like, who was around? And were there people that I can connect with? And what was the moment that was being experienced? So I was organizing at the time in high school, and not around education. So it was important for me to find where I would -- if there was alignment politically for me with folks on campus. And I fell into a GROW training through USSA. And they were basically doing a -- their standard GROW training that weekend. And so I said, yes, I’m going to go to that.
AMAKA OKECHUKWU: What’s a GROW training?
IRINI NEOFOTISTOS: A GROW training, gosh, I should know this because my husband was a trainer and I went through the training. So I should know this. But it was many, many years ago. But it was basics on organizing. How do you assess [00:05:00] power? How do you build with a variety of people? It was very centered around students. And so, I met a lot of really dynamic people there that kind of brought me in to the SLAM! space that was very much in transition at that time. So I came to SLAM! almost immediately. And it was one of the reasons that Hunter was such a good experience for me. But I came in also academically, recognizing that I was probably at the top tier of how people come in. So I was part of a block program which, at the time, was the university’s you know, response to try to get freshmen into a cohort. So we would take -- it was very much like high school. So you would take, you know, your block classes, which were the ones that would fulfill your academic requirements with a group of people that follow you throughout the next few semesters. And that was great. But I also understood that the folks that got into the block program were very different than the folks that came in through remedial classes. So very, very early on I realized that there was -- that the school was very stratified in terms of academics. So I was appreciative to have that experience. But I also recognize that wasn’t everybody’s experience.
AMAKA OKECHUKWU: Right. How would you describe yourself politically when you came in? I mean, you’re young. You’re 16 years old. You’re younger than most people coming in. But like you mentioned, you had been organizing in high school and stuff like that. So I mean, how would you describe that? And you could also speak to the stuff that you were doing in high school as well.
IRINI NEOFOTISTOS: Yeah, so my family was very politically active. I don’t know if I’ve mentioned it to you, but I think that part of the reason that SLAM! was so successful is that we were the second generation of organizers coming in in most cases. We did a lot of political education. We shared a lot of information with each other. But I think the reason that we were so strong is that we had a lot of experience to pull from. So I was searching. I was looking for folks. I didn’t have the language for what my experiences were yet. I knew that building community and power was important. I came into organizing because there was work happening in the Greek community in two issue areas. One was the occupation of Cyprus. So occupation, power, self-determination was something that was always important to me. And then there were a lot of -- there was a lot of work happening in the Greek community around borders, and what does it mean to be Greek, and who can claim that? So at the time -- and people still use this tagline and it’s still very problematic to me, around Macedonia. So historically, there was no separation, the lines that we now understand as starting and ending points of countries that were not always the same historically. And so, it was always -- you know, so at the time there was this big movement to not allow the country, the former Yugoslav Republic, to claim the name Macedonia because then the theory was that it would be an opportunity to rewrite history, recreate maps and erase a history of a people that was there before them. And to me, the whole argument was weak. It in fact was an active erasure of the people that were living there presently. And I just didn’t have peers that I could have these conversations with. And so, politically I was trying to find language to put to what didn’t feel right but then also fight for what was [00:10:00] right. And so, I came into that space looking for that. And I think the way that I did, other folks found that space for similar reasons, not same context.
AMAKA OKECHUKWU: Right, right, right. Okay. How -- I guess before we get into the specifics of your experience in SLAM!, how do you understand the creation of SLAM!? Because you came in, what, fall ’96?
IRINI NEOFOTISTOS: I came in in the summer of ’96.
AMAKA OKECHUKWU: Summer of ’96, okay. So SLAM! had just really started to come together. So how -- can you explain the creation of SLAM! or, like, what your understanding of that creation was? Like, I’ve heard many people talk about it coming out of the CUNY coalition. I’ve heard people reference Student Power Movement. Like, I’m just, you know, trying to figure out where. And I think it’s because different people came from different things into SLAM!. But can you speak to that?
IRINI NEOFOTISTOS: Yeah, I can only speak to what I know. I came into SLAM! at a time where it did not -- it was just coming into holding resources at Hunter. There was a major and very antagonistic relationship between the former student government, who was corrupt and stealing money -- and this is not something that was made up. I mean, there’s documentation about how there was an inappropriate relationship to student funds and student organizations based on this group. And at the same time, students that were organizing citywide rallies to -- one, to educate other students about what was happening in terms of resources to next generations of students being taken away, but also being very vocal that this is not something that is acceptable, that is going to go down easy. You know, there was power being built. And I’ve been using “power” a lot. So I don’t know. I don’t think I came in to SLAM! with that language. So but there was a shift. There was a shift on campus in terms of who should represent us, who should hold resources and who has the students’ best interest in mind. And clearly the folks that were in there were not the folks. And then the folks that were developing this, I don’t think they ever said, oh, and we’re going to, you know, take over the student government. But it happened organically that those things happened at the same time. I was not part of those conversations, so I can’t speak to that. But I -- so I mentioned the GROW training earlier. That was something that was organized by the prior corrupt student government. And so, those are the folks that I initially met. But those are not the folks that I necessarily aligned myself with. And so, when I learned that the folks that I politically understood to be my people were doing this work I wanted to support them. And so, I came into SLAM! understanding that there was something happening on campus that was important. But it was linked to something that was much bigger than our experience at Hunter. And that’s when I started to learn a little bit about kind of the structures even within the university system. Like, why was LaGuardia -- that was in my borough, different from Queens College, different from Hunter College? And this is very -- still very premature because this -- you know, the discussions of having honor colleges was not even part of the conversation yet. But it was building those basic elements, those basic building blocks that were able then -- where we were able then to make connections to what was happening in a more global sense. And I think for me it was coming into a community that I recognized but that I wasn’t a part of previous to that. And so, I had a pretty isolated -- I was pretty isolated before coming to Hunter. And so, for me, being at Hunter and seeing who the students were kind of opened up a whole new world for me that I wasn’t exposed to but that I understood was -- you know, [00:15:00] they’re my contemporaries. They’re my peers.
AMAKA OKECHUKWU: Right, right. So this is a structure question, which I guess there’s many parts to this because we have -- you know, there’s Hunter SLAM! in relationship to other campus SLAM! chapters. There’s, you know, Hunter SLAM! and student government versus -- you know, student government meetings versus, you know, folks that aren’t in student government meeting. And so, I’m asking how would you describe the structure, the internal structure, of SLAM!? And let me actually read this thing first. It’s a question that I have. So this is -- I guess I have, like, a timeline of events, basically. And so, I guess this was during winter inter-session, so ’95/’96. It was decided by student activists to establish Student Liberation Action Movement, a new structure that would guarantee decisions were being made by student activists that had a real base on their campuses by requiring each campus to delegate four members to participate in CUNY-wide meetings and limiting off-campus participation to invited groups. They also require that each delegation be at least half women and half people of color. And so, I’m asking -- I read that piece because I wasn’t clear if that was actually a practice or if that shifted over times in terms of like that -- it’s a very clear kind of almost rigid structure. You have this many members to delegate to these larger meetings. Did that work in practice in your experience in SLAM!? Is that accurate? Or is it a little bit more nuanced or, you know, different than that?
IRINI NEOFOTISTOS: I’m actually surprised hearing this because I never experienced it that way. I actually didn’t know that that existed. And the first -- when you’re -- as you were reading this I actually went to a memory that I had. While I was leaving SLAM! there was an organization that basically claimed the name SLAM!. And they were not us, obviously. But then, how do we challenge that? And so, in that process, some of this stuff came up. But the folks -- so, that was one kind of experience. And then there was another experience where there were citywide meetings. And I remember going to citywide meetings. And a lot of them were held at the graduate center. And SLAM! was part of those meetings. But they were not SLAM! meetings of folks at different campuses. So it wasn’t like four students from Brooklyn College and four students from Baruch were attending, and it was a SLAM! citywide meeting. I never experienced that way. I did experience Hunter very much being a hub for students that were organizing at other campuses. So Orlando Green is a great example of this. He was the president of BSU at Baruch College. But I met him at Hunter. Suzy Subways is another one, Brad Sigal. These are folks that -- Slab was at Queens College. But they were very limited times that I remember going to other campuses to meet with other SLAM! folks. And so, I didn’t experience it functioning anywhere near that.
AMAKA OKECHUKWU: So then, what was SLAM!’s -- I mean, though Hunter was the strongest chapter, there were at times chapters in other spaces. So then, what was Hunter’s relationship to those other chapters, or yeah?
IRINI NEOFOTISTOS: I don’t think it’s as formal as -- I don’t think the relationship between SLAM! and student government are formal. I don’t think the relationship between SLAM! members of different chapters are formal. In fact, I don’t think that even within Hunter SLAM! there were formal relationships. In fact, that was one of the most puzzling and frustrating things about being part of Hunter SLAM!. And I say that because we were -- on the one hand [00:20:00] on the one hand we talked a lot about transparency. We talked a lot about and challenged leadership, and challenged each other in terms of how we interacted with one another. And then at other times things just arbitrarily -- what seemed arbitrarily happened. And so, there was informal understanding of who the leaders were. But those leaders never claimed that. And so, part of my frustration, and I’m mentioning it only because I know it wasn’t specific to me, was how do you wrangle something that you don’t quite understand but still move it forward?
AMAKA OKECHUKWU: Right. You know, that is -- it’s helpful in some ways that you say it that way because, you know, I’ve been trying to, via different interviews and just kind of reflecting, when I talk to some people it seems as if SLAM! was just a mass membership organization. Anyone could show up and be involved in whatever. I’ve talked to other people who said, well, no, I was invited. Like, I had to be invited, and SLAM! was kind of cliquey, even though I ended up becoming part of it. But it was kind of cliquey, and I had to be invited. And it was more cadre-style than like a mass membership thing. And you know, there’s -- you know, like you mentioned, that’s kind of like this core, even though it’s not a formal core. But there’s a core. And then there’s kind of other folk. And so, I guess I’m wondering, in terms of structure, you know, how would you -- I mean, is it more mass? I mean, is it somewhere in between? Are there -- you know, is there truth to anything that I’ve just mentioned in terms...
IRINI NEOFOTISTOS: There’s truth to all of that. So we’ll do it this way. Nobody was ever turned away from a rally. The more people, the better. The more folks we had sharing information about what was happening, what the policies were, what the meetings were, where we needed bodies, the better. From a worker perspective, anybody that wanted to work would be plugged in. It was sometimes their choice what they worked on. And sometimes things that folks wanted to work on they were not allowed to. And I don’t -- and sometimes it was just informal, like somebody’s got that. We don’t need you there. We need you here. So and you know, and that’s how it was stratified. But decisions in terms of how this body would move were made very tactfully, very strategically. And the problem was that internally there was a lot of unspokens about what the structure was. And so, you can only challenge to a certain degree before you were put in check. That happened to me lots of times where I felt like, oh yeah, this is -- I’m part of this inner circle, and was very skillfully shown that that was not the case. And so...
AMAKA OKECHUKWU: Okay, so then -- okay. So you started the student government positions for SLAM!, correct?
IRINI NEOFOTISTOS: I did.
AMAKA OKECHUKWU: Okay. So what was that -- I mean, how did it -- most organizations don’t have that kind of -- you know, particularly student organizations have some members that are in student government. And then you kind of have another body of folk that are connected to that. But they’re not serving in those office positions. And so how did that function, like on the day to day? I mean, the people that were in SLAM! that were on student government, they had their own student government meetings, and then they go to other kind of more general SLAM! meetings? How do student government officers function in, like, the more general meetings? What was that looking like on a day-to-day basis?
IRINI NEOFOTISTOS: So just to just put a little bit of what is it and what isn’t it, I don’t know that SLAM! meetings were ever formal. Student government meetings were formal. And business sometimes overlapped around actionable steps [00:20:00]. So imagine, you know -- and I’ll go back to this question. But you know, for student government we held meetings -- I’m sorry, we held minutes. There were particular meeting times. A lot of the decisions that SLAM! made in terms of strategy didn’t happen that way. They might have happened at somebody’s house. They might have happened at Hunter, at the Hunter College space. But there was a very tight relationship between the folks that were in leadership. And so -- and there was trust there. And so, they didn’t operate in that way. But now I’m going to backtrack a little bit. So when SLAM! decided to -- and I’m saying “when SLAM!” because for me there was no time before that. I didn’t experience a time before there was a SLAM!, right? So when SLAM! came in to student government -- and I was there at the time when that shift was happening -- it was very clear that the resources that were available would serve students at Hunter but also are resources that students in general should have. By virtue of the fact, however, that we had a student government space, those are very rigid structures. A student government is a student -- you know, whether you’re in -- you know, a student a government is a student government no matter where you are. We brought a particular political perspective to it. But a student government has certain responsibilities. And so, to earn our keep, so to speak, and to ensure that those resources were ones that we had access to -- and again, it wasn’t for self-serving reasons, but with this larger political ideology in mind it was important that it function as a student government and that it serve. So we were very mindful about how we used those resources, how we better used those resources to serve the students at Hunter. So from 9:00 to 5:00, or whatever those hours were -- I don’t think we ever opened at 9:00, but I could be wrong about that, although we did stay way into the night -- we were accessible for the student body. There were staff there. There was business being conducted. There were -- you know, there was money being signed off on. There were budgets being approved. And we were talking about the resources that students need to be effective at being students. At the same time, not anybody can just come in and being -- and even in the student government positions, not anybody can hold those positions because there was strategy involved. Like, if you came in saying I want to be the certain whatever your title is, and that’s how I’m serving, without having this larger ideological understanding of what the purpose of having these resources were, it was not an environment that you can stay in in the long haul. There were expectations that you have a more global understanding and worldview. And not everybody came in at the same level. So part of that was developed. But you had to be open to that understanding and challenge yourself in terms of that growth. Now, because of these strategic resources, however, those are the strategic resources that allowed Hunter to be -- one, we had a space. I mean, how easy is it to tell folks just come to the office. There’s a critical mass of folks that are always there. And so, some of the -- what I would consider, like, SLAM! leaders, some of those functioned also in student government offices. And some never did. And so, it isn’t like this clear line of like you’re going to be student government and SLAM!. Or, you can’t do SLAM! unless you do student government. That never existed, which is why that hierarchy is odd [00:30:00] to follow and to map, because it just didn’t function that way. There was also a very interesting dynamic between, and alliance and allegiance between the student paper, The Envoy, and the student government. Folks that were in The Envoy, similar to the student government, they had to run a paper. And so, they put out a publication. They had student writers. But the leadership there also understood that those resources were a vehicle for students’ voices to get out. And that included a political voice on campus. And so, there was a lot of allegiance not just in terms of titles and given authority, if you would, but the way that we functioned. So from a strategic question, in terms of how to move forward an agenda, that started off very, very focused on students and access to education but then very quickly snowballed into an understanding of resources and power that was much greater than that. So that starting point grew also as we as people grew. And so, it was very fluid. I don’t know if that answers your question.
AMAKA OKECHUKWU: Yeah, it does. You mentioned that, I guess, outside of the student government SLAM! meetings were informal. Do you mean in terms of kind of core of the leadership and that kind of strategizing being informal? Or do you just mean generally? Like, and I guess my question is, did SLAM! have, like, regular meetings? Like, outside of student government, did SLAM! have regular meetings? And if so, what happened at those meetings? If not, when would SLAM! meet?
IRINI NEOFOTISTOS: I feel like this shouldn’t be hard answer -- a hard question to answer. But I’m struggling to answer it. Have I ever been to an explicitly SLAM! -- an explicit SLAM! meeting? And the reason I’m having trouble answering it is because there was a lot of energy at certain times of the year, and particularly around decisions that were about to happen at the chancellor’s office or, you know, with the regents, or when the university itself was putting policies into place. There was -- or if they were -- you know, there were huge, you know, citywide events that were happening around police brutality, for example, or political prisons. There was energy. Did I say political prisons? So Mumia, for example, was a huge work that we -- you know, we did a lot of work around that. And so, when there was a moment, that campus was energized. And that was never about student government. That was creating a space for folks, whether they had been organizing in The Bronx and wanted to plug into that work, whether they had been a student at Hunter or a different campus. But there was always a space for folks to come together. And yeah, we did call meetings at 8:00 PM. That was an open call for folks. And sometimes it was a formal, like, open call. We’re going to be talking about this. But sometimes it just was -- eventually people just came. And so, yeah, it’s hard to -- it was never the same at any moment in SLAM!, I don’t think.
AMAKA OKECHUKWU: Right. So then, I mean, and you know, correct me if I’m not interpreting this correctly. It seems as if a lot of the meetings -- not all of them, but a lot of the meetings would be called around particular, like, mobilizations, kind of, you know, direct, whether it was a rally or something like that. At these SLAM! meetings, were there mostly, like, discussions? Were there decisions being made at these meetings? Or was that saved for another time?
IRINI NEOFOTISTOS: Yeah, [00:35:00] decisions were made. For example, if it was felt like -- you know, if we need to be out there to bring attention to a particular thing or to protest a particular thing, then there was a decision made. But then there were action steps that needed to follow. So in a case where you’re calling for a mass mobilization outside of the chancellor’s office, for lack of a better example, yeah, there are other campuses that need to get involved. There are permits that potentially have to be secured. There is a flyer that has to be made. There’s outreach that needs to be done. There’s class RAPs that we used to do to educate other students on campus. The bullhorn -- somebody has to bring the bullhorn, right? So where will that happen? So yeah, there’s a series of things. And then, so things happened organically. But then things were planned. So after doing this for a while you kind of -- people knew what was expected of them because they had done it prior. And so, it wasn’t like things magically happened. But there is escalation in terms of our skills, our leadership, our political education. I think there was a lot of effort put into political education and kind of understanding, even outside of those moments. So let me think about what your actual very direct question was and see if I answered it. So the direct question was, is there an initial meeting? And then, are there followup meetings? Sometimes there are followup meetings. But sometimes it’s just getting on a phone, calling somebody, talking to someone in the hallway. And we were about making it happen.
AMAKA OKECHUKWU: Okay.
IRINI NEOFOTISTOS: And let me not forget, there were also debriefs of what happened, because that was very much a part of, okay, so we said we were going to do this. Did it happen? What happened? Who stepped on whose toes, you know? We aired out a lot of that stuff, which is why the structure thing then becomes, who has formal authority and who doesn’t? I mean, we didn’t have the language to talk about it that way. But how do you call somebody out when they did something that you thought was inappropriate when that’s the structure? How is accountability held?
AMAKA OKECHUKWU: So are you saying that folks were not accountable because the structure wasn’t clear or that -- the opposite of that, or somewhere in between?
IRINI NEOFOTISTOS: Somewhere in between. I think people -- I think we -- look, we had a great group of people. So people were self-critical to a fault. Nobody could shred you down. You can do that for yourself. But you were also held, you know, to a group. And it was -- that’s the stuff that got murky and ugly and hurt folks. That’s why people got burnt out. I don’t think it was ever about the work. It was the interpersonal relationships that you were building. That’s what got messy. So yeah, people were -- there was a lot of accountability. And then there was a lot of political education, like why have women in power? Why have people of color in power? Those were important conversations. Why was it that, you know, even though we say that, they were very vocal, very visible white men that were not -- that didn’t have necessarily -- you know, that sometimes worked and sometimes didn’t, sometimes showed up and sometimes didn’t. That all happened at the same time.
AMAKA OKECHUKWU: Okay. So can you speak more specifically to how you saw the attack on open admissions kind of develop and escalate, and SLAM!’s relationship to that in terms of -- I mean, you can break that into two questions, but how you saw that, you know, attack escalate [00:40:00] as well as how SLAM! chose to respond/resist that.
IRINI NEOFOTISTOS: Okay. So I’m going to answer it in a different way, and then tell me if this makes sense. It’s kind of like when you ask somebody, like, what is love, and they tell you what is heartbreak. I’m going to have to kind of go there. But it’s very centered around education and why it’s important to the students that are involved. So for many of the students, myself included, this was the first opportunity to enter a college campus. This was the first time that they had -- I’ll talk personally. So I was the first in my family to graduate. I wasn’t the first to attend. That’s different for other folks. But there was always an importance about getting a degree and what access that then gives you later in life. And when we said “Access is a right,” we believed it. And so, to be on a campus where this is sometimes your only chance at getting a college education, and to then have challenges that students at other campuses sometimes didn’t, so paying your tuition is already a huge burden. The fact that you have to work and also go to school is a huge burden. The fact that you can’t always get, you know, enough money on that Metro card to get to school is a huge burden. Paying for your books is a huge burden. I mean, it was almost like a tease, like you have access to this, and make it happen. Show us what you’ve got. Prove yourself. And then to have policies that crack at that access, right, that’s how we come into the conversation. So to understand the kind of -- the historic understanding, the historical moment in New York, but also the personal ambition that follows legacies of people, is the context. So now, to have any discussion about increases in tuition, any conversations about chipping away at remedial education, when most of the majority of the people coming into this are coming out of public high schools that didn’t serve them, so why did they need remedial education in the first place? And then, so it’s bone after bone being taken away. You never get the full meal, right? You just get the scraps. So we’re coming into an understanding of education -- what that means for a family, what that means for a community, what that means for -- and you know, the list goes on and on. So there are personal struggles. But then there are political policies that are ripe, that are tangible and that are happening at that moment. And so, SLAM!, with these very politically minded people, and a mass of folks are coming at this from various perspectives. So yeah, we are going to go outside of the chancellor’s office and make sure that they understand that students are not agreeing with these policies. Within our own university, conversations around who we have access to even as faculty -- you know, do we have full-time professors? Or do we have adjuncts with no office hours when a lot of us are working and can’t get even to -- you know, to see them and to talk to our professors, and where they’re not being compensated for that time? So those are two -- you know, then there were fights around, you know, CUNY safety. And we were a very politically active campus. And so, a decision about whether to hire more security officers was understood as a political act, especially when those resources could be going to paying for full-time faculty, right? [00:45:00] So we have a very politically charged understanding. And folks that -- I don’t think any one SLAM! member always had the full picture. But there was something everybody could do and something everybody could focus on. So everything from, you know, what might seem like a great idea -- hey, why don’t we get a CUNY Card? You know, CUNYs are thinking about CUNY Cards. We’ll get people’s debit cards, their Metro cards, and their student ID all in one place. And we’re like, no. It was months of, you know, work, months of political education, months of building. You know, to anybody else hearing it, it sounds like a great idea. Why not have one card that kind of does this? But what does that do to your liberties as a student? Why am I being tracked for how much I spend at a particular location? And so, all of these conversations are happening at the same time. But we’re also taking proactive steps to educate the student body about why this is not in our best interest and why this is actually not about us, because our foot is already in the door. And we were very lucky to have elders that were part of these same conversations at City College, at Hostos College, generations, you know, decades prior, that are still part of guiding our conversations. You know, I’ve been thinking recently about what -- you know, to take Lenina’s story, for example. I’m pretty sure you’ve had a chance to talk to her.
AMAKA OKECHUKWU: Yeah, I’ve already interviewed her. And it’s funny because since we first talked, I ended up planning this huge conference with Right to the City. And so, I’ve spent a lot of time with Rachel and with Lenina.
IRINI NEOFOTISTOS: Yeah. So but I was thinking about her in particular. Like, her parents are both educated. They’re both professors. Her mom is a dean at one of the CUNY colleges. So she has access to education. But she chose to be at Hunter. That says a lot. So she wasn’t in my particular situation. She was in a different situation. But having access to those campuses was a political -- was an important political conversation and one that was worth putting -- building power around. So and then, you know, and then being able to question our administration and then CUNY administration on scrupulous practices, like why they were making decisions in the summer or during winter break and when they knew students could not be vocal on certain issues. And so, there was a savviness that was, you know, that was developed over time around those policies.
AMAKA OKECHUKWU: Mm-hmm. Do you remember -- I mean, because you’ve already mentioned the CUNY card. And you know, I have seen and written down dates of particular protests and rallies and things like that.
IRINI NEOFOTISTOS: Was the archive helpful with that?
AMAKA OKECHUKWU: The archive was helpful. Chris Gunderson, all his stuff was supremely helpful, and in terms of dates in particular, even though it’s funny because when you look at a -- when you go through flyers and things like that, we don’t really think about it while we’re doing it. But it’s like years are really helpful. You know, it’s like February 7th. What year? But so that was actually really helpful with dates. Do you remember any particular actions, meetings or anything like that in response to open admissions in particular? So you talked about you guys had to do a lot to, like, educate the student about, you know, some of these issues. How did you guys do that? So yeah, just can you speak to some of those things?
IRINI NEOFOTISTOS: Yeah, so I’m very bad with dates.
AMAKA OKECHUKWU: It’s okay.
IRINI NEOFOTISTOS: I don’t know if I’ll be able to get you dates.
AMAKA OKECHUKWU: Dates is -- you don’t have to. It’s fine.
IRINI NEOFOTISTOS: Yeah. So I do remember several protests outside of the chancellor’s office. I think I made it into the building once. And the reason for that was there was very -- well, one is we weren’t really there to -- we were there to disrupt [00:50:00] and bring visibility and kind of understanding of what was happening. There were times where SLAM! members testified at meetings. But there was an important -- in terms of the culture that we had developed, there were -- I don’t know that we ever wanted a seat at the table, necessarily. So it wasn’t about building one person’s individual kind of positionality as a strategy. There are groups that do that. That’s not where we were. We wanted to engage as many people as broadly as possible, one, because it was clear to us that even within the people that were -- that did believe that this was an important issue, the information that we have was not always accessible to us. So even when you’re looking for this, it’s hard to find. And so, if that was happening to us, it’s pretty clear that this issue is not on people’s radar as much as it should be. So political education was a big -- was one of the main strategies. And the way that we did that was by making sure that people at other campuses knew what was happening, but then also within our campus educating folks. And that happened through -- you know, we had club hours, for example, Wednesdays from 1:00 to 3:00, so going to the different clubs and making sure that those folks can then tell their members about what was happening. It was through organizing with different professors to go to people’s classrooms and you know, give a three-minute introduction at the beginning of class and make sure that they know that when mobilizations were happening, that they were present. And yeah, so looking back, there was a lot more that we could have done. I don’t know that we were good -- it was also a very different political moment. So I think years later I was like SLAM! had a website? What was that? Like, we were barely on email at the time. That had to do with the technological moment that we were in. So I don’t know that we were good about engaging media, for example.
AMAKA OKECHUKWU: Well, in some ways, I mean, you guys had the newspaper. So I’m sure that was used as...
IRINI NEOFOTISTOS: But it was local. It was very -- it was to mobilize. It worked for what we wanted. But I don’t know that we had kind of this grander scope of like how do we get, like, New York mobilized on this? It really wasn’t where we were at. We really wanted to talk to other students. What was the question again? I don’t even remember.
AMAKA OKECHUKWU: I mean, you’re answering it. I was just asking about kind of specific...
IRINI NEOFOTISTOS: Yeah, specific tactics that we use?
AMAKA OKECHUKWU: Yeah.
IRINI NEOFOTISTOS: Yeah, and just even outside of the Hunter building where people were coming in and out, having protests and information available, so sometimes students came to us. But sometimes we went to students.
AMAKA OKECHUKWU: Right, right. But having a visible presence on campus, yes, always -- it seems as if, you know, you guys were always available for both folks to come to you guys for stuff. But you were also in the classrooms and you know, coming out the buildings, and yeah. So I mean, I do get that sense. How would you describe the culture of SLAM!? You know, on one hand you definitely have a serious kind of intellectual engagement, right? You have an analysis, you know, so left, you know, organization. But there’s many different people coming with many different political ideologies, you know, whether Communist, Maoist, you know, whatever, into the space. But you also have this kind of, you know, artsy, kind of funky, kind of fly going on as well. So how would you describe -- and some people have specifically used that, like it was fly. Like, it was just, you know...
IRINI NEOFOTISTOS: That’s how we recruited. There was a lot of flyness happening. Are you going to come to this rally? You know, there was a whole lot of -- yeah.
AMAKA OKECHUKWU: Yeah, so how would you describe the culture of SLAM!?
IRINI NEOFOTISTOS: Well, one is, I mean, the reason why it was [00:55:00] effective is because it was as intense as it was fun. It was people’s home. Like, it is where you came to kick your shoes off and to just be with like-minded people. And so, that was very important to how you built anything. So yeah. But there was -- I mean, my first -- one of my first interactions was coming in to paint a banner. And so, there was a particular aesthetic to SLAM!, to SLAM! flyers, to our SLAM! office. I don’t know if you’ve ever seen pictures of the office, but...
AMAKA OKECHUKWU: Not -- I feel like I -- I haven’t seen a lot of photos of the office.
IRINI NEOFOTISTOS: It’s probably unlike any other student government office you can imagine. There’s Malcolm X, you know? There’s like animal -- no, I don’t know if there was ever animal print. But there was like, you know, red and gold touches everywhere. And it’s a very inviting, you know...
AMAKA OKECHUKWU: Kaz talked about Kai decorating.
IRINI NEOFOTISTOS: Yes, that was all Kai. That was all Kai. We had very -- we were really fortunate to have people that were experienced. Kai was one of them. Oh my God.
AMAKA OKECHUKWU: Well, I’m going to ask you about kind of the elders and you know, kind of mentors next.
IRINI NEOFOTISTOS: Yeah, yeah. So it was -- I mean, it was very rigorous. So the culture is very odd, right? And you mentioned this earlier. So you have this sort of government space that has very particular, like, business it conducts. At the same time you have this formal/informal cadre of folks that are coming in to change the world. And those are happening at the same time, at the same place. You have students in and out attending classes and being, you know, stimulated intellectually in their classes, information that they’re then bringing back. So the culture, yeah, there’s a lot -- you know, there’s a lot of breaking bread. There’s a lot of birthdays being celebrated. There’s Secret Santa that's happening. There are also budgets and number crunching and minutes being taken and paid staff and negotiating, you know, the space between -- the space of coming into adulthood all at the same time and feeling very responsible for the world and at the same time not always knowing how to nurture yourself and your peers in that process. And so, we were very hard on ourselves. And we expected -- you know, we did expect people to be there until 1:00 AM if something wanted to get done. And I don’t know that we ever -- we were ever good at saying, “You should go home.” And so, it’s a very rigorous emotional/mental/physical space to be in. On the one hand it’s home. And it’s the home that many people didn’t have outside of that space. And at the same time it’s -- and I don’t -- you know, I was going to say “abusive.” But I don’t think it was -- I don’t think we harmed anybody in the process. But there was a lot of selfless and selfish stuff happening in that space.
AMAKA OKECHUKWU: Right. You know what’s interesting is I find that, you know, with SLAM!, just with whatever organization, I mean, now where people are starting to get language around, like, self-care and all of that. But you know, so often that’s not very present, you know? It’s like we work until we collapse, you know? So it seems as if that was, you know, present there.
IRINI NEOFOTISTOS: And it wasn’t -- you know, I don’t think we were thinking about it like -- we were not interested in doing this ten years from now. We have to solve this now. There is no a month from now. There is no a year from now. This is not something we’re building strategy around so that we can build steps toward, you know, ten years from now having that seat in the chancellor’s office. That’s not how we were -- we need to solve this now.
AMAKA OKECHUKWU: There was immediacy.
IRINI NEOFOTISTOS: Yeah. And everything was immediate [01:00:00] because the way that open admissions -- I know you’re focusing on open admissions. But everything was that pertinent.
AMAKA OKECHUKWU: Yeah, you know, I’m focusing. I mean, you know, I’m supposed to be focusing on open admissions. But I think that, you know, I do want to think about SLAM! in its totality. And I know that so much of the work was not just open admissions. It was connected to everything, you know? So you know, don’t feel like you have to limit your scope to open admissions. What else? It was interesting. When I was talking to Kaz, he was -- and I think he’s reflected a lot on this. So I think this is why he did it in this way. But he was talking about the sensuality of SLAM!. So he was saying it was from, you know, Kai and the way she decorated the office to, like, you know, the fact that a lot of people were, you know, as young people do, coming into themselves, coming out, you know, a lot of folks were dating each other. And there was interesting interpersonal relationships. Can you speak to some of that?
IRINI NEOFOTISTOS: Mm-hmm. Am I blushing?
AMAKA OKECHUKWU: You don’t have to -- you know, you don’t have to name. Like, some people were out here, like, naming names. I was like, that’s a little too much information. You don’t have to do that. But you know, just generally you can speak to that.
IRINI NEOFOTISTOS: Yeah, yeah, and all of that was happening. We were young. It was the first time a lot of us are away from home. Yeah, so back to the aesthetic, yeah, there’s definitely, like, powerful women. Some people are turned on by that, and some people run. So the people that ran were not our people. I’m not trying to convert anybody. Yeah, I mean, there were a lot of -- the space was exactly that. The reason that it was rich is because of that. We are each coming into ourselves personally, sexually, in our relationships, how we’re treating each other. If you have an interpersonal relationship, if you have a romantic relationship with somebody, and you’re also expected to do XYZ, and you have -- you know, your political ideologies differ, well guess what? Everybody’s feeling all of that tension. And so all of that is present. And all of the -- you know, all of the stuff that comes with being sexually open, open relationships but so-and-so used to be with so-and-so, he’s cool being in an open relationship and she’s not, you know, you’re feeling all of that. And so, in many ways it’s an experiential, experimental space. We support each as much as possible. And sometimes we just need to go. And when you go, when you go it’s hard because you feel like you’re abandoning work at the same time. So yeah, a whole lot going on. But there was always music playing. There was a whole lot of, like, Love Jones CDs happening. Yeah, food, music, a lot of love, and a lot of struggle within that space.
AMAKA OKECHUKWU: Can you speak to the importance and the role of just kind of elders or, like, mentors in that space? So like, a lot of people have mentioned Kai. Pretty much everybody has mentioned her as, you know, being really significant, her partner, Ashanti Alston. Some people have mentioned Esperanza Martell. So can you...
IRINI NEOFOTISTOS: [Panama?], have -- Panama, has he come up?
AMAKA OKECHUKWU: Yeah, I haven’t heard that yet. So just, you know, mention whoever.
IRINI NEOFOTISTOS: I’m going to mention something, somebody, who is not at all an elder, but Kim Wade. Kim Wade was not an elder. But guess what? She had experiences she shared with us. And so I’m going to put her in that rank because she deserves kind of the -- being credited for having enough life experience to make that office work. So a few things. All of the people that you just mentioned had a political savvy. They understood. They saw us for the moment that they were in. But they were beyond that moment. And so, there was a lot that they can share with us in terms of life experience. So they were the ones that talked strategy, not for today, for tomorrow, [01:05:00] but for a more global. And it wasn’t just -- and they were the folks that said, you know, you don’t just share successes. You share -- I won’t call them failures, but you share your challenges, what you tried that wasn’t successful, you know. And then you get -- you’re not the first people doing this. You’re not that special. Guess what? And that was important. That was important for them to bring that in. So Kai was important because she brought in -- I mean, she was a Black Panther, right? So she brought in a particular political perspective, language. She was the one that wrote. I don’t know if you’ve come across anything that she’s written about our work. But everything from a project that we wanted to get them -- so, part of what is interesting about SLAM! and being in that office is that we have staff. And then we have folks that are giving everything and just living there because it’s part of their own psychosis like it was mine. So there’s a lot to navigate there. So there was project -- what did we call them? Project -- some staff that we brought on for a particular project. So Kim Wade came in as that. Kai was an office manager for student government. Really? That’s not at all the capacity that -- that’s not all that she functioned as. But that was her paid work. But she came there not to be an office assistant or director or whatever her title was. But she really nurtured all of us in doing this work and being mindful about how we negotiate those relationships, because if you’re not negotiating those relationships, you can’t move this work forward. So yeah, it was important to have the -- it sounds simple. But when you get a thumbs up from somebody that has that experience and that knows this, it’s invaluable. And not to say that we were dragging our feet, but to have full see and bring the perspective of, like, yes, go, do it, or red flag, you’ve done it this way. It didn’t work. Why are you doing this again? Or have you considered X, Y and Z? Those perspectives were really important. And they were mentoring relationships at a time where we really needed some support. That’s not part of the job description. That is something that they brought in. Yeah, and then, so what do you do when you’re questioning your own sexuality? Where does that fall into the conversation, the political conversation? Is that something that I’m experiencing? Is that something that I need to share? Am I accountable to folks for that when I don’t know how I’m negotiating this? So having elders in that space was important. I mention Panama because Panama and Espy were both essential in doing security trainings for us, so teaching us how to teach other students how to negotiate that space when we’re out there doing civil disobediences, anything from, like, you know, rallies and -- so, those two were really important for that. And then also for women, I mean, Espy, I think, was really -- and Kai both were really -- I think for the men, having Ashanti and Panama was important for role models. And then for the women, it’s just always good to have those male and female dynamics. But yeah, we had people that had done this, that we can see them, and that were still doing it. And it was important to their work, and that were committed to sharing their experiences with generations, with our generation. And I think that is something that we all took seriously. And I hope that -- I mean, I know that some of the youth development -- youth development. This is my foundation language coming through. Training other youth -- younger youth, high school youth -- came out of the investment that those folks made to us [01:10:00]. And I hope that we each carried that same commitment to sharing these lessons forward.
AMAKA OKECHUKWU: Right. Can you speak to any significant -- I mean, I guess other than what you’ve spoken to about open admissions, any significant events, issues, you know, that you remember working on in SLAM!? I don’t know if you were at the Republican National Convention or anything like that.
IRINI NEOFOTISTOS: Mm-mm.
AMAKA OKECHUKWU: Okay. So but any kind of significant, like, events, rallies, anything that sticks out to you?
IRINI NEOFOTISTOS: So there were -- I mean, there were two. The day-to-day matters. But then there were things that supersede this stuff. So doing work around Mumia’s campaign was that. So one of the things that I helped do was plan a conference for Critical Resistance East. And that came after going to Critical Resistance West and meeting folks at SOUL at that time and making those connections to Berkeley and to the work that STORM was doing. There was a huge action that we did at the Liberty Bell. And that was also connected to Mumia’s case. And the training that -- I mean, I couldn’t have done that without all of the training that had followed from SLAM!. And then, there was a time -- as a lot of us grew through SLAM! into different parts of ourselves, there were a lot of international travel that we then did. So I went -- there was an international delegation that Kai, Sabrine, and I participated in in Iraq around bringing attention to US post-sanctions -- UN post-sanctions, really. And then after that -- but still very much connected to that work because it was all the same people -- was the huge immigration rally that happed in New York City. And this was the date that I couldn’t remember when I was talking to Suzy. I’m not even going to -- it was February 14th, and I don’t remember the year.
AMAKA OKECHUKWU: It was in New York or in DC?
IRINI NEOFOTISTOS: It was in New York.
AMAKA OKECHUKWU: I don’t know that. Well, maybe I do. Anyway...
IRINI NEOFOTISTOS: Yeah. Yeah, so those -- I mean, those are moments that, you know, that stick out.
AMAKA OKECHUKWU: Okay. What was SLAM!’s relationship to organizations outside of Hunter, community organizations? You know, I ask that because, you know, we kind of spoke to this a little bit the last time that we met. But SLAM! to me seems like it’s really emerging at this time in which a lot of organizations that have kind of become, you know, these nonprofit like, well-known community organizations in New York or wherever else, a lot of those kind of seem to be coming into emergence at this time or, you know, maybe a little bit afterwards. And it seemed as if SLAM! was really connected to organizations outside of just, you know, student organizations. They were really connected to, like, work going on in communities outside of Hunter. You know, I’ve heard talking to a lot of people there saying that, you know, the student resource center, there was community members in there photocopying things for their own meetings, you know? So can you speak to that, and as well as -- I’m thinking more about kind of the local relationships. But you know, as you mentioned, SLAM! did have a relationship with STORM. You guys are going on international delegations, you know, Iraq. You went to Mexico. So can you speak to SLAM!’s relationship to other organizations?
IRINI NEOFOTISTOS: Yeah. And again, I think those are also very informal because each of us coming in are part of a community. And so, the reason that we’re finding SLAM! or that we’re finding some commonality with the folks there [01:15:00] are because we’re coming from a very particular perspective. And so, yeah, there’s a lot of alignment that is happening because of that. So on the one hand SLAM! has this, like, almost -- you know, this energy, this energy that folks are tapping into. But it’s also a particular moment in New York City. I mean, I mentioned quality of life earlier. To me, that is the -- that’s the -- what ties all of New York City together at that time. So the folks that feel like there is cleaning up that needs to get done so that I can live better, and then there are the recipients of what those policies -- the effects of what those policies look like in actual living communities. And so, yeah, there’s a lot of work happening in New York City around those issues, everything from, like, access to transportation and healthcare. Housing was a big, big one. The NYPD is always something of contention. And I can speak personally where I kind of gravitated towards was work around prison expansion. To me, there was a direct link between the resources coming out of the education system and going into the prison system. I saw that clear as day. And so, that’s where I focused my work. So with organizations like Critical Resistance, the Prison Moratorium Project, MXGM was sharing a space with PMP at the time, and then being part of citywide coalitions that those organizations then participated in. And so, but the way that I had a relationship with those particular groups, other folks did work around a myriad of other stuff. But yeah, I think it was energizing for us to be part of organizations that were based in communities. And it was energizing for them to have -- to them the resources were not important. It was the people. It was the fire that we brought to their events. So yeah, a really, really exciting moment to be living in, and a lot of, like, birthing of new things, right, just a lot.
AMAKA OKECHUKWU: Yeah. Why do you think SLAM!, like, ended when it did? This was after you had already left. But on one hand SLAM! lasted very long for a student organization. You know, student organizations are notoriously, you know, a cycle. You know, people are in and out. So in some ways it seems as if SLAM! lasted kind of, you know, a long time for a student organization. On the other hand you know, what do you think were the factors that led to it ending when it did?
IRINI NEOFOTISTOS: So a few things. I think the core members of SLAM! remained consistent for a long time. And that was important because in a student organization, with the amount of turnover that you have, having continuity in terms of people is important. The challenge that we spoke about earlier is that there is leadership development but that that leadership development, you know, has a line that it doesn’t cross. And so, I don’t know that the core leadership ever expanded to a place that would allow SLAM! to have the continuity that it spoke about. And so, the work, we were very committed to training folks and to doing political education. But I think that when those core leaders stepped down -- and it’s not realistic to think that anybody can be in a student organization for life. It’s not what -- it just doesn’t function that way. We each individually struggled with what’s next. I don’t know that we each individually struggled as much with -- I don’t know that that’s true. [01:20:00] We probably all lost sleep over it, but what SLAM!’s future would be, because the expectation is that this is student led and that those students coming up next would lead it. But it doesn’t work that way. And so, yeah, it’s not enough to just say, you know, I did an action with this person, I had a cup of coffee with that person, and I had a political conversation with that person, and expect it to become something that it’s not. So there were a lot of factors. There was a lot of repression on campus. The way that we became savvy, the administration became savvy. I mean, ultimately we could say that it was something as simple as losing the student election, losing the space because electronic voting. Essentially, that’s what happened. We lost -- to have access to those spaces, we would have to be voted into government. When you’re no longer voted into government, you no longer have access to those resources. I don’t think it was as simple as that. I think that would be a mechanical, technical answer to that question. I think we were burned out. I think that sustaining something that’s that dynamic takes a lot, a personal toll. Maintaining those interpersonal relationships takes a lot of work. And that is not something that the folks that were doing it could sustain. And doing all of that while also training new folks was also not something that we were equipped to do. And so, I think all of those factors contributed.
AMAKA OKECHUKWU: Who would you describe as the core for those? I guess it pretty much seemed to be the same core for most of it.
IRINI NEOFOTISTOS: The core? Yeah, there was a core. There was a core. Rachèl and Lenina were part of the core. Sandra Barros was part of the core. Jed and Chris were part of the core. John Kim came in and out of the core. I’m trying to think if there were other -- if there are others that are, you know, that I feel like are as strong. And again, I think if anybody was as consistent throughout the whole thing it would be Rachèl. Lenina came in and out. Sandra came in and out. John Kim came in and out. Jed came in and out. Chris came in and out. And I think Rachèl was probably the most consistent member. And at other times other folks came in and out. Kaz was definitely -- I don’t know. I don’t know. I want to say Kaz is part of it, part of that inner core, although -- yeah, he’s probably a little bit -- he’s in the circumference, perhaps. There are a lot of folks on the circumference, right on the cusp there, yeah.
AMAKA OKECHUKWU: So I’m not sure exactly, you know, which specific people donated all the stuff to Tamiment.. But it seems as if SLAM! was aware, to a certain extent, about the importance of documentation. Can you speak to that? You know, Chris has written a lot of stuff. You know, a lot of people have saved stuff in their personal possession as well as given it away to the NYU.
IRINI NEOFOTISTOS: It was important. I think it was important, and it was conscious. I think a lot of it -- Kai was definitely one of the people that was central to why we understood it organizationally as something that was important, even though we weren’t an organization in that way. I know I was very mindful about -- we were all very mindful about what we put on paper and what we don’t. But I always knew that it was important to leave documents. I have my own archive of all, in triplicate, probably. We all understood that we were living in a particular moment. It’s hard when you’re living in that moment to know that it’s an important moment. [01:25:00] Sometimes you know that in retrospect. But we knew it. We knew that this was not the experience of everyone and that it was a particular moment, and that it was one to be seized. We could have -- in retrospect we probably would have done a lot more. And there are always the people that are more into the doing than the note taking. Yeah, but there is a sophistication in the way that we operated. Sometimes it was trial by fire. Most of the times it was trial by fire. But there was a lot of grounding and anchoring in our practices also.
AMAKA OKECHUKWU: How do you think SLAM! influenced or shaped your politically, like after SLAM!?
IRINI NEOFOTISTOS: I mean, SLAM! is my political education. I came in with certain concepts. I was open to it. But SLAM! is where I became politicized. It’s where I understood that I’m a radical person with radical ideas. And you know what? And it was not scary. And it was okay. And it was, in fact, what we all strived to be. And perhaps we weren’t radical enough. And so, there aren’t many spaces that are that special and that exist, right, for us to be able to nurture that and grow it. But yeah, I mean, it taught me how to be human and myself and the person that I want to be, both in terms of my practices but then also the community that I want to form around me. And a lot of it was taught with what I don’t want to do again and what I don’t want my interpersonal relationships to look like. That all happened there. That’s where I met my husband, had my SLAM! babies. They’ll always be SLAM! babies. Yeah.
AMAKA OKECHUKWU: How has the political work that you’ve done after SLAM! -- do you see it in relationship to any of the stuff in SLAM!? Do you see it coming out of any of that? I mean, can you describe kind of the political work that you’ve done since?
IRINI NEOFOTISTOS: So when I left SLAM! I realized that if we’re going to be able to do this and do it in a long-term way -- so, a few things, a few realizations in my few short years at SLAM!. We’re not actually going to solve these problems tomorrow. No matter how much energy we put into this work, unless it’s sustained energy, it’s almost counterproductive. So I left with the understanding that building capacity for ourselves individually, for the people that we work with, and then having an understanding about why this is important to certain folks and how we align are all important conversations. The relationships that I built then I continue to nurture now. And it goes beyond the love that I have for them. But they’re strategic alignments and relationships that continue. So on the one hand that political grounding was important. And then as I continued to work, I think some of the militancy that we had continues to follow me. But then the compassion has also grown for the people that do this work because I understand how difficult it is and how important it is and how it’s not something that you just do for a day. You make a commitment to it. So I think and I hope that I continue to be a resource for people that continue to organize and be activists and rabble-rousers. And you know, don’t allow business that is counterproductive to the flourishing of communities to remain, right? I -- and I’ve also been very mindful about [01:30:00] what my contribution can be and then how I can have as full a life that is as balanced as possible in doing it because there was no balance then. And that’s something that I work for every day because my tendency is to burn out. I know that that’s my default. And I know that being critical is easy. But putting yourself in somebody else’s shoes, being a mentor to someone, just being present, is as important in the long term as possible. And so, yeah, I don’t build alliances for the day anymore. And I try to understand the way I navigate the world, one, to live my politics but then, two, to understand it in a progression. And the way that then we understood our work to be aligned with students, and that this is not about us, it’s about the future, that carries with me. So now it’s not about me. It’s about the future of my kids. But it is also about me and living in the communities that feel right to me, where I want to raise my family. So I don’t know if that was ever -- you know, there was never that political education. But that was the lived experience that came out of that.
AMAKA OKECHUKWU: Is there anything that you think hasn’t been said that should be further emphasized, anything that wasn’t covered in terms of, you know, your answers to these questions or any of my questions? I don’t have any more questions.
IRINI NEOFOTISTOS: There’s nothing burning. There’s nothing burning. I’ve just been really -- just to reflect back to you that I’ve been really happy that this is -- that we did enough. We did something that was worthy enough to be documented, and it is. And so I think your work is really important. The work that Suzy is doing is really important. And sharing out those lessons, I think, is a commitment that all of us had and continue to have. So yeah, I’m just excited to be able to see this and also to understand. I think the reason why your work is important is because of all of those elements, of how student organizing happens outside of this particular example. But yeah, I guess the one thing that I do want to leave with is that we did talk about SLAM!’s understanding of affirmative action and why that was important, of open admissions and why it was important. And all of us are now -- not all of us, but many of us are now coming into being parents and having to face these situations with our children. And so, the rallies that are happening in Chicago right now are felt very deeply. And so, there’s -- I think I’ve been very proud that I was part of that moment, but also understanding that this is, you know...
AMAKA OKECHUKWU: [Still fired?]
IRINI NEOFOTISTOS: Yeah, education that is based on the test, on testing, that has lost its soul, its sexiness, its artfulness, and its purpose, really. Our struggle -- I mean, that understanding is going to live within us. But we’re also responsible to educating a whole other generation for combating it. So it goes on.
AMAKA OKECHUKWU: Yes, it does. Thank you so much.
IRINI NEOFOTISTOS: Thank you.
END OF AUDIO FILE
Original Format
Digital
Duration
00:48:36 & 01:34:05
Okechukwu, Amaka. “Oral History Interview With Irini Neofistos.”, CUNY DIGITAL HISTORY ARCHIVE, accessed March 10, 2026, https://stephenz.tailc22a4b.ts.net/s/cdha/item/2008
Time Periods
1993-1999 End of Remediation and Open Admissions in Senior Colleges
2000-2010 Centralization of CUNY

